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“Tinker Tailor” Leads the 2012 BAFTA Nominations

January 18, 2012 Leave a comment

I suppose it is a little misleading to say that Tomas Alfredson’s film led the nominations with 11 when “The Artist” actually had 12, but then again, does anyone really want to read another headline about the little silent-film-that-could dominating yet another awards body? I didn’t think so. And while it had been expected that the British Academy Awards would give a little push to the waining “Tinker, Tailor, Soldier, Spy,” this is certainly much more than anyone could have expected. It’s quite possible that this kind of support from the British contingent of the AMPAS might be enough to boost the film over the rim in several different categories, including Best Actor for Gary Oldman.

There’s a few other surprises and shakeups amidst the nominees. “Hugo” received a total of nine nominations, including Best Director for Martin Scorsese and yet failed to be mentioned for Best Picture or Adapted Screenplay. Meanwhile, “Drive” picked up four nominations including Picture and a fairly weird mention for Carey Mulligan. Why she was nominated for mediocre work here and not for her show-stopping performance in “Shame” is absolutely beyond me. What’s even stranger about the “Drive” nominations is the lack of Albert Brooks. This is the second highbrow snub of the man who was taking down critics awards left and right. I might not even feel bad about it if it wasn’t for his being replaced by the goofy and almost unnecessary performance by Jim Broadbent in “The Iron Lady.”

I was a bit disappointed to see “Moneyball” miss out on a Best Picture nomination. Though, it’s not exactly something that Europeans would respond to as much as American do. On the other hand, Jonah Hill’s nomination, coupled with his equivalent mentions from the SAG and Golden Globes, puts him among the top contenders for an Oscar nomination. If asked a couple months ago, I never would have expected this as a reality.

Of all these nominations, I don’t think anything has spawned more outrage, and rightfully so, then the disgusting snub of Olivia Colman for Best Actress. It’s true, not many know her name yet (though hopefully that will change soon) and the film itself is tiny enough that you may have had to drive across multiple states just to see it. Therefore, exclusion in the USA is understandable. But for the Brits to deny even a nomination to what might be the best performance of the year, in a place where the film is widespread and thriving, is absolutely appalling and degrading. Without a doubt, the BAFTA has dropped the ball like it never has before.

The official awards ceremony is being held in London on February 12th. I might actually set aside the time to watch the live stream, this year. With that said, here are all of the nominees:

Best Film
“The Artist”
“The Descendants”
“Drive”
“The Help”
“Tinker, Tailor, Soldier, Spy”

Best British Film
“My Week With Marilyn”
“Senna”
“Shame”
“Tinker, Tailor, Soldier, Spy”
“We Need to Talk About Kevin”

Best Director
Michel Hazanavicius – “The Artist”
Nicolas Winding Refn – “Drive”
Martin Scorsese – “Hugo”
Tomas Alfredson – “Tinker, Tailor, Soldier Spy”
Lynne Ramsay – “We Need to Talk About Kevin”

Best Actor
George Clooney – “The Descendants”
Jean Dujardin – “The Artist”
Michael Fassbender – “Shame”
Gary Oldman – “Tinker, Tailor, Soldier, Spy”
Brad Pitt – “Moneyball”

Best Actress
Bérénice Bejo – “The Artist”
Viola Davis – “The Help”
Meryl Streep – “The Iron Lady”
Tilda Swinton – “We Need to Talk About Kevin”
Michelle Williams – “My Week With Marilyn”

Best Supporting Actor
Kenneth Branagh – “My Week With Marilyn”
Jim Broadbent – “The Iron Lady”
Jonah Hill – “Moneyball”
Philip Seymour Hoffman – “The Ides of March”
Christopher Plummer – “Beginners”

Best Supporting Actress
Jessica Chastain – “The Help”
Judi Dench – “My Week With Marilyn”
Melissa McCarthy – “Bridesmaids”
Carey Mulligan – “Drive”
Octavia Spencer – “The Help”

Best Original Screenplay
“The Artist”
“Bridesmaids”
“The Guard”
“The Iron Lady”
“Midnight in Paris”

Best Adapted Screenplay
“The Descendants”
“The Help”
“The Ides of March”
“Moneyball”
“Tinker, Tailor, Soldier, Spy”

Best Foreign Language Film
“Incendies”
“Pina”
“Potiche”
“A Separation”
“The Skin I Live In”

Best Documentary
“George Harrison: Living in the Material World”
“Project Nim”
“Senna”

Best Animated Feature
“The Adventures of Tintin”
“Arthur Christmas”
“Rango”

Best Art Direction
“The Artist”
“Harry Potter and the Deathly Hallows: Part 2”
“Hugo”
“Tinker, Tailor, Soldier, Spy”
“War Horse”

Best Cinematography
“The Artist”
“The Girl With the Dragon Tattoo”
“Hugo”
“Tinker, Tailor, Soldier, Spy”
“War Horse”

Best Costume Design
“The Artist”
“Hugo”
“Jane Eyre”
“My Week With Marilyn”
“Tinker, Tailor, Soldier, Spy”

Best Film Editing
“The Artist”
“Drive”
“Hugo”
“Senna”
“Tinker, Tailor, Soldier, Spy”

Best Makeup & Hair
“The Artist”
“Harry Potter and the Deathly Hallows: Part 2”
“Hugo”
“The Iron Lady”
“My Week With Marilyn”

Best Music
“The Artist”
“The Girl With the Dragon Tattoo”
“Hugo”
“Tinker, Tailor, Soldier, Spy”
“War Horse”

Best Sound
“The Artist”
“Harry Potter and the Deathly Hallows: Part 2”
“Hugo”
“Tinker, Tailor, Soldier, Spy”
“War Horse”

Best Visual Effects
“The Adventures of Tintin”
“Harry Potter and the Deathly Hallows: Part 2”
“Hugo”
“Rise of the Planet of the Apes”
“War Horse”

Best Debut by a British Director, Writer or Producer
Joe Cornish – “Attack the Block”
Will Sharpe, Tom Kingsley and Sarah Brocklehurst – “Black Pond”
Ralph Fiennes – “Coriolanus”
Richard Ayoade – “Submarine”
Paddy Considine – “Tyrannosaur”

My 25 Most Anticipated Films of the Season

September 21, 2011 1 comment

Tis the season. What season is that? It’s kind of hard to say. I suppose it’s a combination of fall and winter. I suppose it’s when the awards season really starts to heat up. More than that, however, it’s the time of year when good movies are released. That’s what it is, primarily. It’s the season of good movies, and I look forward to it all year long.

In honor of that, I thought I’d throw up a little list entailing the movies that you absolutely should not miss. Now, these are not necessarily films that you’re guaranteed to like. I’m not even guaranteed to approve. Neither is this an Oscarish type of list, for its guaranteed that nearly half of these movies will never even see a nomination at the Kodak.

What these films do have in common is that they have not yet been released to the general public and from trailers, stills, stories, festival performances and what some critics have already said about them, they look pretty good to me. These are the movies that I really cannot wait to see. With each title in the countdown, I’ve included a few words about why I find these films so promising. I’ve also posted each film’s trailer (except for the small few that have yet to release one). So without further adieu, enjoy, and remember this list if you plan on seeing at least twenty-five movies in the next few months.

NOTE: Two films most would expect to be on here, are not. “Moneyball” would have made a spot on the list, but I have already caught an advance screening of it (AND LOVED IT). “Drive” would also certainly find its place on here, since I have not yet gotten a chance to see it, but since it has already been released, it excludes itself from the rest of films featured.

_____

25. “Margaret”

September 30th (limited)

WHY IT’S  HERE: Pretty weird situation here. The film looks to have an interesting plot, a great cast. However, after being delayed release for six years, you’d think this film’s going to have some severe flaws and issues. The winning flip side is that after that much time of waiting and hoping, the amount of anticipation this film carries with it is more than enough reel me in.

Read more…

“Tyrannosaur” Trailer

August 25, 2011 1 comment

Let’s clear one thing up, right off of the bat:

No, this movie is not about dinosaurs.

Well, now that we’ve gotten that out of the way, let’s talk about this potentially strong film. I had heard it’s title pop up every now and then, over the last year. Most prominently, the Sundance Film Festival issued it acting awards for both of its main stars, Peter Mullan and Olivia Colman, as well as Best Director for first-time helmer Paddy Considine.

It tells the story of a harsh Irish community where a woman seeks to remove herself from an abusive relationship. She ends up looking for comfort in the arms of the least-expected person, a mean-spirited, ill-tempered alcoholic, who happens to be seeking his own redemption for his rotten lifestyle.

Apparently, the film contains two off-the-chart amazing performances by Mullan and Colman. I haven’t seen Olivia in much of anything, but look forward to what kind of honesty she can bring to such a damaged character. Peter Mullan, on the other hand, is a long-time favorite of mine. He is both memorable and fantastic in the small roles he has played in films like “Braveheart,” “Trainspotting” and “Children of Men.” Here, he really gets an unusual chance to flex his dramatic muscle. Much like John Hawkes, last year, I hope Mullan is able to truly deliver in this film and be honored with an underdog Oscar nomination. There’s always hope.

Check out the new trailer, below: