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Predictions for the 89th Academy Awards

February 26, 2017 Leave a comment

oscars-2-1

Every year I seem to cut it closer and closer to game time. Lots to deliberate on, but really it just comes down to how many Oscars will “La La Land” NOT win. We’ll find out. See my predix below, as well as my picks if I had a ballot:

__________

BEST MOTION PICTURE of the YEAR

WILL WIN: “La La Land”
MIGHT WIN: “Moonlight”
MY VOTE: “Arrival”
SHOULD BE HERE: “Jackie”

BEST DIRECTOR

WILL WIN: Damien Chazelle – “La La Land”
MIGHT WIN: Barry Jenkins – “Moonlight”
MY VOTE: Denis Villeneuve – “Arrival”
SHOULD BE HERE: Robert Eggers – “The Witch”

BEST ACTOR in a LEADING ROLE

WILL WIN: Casey Affleck – “Manchester by the Sea”
MIGHT WIN: Denzel Washington – “Fences”
MY VOTE: Casey Affleck – “Manchester by the Sea”
SHOULD BE HERE: Joel Edgerton – “Loving”

BEST ACTRESS in a LEADING ROLE

WILL WIN: Emma Stone – “La La Land”
MIGHT WIN: Isabelle Huppert – “Elle”
MY VOTE: Natalie Portman – “Jackie”
SHOULD BE HERE: Amy Adams – “Arrival”

BEST ACTOR in a SUPPORTING ROLE

WILL WIN: Mahershala Ali – “Moonlight”
MIGHT WIN: Dev Patel – “Lion”
MY VOTE: Mahershala Ali – “Moonlight”
SHOULD BE HERE: Ralph Fiennes – “A Bigger Splash”

BEST ACTRESS in a SUPPORTING ROLE

WILL WIN: Viola Davis – “Fences”
MIGHT WIN: Umm…
MY VOTE: Viola Davis – “Fences”
SHOULD BE HERE: Greta Gerwig – “20th Century Women”

BEST ORIGINAL SCREENPLAY

WILL WIN: “Manchester by the Sea”
MIGHT WIN: “La La Land”
MY VOTE: “Manchester by the Sea”
SHOULD BE HERE: “Jackie”

BEST ADAPTED SCREENPLAY

WILL WIN: “Moonlight”
MIGHT WIN: “Arrival”
MY VOTE: “Arrival”
SHOULD BE HERE: “Loving”

BEST FOREIGN LANGUAGE FILM

WILL WIN: “The Salesman”
MIGHT WIN: “Toni Erdmann”
MY VOTE: “N/A”
SHOULD BE HERE: “N/A”

BEST DOCUMENTARY FEATURE

WILL WIN: “O.J. Made in America”
MIGHT WIN: “13th”
MY VOTE: “13th”
SHOULD BE HERE: “Tower”

BEST ANIMATED FEATURE

WILL WIN: “Zootopia”
MIGHT WIN: “Kubo and the Two Strings”
MY VOTE: “Zootopia”
SHOULD BE HERE: “Sausage Party”

BEST CINEMATOGRAPHY

WILL WIN: “La La Land”
MIGHT WIN: “Lion”
MY VOTE: “Moonlight”
SHOULD BE HERE: “Jackie”

BEST EDITING

WILL WIN: “La La Land”
MIGHT WIN: “Arrival”
MY VOTE: “Arrival”
SHOULD BE HERE: “Midnight Special”

BEST PRODUCTION DESIGN

WILL WIN: “La La Land”
MIGHT WIN: “Hail, Caesar!”
MY VOTE: “Hail, Caesar!”
SHOULD BE HERE: “The Witch”

BEST COSTUME DESIGN

WILL WIN: “Jackie”
MIGHT WIN: “La La Land”
MY VOTE: “Jackie”
SHOULD BE HERE: “Silence”

BEST SOUND MIXING

WILL WIN: “La La Land”
MIGHT WIN: “Arrival”
MY VOTE: “Arrival”
SHOULD BE HERE: “Blair Witch”

BEST SOUND EFFECTS EDITING

WILL WIN: “Arrival”
MIGHT WIN: “Hacksaw Ridge”
MY VOTE: “Arrival”
SHOULD BE HERE: “Midnight Special”

BEST VISUAL EFFECTS

WILL WIN: “Jungle Book”
MIGHT WIN: “Rogue One: A Star Wars Story”
MY VOTE: “Rogue One: A Star Wars Story”
SHOULD BE HERE: “Arrival”

BEST MAKEUP and HAIRSTYLING

WILL WIN: “Suicide Squad”
MIGHT WIN: “Star Trek: Beyond”
MY VOTE: “Suicide Squad”
SHOULD BE HERE: “Hacksaw Ridge”

BEST ORIGINAL SCORE

WILL WIN: “La La Land”
MIGHT WIN: “Moonlight”
MY VOTE: “Moonlight”
SHOULD BE HERE: “Arrival”

BEST ORIGINAL SONG

WILL WIN: “City of Stars” from “La La Land”
MIGHT WIN: “How Far I’ll Go” from “Moana”
MY VOTE: “City of Stars” from “La La Land”
SHOULD BE HERE: “Heathens” from “Suicide Squad”

BEST LIVE-ACTION SHORT FILM

WILL WIN: “Sing”
MIGHT WIN: “Ennemis Interieurs”
MY VOTE: N/A
SHOULD BE HERE: N/A

BEST ANIMATED SHORT FILM

WILL WIN: “Piper”
MIGHT WIN: “Borrowed Time”
MY VOTE: N/A
SHOULD BE HERE: N/A

BEST DOCUMENTARY SHORT SUBJECT

WILL WIN: “The White Helmets”
MIGHT WIN: “Joe’s Violin”
MY VOTE: N/A
SHOULD BE HERE: N/A

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The 7th Annual Edgy Award Nominations

February 22, 2017 Leave a comment

7th-edgy-collage

Alas, it’s the most wonderful time of the year. Time to take stock of what’s been seen and shower you all with my opinions. On schedule for once.

To remind everyone, while there may only be 6 previous editions of the Edgies available online, the awards are cataloged by yours truly going all the way back to 1940. The recipients’ nomination and win counts are grouped according to each category, with the exception of the two music categories and the four acting categories being linked. So while Martin Scorsese may be getting only his 3rd nomination for producing, that certainly does not include the wealth of nominations he’s accumulated for directing.

Without further ado, here are my nominations for the best craftsmanship and talent on display in 2016:

__________

BEST ORIGINAL SONG

Audition
featured in “La La Land”
Music by Justin Hurwitz (2nd nom), Lyrics by Benj Pasik (2nd nom) and  Justin Paul (2nd nom)

City of Stars
featured in “La La Land”
Music by Justin Hurwitz (2nd nom), Lyrics by Benj Pasik (2nd nom) and  Justin Paul (2nd nom)

Drive It Like You Stole It
featured in “Sing Street”
Music and Lyrics by Gary Clark (1st nom)

Heathens
featured in “Suicide Squad”
Music and Lyrics by Tyler Joseph (1st nom)

Letter to the Free
featured in “13th”
Music and Lyrics by Common (2nd nom)

__________

BEST ORIGINAL SCORE

Arrival
Johann Johannsson (2nd nom, 1 win – “Sicaro”)

Jackie
Mica Levi (2nd nom)

Midnight Special
David Wingo (1st nom)

Moonlight
Nicholas Britell (1st nom)

The Witch
Mark Korven (1st nom)

__________

BEST MAKEUP and HAIRSTYLING

 Green Room
Nancy J. Hvasta Leonardi (1st nom) and Stephen Prouty (1st nom)

Hacksaw Ridge
Shane Thomas (1st nom)

The Light Between Oceans
Michael Marino (4th nom)

Suicide Squad
Alessandro Bertolazzi (1st nom) and Christopher Allen Nelson (1st nom)

The Witch
Francois Deganais (1st nom) and Michael J. Walsh (1st nom)

__________

BEST VISUAL EFFECTS

Arrival
Alexander Lafortune (1st nom) and Louis Morin (1st nom)

The BFG
Mark Gee (1st nom), Joe Letteri (9th nom, 5 wins – “The Hobbit: An Unexpected Journey,” “Rise of the Planet of the Apes,” “Avatar,” “LOTR: The Return of the King,” and “LOTR: The Two Towers”), Kevin McGaugh (1st nom) and Kevin Andrew Smith (1st nom)

The Jungle Book
Andrew R. Jones (3rd nom, 1 win – “Avatar”), Robert Legato (5th nom), Dan Lemmon (3rd nom, 1 win – “Rise of the Planet of the Apes”) and Adam Valdez (1st nom)

Rogue One: A Star Wars Story
Neil Corbould (4th nom, 2 wins – “Gravity” and “Gladiator”), John Knoll (6th nom, 1 win – “POTC: Dead Man’s Chest”), Hal T. Hickel (4th nom, 1 win – “POTC: Dead Man’s Chest”) and Mohen Leo (1st nom)

The Shallows
Scott E Anderson (4th nom, 2 wins – “Starship Troopers” and “Babe”), Nathan McGuinness (2nd nom) and David Nelson (1st nom)

__________

BEST SOUND EFFECTS EDITING

Arrival
Sylvain Bellemare (1st nom)

Hacksaw Ridge
Robert MacKenzie (1st nom) and Andy Wright (1st nom)

Midnight Special
Jeremy Bowker (1st nom) and Will Files (2nd nom)

A Monster Calls
Oriol Tarrago (1st nom)

 Rogue One: A Star Wars Story
David Acord (2nd nom, 1 win – “Star Wars: The Force Awakens”) and Matthew Wood (8th nom, 1 win – “Star Wars: The Force Awakens”)

__________

BEST SOUND EFFECTS MIXING

Arrival
Bernard Gariepy Strobl (1st nom) and Claude La Haye (1st nom)

Blair Witch
Andy Hay (1st nom) and Greg Townsend (1st nom)

 Green Room
Bob Chefalas (2nd nom, 1 win – “Apollo 13”) and Roland Vajs (1st nom)

Midnight Special
Will Files (2nd nom) and Brandon Proctor (1st nom)

Rogue One: A Star Wars Story
David Parker (7th nom, 1 win – “The Social Network”), Christopher Scarabosio (4th nom) and Stuart Wilson (3rd nom)

__________

BEST COSTUME DESIGN

Allied
Joanna Johnston (3rd nom)

Florence Foster Jenkins
Consolata Boyle (1st nom)

Jackie
Madeline Fontaine (1st nom)

 Silence
Dante Ferretti (1st nom)

The Witch
Linda Muir (1st nom)

__________

BEST PRODUCTION DESIGN

Arrival
Paul Hotte (1st nom) and Patrice Vermette (1st nom)

 Hail, Caesar!
Jess Gonchor (1st nom) and Nancy Haigh (8th nom)

Jackie
Veronique Melery (3rd nom, 1 win – “A Very Long Engagement”) and Jean Rabasse (1st nom)

La La Land
Sandy Reynolds-Wasco (2nd nom) and David Wasco (2nd nom)

The Witch
Mark Kirkland (1st nom) and Craig Lathrop (1st nom)

__________

BEST EDITING

American Honey
Joe Bini (1st nom)

Arrival
Joe Walker (4th nom)

Hell or High Water
Jake Roberts (1st nom)

Midnight Special
Julie Monroe (1st nom)

Moonlight
Joi McMillon (1st nom) and Nat Sanders (1st nom)

__________

BEST CINEMATOGRAPHY

Arrival
Bradford Young (2nd nom)

Jackie
Stephane Fontaine (1st nom)

La La Land
Linus Sandgren (1st nom)

Moonlight
James Laxton (1st nom)

The Witch
Jarin Blaschke (1st nom)

__________

BEST DOCUMENTARY FEATURE

13th
Spencer Averick (1st nom), Howard Barish (1st nom) and Ava DuVernay (1st nom)

Cameraperson
Kirsten Johnson (1st nom) and Marilyn Ness (1st nom)

Gleason
Seth Gordon (2nd nom, 1 win – “King of Kong: A Fistful of Dollars”), Mary Rohlich (1st nom) and Clay Tweel (1st nom)

Newtown
Maria Cuomo Cole (1st nom) and Kim A. Snyder (1st nom)

Tower
Megan Gilbride (1st nom), Keith Maitland (1st nom) and Susan P. Thomson (1st nom)

__________

BEST ADAPTED SCREENPLAY

Arrival
Eric Heisserer (1st nom)

Loving
Jeff Nichols (2nd nom)

Moonlight
Barry Jenkins (1st nom) and Tarell Alvin McCraney (1st nom)

Nocturnal Animals
Tom Ford (1st nom)

Silence
Jay Cocks (2nd nom) and Martin Scorsese (3rd nom, 1 win – “Goodfellas”)

__________

BEST ORIGINAL SCREENPLAY

Everybody Wants Some
Richard Linklater (6th nom, 1 win – “Boyhood”)

Hell or High Water
Taylor Sheridan (2nd nom)

Jackie
Noah Oppenheim (1st nom)

Manchester by the Sea
Kenneth Lonergan (2nd nom)

Paterson
Jim Jarmusch (1st nom)

__________

 BEST ENSEMBLE CAST

American Honey
Chad Cox, Raymond Coalson, Veronica Ezell, Arielle Holmes, Gary Howell, Crystal Ice, Sasha Lane, Shia LaBoeuf, McCaul Lombardi, Shawna Ray Moseley, Will Patton, Johnny Pierce II, Isaiah Stone, Kenneth Kory Tucker, Christopher David Wright

Everybody Wants Some
Temple Baker, Will Brittain, Zoey Deutsch, Ryan Guzman, Tyler Hoechlin, Blake Jenner, J. Quinton Johnson, Glen Powell, Wyatt Russell, Juston Street

Manchester by the Sea
Casey Affleck, Anna Baryshnikov, Matthew Broderick, Kyle Chandler, Tate Donovan, Kara Hayward, Stephen Henderson, Gretchen Mol, Ben O’Brien, Michelle Williams, C.J. Wilson

Moonlight
Mahershala Ali, Patrick Decile, Naomie Harris, Alex R. Hibbert, Andre Holland, Jharrel Jerome, Janelle Monae, Jaden Piner, Trevonte Rhodes, Ashton Sanders

The Witch
Kate Dickie, Lucas Dawson, Bathsheba Garnett, Ellie Grainger, Ralph Ineson, Harvey Scrimshaw, Anya Taylor-Joy

__________

 BEST ACTRESS in a SUPPORTING ROLE

viola-davis-fences

Viola Davis – “Fences”
3rd nom

greta-gerwig-20th-century-women-copy

Greta Gerwig – “20th Century Women”
1st nom

naomie-harris-moonlight

Naomie Harris – “Moonlight”
1st nom

riley-keough-american-honey

Riley Keough – “American Honey”
1st nom

michelle-williams-manchester-by-the

Michelle Williams – “Manchester by the Sea”
3rd nom, 1 win – “Brokeback Mountain”

__________

BEST ACTOR in a SUPPORTING ROLE

mahershala-ali-moonlight

Mahershala Ali – “Moonlight”
1st nom

tadanobu-asano-silence

Tadanobu Asano – “Silence”
1st nom

ralph-fiennes-bigger-splash

Ralph Fiennes – “A Bigger Splash”
3rd nom, 1 win – “Schindler’s List”

shia-labeouf-american-honey

Shia LaBeouf – “American Honey”
1st nom

michael-shannon-nocturnal-animals

Michael Shannon – “Nocturnal Animals”
4th nom

__________

BEST ACTRESS in a LEADING ROLE

amy-adams-arrival

Amy Adams – “Arrival”
6th nom

annette-bening-20th-century-women

Annette Bening – “20th Century Women”
4th nom, 1 win – “American Beauty”

rebecca-hall-christine

Rebecca Hall – “Christine”
1st nom

ruth-negga-loving

Ruth Negga – “Loving”
1st nom

natalie-portman-jackie

Natalie Portman – “Jackie”
(4th nom, 2 wins – “Black Swan” and “Closer”)

__________

BEST ACTOR in a LEADING ROLE

casey-affleck-manchester-by-the

Casey Affleck – “Manchester by the Sea”
2nd nom

joel-edgerton-loving

Joel Edgerton – “Loving”
1st nom

andrew-garfield-silence

Andrew Garfield – “Silence”
2nd nom

jake-gyllenhaal-nocturnal-animals

Jake Gyllenhaal – “Nocturnal Animals”
4th nom, 1 win – “Brokeback Mountain”

viggo-mortensen-captain-fantastic

Viggo Mortensen – “Captain Fantastic”
1st nom

__________

BEST DIRECTOR

andrea-arnold-american-honey

Andrea Arnold – “American Honey”
1st nom

robert-eggers-witch

Robert Eggers – “The Witch”
1st nom

barry-jenkins-moonlight

Barry Jenkins – “Moonlight”
1st nom

pablo-larrain-jackie

Pablo Larrain – “Jackie”
1st nom

denis-villeneuve-arrival

Denis Villeneuve – “Arrival”
3rd nom

__________

BEST MOTION PICTURE of the YEAR

13th

Spencer Averick (1st nom), Howard Barish (1st nom) and Ava DuVernay (1st nom)

American Honey

Lars Knudsen (2nd nom), Pouya Shahbazian (1st nom) and Jay Van Hoy (2nd nom)

Arrival

Shawn Levy (1st nom), Dan Levine (1st nom), David Linde (1st nom) and Aaron Ryder (1st nom)

Jackie

Darren Aronofsky (2nd nom), Paul Franklin (2nd nom), Ari Handel (1st nom) and Mickey Liddell (1st nom)

Manchester by the Sea

Matt Damon (1st nom), Chris Moore (1st nom) and Kevin J. Walsh (1st nom)

Moonlight

Dede Gardner (2nd nom, 1 win – “12 Years a Slave”), Jeremy Kleiner (2nd nom, 1 win – “12 Years a Slave”) and Adele Romanski (1st nom)

Paterson

Joshua Astrachan (2nd nom) and Carter Logan (1st nom)

Silence

Barbara De Fina (2nd nom), Randall Emmett (1st nom), Martin Scorsese (3rd nom) and Irwin Winkler (6th nom, 2 wins – “Goodfellas” and “Raging Bull”)

Tower

Megan Gilbride (1st nom), Keith Maitland (1st nom) and Susan P. Thomson (1st nom)

The Witch

Daniel Bekerman (1st nom), Lars Knudsen (2nd nom), Rodrigo Teixeira (1st nom) and Jan Van Hoy (2nd nom)

__________

NOMINATION TALLY

Films with more than 2 nominations a piece:

Arrival – 11
Moonlight – 9
Jackie – 8
The Witch – 8
American Honey – 6
Manchester by the Sea – 5
Silence – 5
La La Land – 4
Midnight Special – 4
13th – 3
Loving – 3
Nocturnal Animals – 3
Rogue One: A Star Wars Story – 3
20th Century Women – 2
Everybody Wants Some! – 2
Green Room – 2
Hell or High Water – 2
Paterson – 2
Suicide Squad – 2
Tower – 2

The 84th Oscars: Aftermath and Postgame Coverage

March 1, 2012 2 comments

As I watched the telecast of Sunday’s awards, going over the mixture of predictably safe choices, three words kept circling through my head, like scrolling text on the side of a blimp: BUSINESS AS USUAL. It’s been known for a while that the French silent film “The Artist” was scheduled to take home many of the top awards including Best Picture and Best Director. However, what was not expected was that the sweep would be split between it and Martin Scorsese’s family film (I feel like my hatred towards it spawns mostly from having to join those four words together), “Hugo,” which matched “The Artist’s” total of five wins. In simplest terms, I’d describe these wins as safe, mundane and boring, but honestly, what else is new? Read more…

My FINAL 2012 Oscar Predictions

February 26, 2012 Leave a comment

It’s time, folks. The time is come. No more second-guessing. No more procrastinating. This is it. I think I’ve provided enough commentary over the last few months (and I’ve got to start helping my girlfriend get our place ready for our Oscar party), so I’ll just let my predictions speak for themselves.

Here goes nothing:

BEST PICTURE
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST DIRECTOR
WINNER: Michel Hazanavicius – “The Artist
(runner-up: “Martin Scorsese – “Hugo”)

BEST ACTOR in a LEADING ROLE
WINNER: George Clooney – “The Descendants”
(runner-up: Jean Dujardin – “The Artist”)

BEST ACTRESS in a LEADING ROLE
WINNER: Viola Davis – “The Help”
(runner-up: Meryl Streep – “The Iron Lady”)

BEST ACTOR in a SUPPORTING ROLE
WINNER: Christopher Plummer – “Beginners”
(runner-up: Max von Sydow – “Extremely Loud and Incredibly Close”)

BEST ACTRESS in a SUPPORTING ROLE
WINNER: Octavia Spencer – “The Help”
(runner-up: Berenice Bejo – “The Artist”)

BEST ADAPTED SCREENPLAY
WINNER: “The Descendants”
(runner-up: “Moneyball”)

BEST ORIGINAL SCREENPLAY
WINNER: “Midnight in Paris”
(runner-up: “The Artist”)

BEST ANIMATED FEATURE
WINNER: “Rango”
(runner-up: “Puss in Boots”)

BEST DOCUMENTARY FEATURE
WINNER: “Paradise Lost 3: Purgatory”
(runner-up: “Undefeated”)

BEST FOREIGN LANGUAGE FILM
WINNER: “A Separation”
(runner-up: “In Darkness”)

BEST ART DIRECTION
WINNER: “Hugo”
(runner-up: “The Artist”)

BEST CINEMATOGRAPHY
WINNER: “The Tree of Life”
(runner-up: “The Artist”)

BEST COSTUME DESIGN
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST EDITING
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST SOUND MIXING
WINNER: “Hugo”
(runner-up: “War Horse”)

BEST SOUND EDITING
WINNER: “War Horse”
runner-up: “Hugo”

BEST VISUAL EFFECTS
WINNER: “Rise of the Planet of the Apes”
(runner-up: “Hugo”)

BEST MAKEUP
WINNER: “The Iron Lady”
(runner-up: “Harry Potter and the Deathly Hollows: Part 2”)

BEST ORIGINAL SCORE
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST ORIGINAL SONG
WINNER: “Man or Muppet” from “The Muppets”
(runner-up: “Real in Rio” from “Rio”)

BEST LIVE ACTION SHORT FILM
WINNER: “Tuba Atlantic”
(runner-up: “The Shore”)

BEST ANIMATED SHORT FILM
WINNER: “The Fantastic Flying Books of Mr. Morris Lessmore”
(runner-up: “A Morning Stroll”)

BEST DOCUMENTARY SHORT FILM
WINNER: “The Tsunami and the Cherry Blossom”
(runner-up: “Saving Face”)

Well there you have it. I’m gonna go make some dip. I’ll try not to get my hair in it, since pulling it out will be all I do for the next two hours.

Have fun everyone, and remember that there will be live updates on The Edge of the Frame for each win. Also, follow me on Twitter (@edgeoftheframe) for some good old snarkyness.

The 2nd Annual Edgy Award Nominations

February 21, 2012 2 comments

One of the primary focuses of this site is to analyze and report on each year’s film awards race, and many of you know this to be my true passion in life. However, if there’s one thing I enjoy more than following the Oscars, it’s making my own. Therefore, it has become a tradition of mine to gather up all my favorite aspects of the year’s filmmaking, break them down into nominations and then award what I believe to be the best of the year. And while I’ve been doing this for a long time, The Edge of the Frame gave me a chance to name them. Therefore, I present to you fine readers the 2nd Annual Edgy Award Nominations.

This year has certainly delivered a mixed bag of finalists. A total of 39 films received nominations, although 19 of those only garnered a single nomination apiece. While some categories may have some resemblance to the Academy’s choices (sometimes, they do actually make wise decisions), there are some striking differences. Thank goodness for that, for as a film critic, if my picks matched up with the Oscars, I wouldn’t be able to respect myself in the morning. Many of you have already seen my choices for Best Picture, what with my Top Ten List being released earlier in the week, and you’ll have noticed that only three films also find themselves in Oscar’s top nine ballot. Also, for the first time in my long history of doing this, not a single one of my Best Director nominees overlaps with the Academy’s.

A few notes to cover before we get started. I’ve used a similar format as last year’s nominations, listing out each nominee by name, instead of just the films themselves. Now, some of you will be bound to wonder how, if these are only the 2ND Annual Edgy Nominations, some individuals will have more than 2 mentions under their belts. The answer is because I have a slate of personal awards for each year going back over seven decades. I’ve got endless spreadsheets cataloging my choices for film winners from long before I was even born, I just don’t have the means (yet) to make those available to the public. The annotations refer to the amount of past nominations each individual has had in their respective category, except for performers who’s mentions overlap with all the other acting categories.

Now, for any readers who need more info, don’t understand or just think I’m full of it, I’ve provided a link to a separate document which holds a complete list of every single one of this year’s nominees, coupled with a complete record of their Edgy nominations and wins. Have I gone overboard with these things? Absolutely, but I have an anal retentive need to be comprehensive, not to mention that I have a devotion to all things statistical. Hope at least one person gives it a look.

One other thing to point out is that, this year, I have refrained from creating categories for both Best Foreign Language Film and Best Animated Film. To be honest, I just haven’t seen enough foreign fare to make up an accurate barometer of the year’s best. As far as animation goes, I honestly just avoided this year, practically, all together. Just a weak field that I didn’t bother focusing my income towards. I did, however, add a full category for Best Ensemble Cast. I do believe that when a film pulls off an effective ensemble performance, it’s worth taking note of because it help’s define the film and its quality. If only the Oscars shared this opinion.

So, without further ado, here are the 2011 nominations:

 

BEST ORIGINAL SONG

“The Living Proof”
featured in “The Help”
Music and Lyrics by Mary J. Blige (2nd Nom)

“Marcy’s Song”
featured in “Martha Marcy May Marlene”
Music and Lyrics by Jackson C. Frank (1st nom)

“Never Be Daunted”
featured in “Happythankyoumoreplease”
Music and Lyrics by Jaymay (1st nom)

“Shelter”
featured in “Take Shelter”
Music and Lyrics by Ben Nichols (1 nom)

“Think You Can Wait”
featured in “Win Win”
Music and Lyrics by The National (1st nom)

Read more…

2012 Academy Awards Luncheon

February 8, 2012 Leave a comment

The annual Oscar nominees luncheon is a longstanding tradition. The awards body extends an invitation to every single recipient of a nomination of this year’s event and awards them…well, there is no award. It’s kind of a pat on the back, honor to be nominated type of thing with some free food and a photo-op. All in all, this event really serves no purpose other than placating tradition.

However, as meaningless as this luncheon is, I always get a kick out of this annual photograph. There’s something kind of nostalgic and eye-catching about seeing all of the nominees lined up, middle school yearbook-style. It also gives you the chance to brush up on your “who’s who?” of Hollywood power, including the ones that you don’t regularly see on the screen. There also exists little moments in these things that make me smile. There’s old friends Marty and Spielberg standing side-by-side on the top right. Seventeen-time legend Meryl Streep alongside the up-and-comer Rooney Mara (apparently she doesn’t smile when someone says cheese, and I love her for it) at the top left. Nick Nolte looking like a sunburned Santa Clause and that the guy doing the Gollum impression in the second row.

Enjoy this year’s edition of the “Where’s Waldo?” Oscar spread.

Click the image to resize:

2012 Oscars Winner Predictions – Round One

January 29, 2012 2 comments

Well, there’s no turning back now. There’s no more debating to be done on the Academy Award nominees. No more discussion of who’s too young or too old, too white or too black, too new or two powerful, and no more weighing out each person’s clout within their particular groups of peers. The nominations are in, and it’s a whole new ballgame. Some frontrunners have fallen and others still sit at the top. Yet, I fully believe that barely a single category is the same as it was three days ago.

Instead of just highlighting a few select categories and offering my thoughts, I’m going to go through each award, one by one, and discuss how things have shaped up.

See the full list after the jump:

BEST PICTURE

Despite a couple shifts in the power balance a few days ago, this is an award whose frontrunner hasn’t shifted at all. “Hugo” may have beat it out by one to become the nomination leader (and thus the only competition for the award), but “The Artist” has a massive lead. It will take a whole lot to knock it from the top of the ladder. “The Help,” once considered a possible underdog upset, showed up little support, including a lack of the crucial Best Editing nomination. Meanwhile, “The Descendants” has lost this battle in the guilds. “Hugo” is the only film that really holds any kind of chance, but only in theory.
MY PREDICTION: “The Artist”
SPOILER: “Hugo” Read more…