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Posts Tagged ‘top ten’

My 2012 Top Ten List

February 18, 2013 Leave a comment

It seems ironic and more than a little redeeming that around this same time last year, I ran my mouth off about 2011 being one of the worst quality years for filmmaking in some time. Well, the gods of cinema seem to have answered my prayers, for I don’t think I could have asked for a more diverse and memorable year. Just working on this list is a treat, and I hope so will reading it.

Without further adieu, let’s start with this year’s runners-up:

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dark_knight_rises_top_ten“The Dark Knight Rises”

Directed by Christopher Nolan
Written by Jonathan Nolan and Christopher Nolan

While living up to its predecessor was a bit too much to ask for, Nolan’s final chapter is still a head above any other comic book film in this year, or really any other. The new characters are sharp, the villains are brutal and the epic tale’s message is as poignant as ever.

 

 

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The Shape of Things and Those to Come

January 22, 2011 8 comments

We’re now down to just over a month left until cinema’s biggest night, the 83rd Annual Academy Awards, and only three days left till the nominations are released. It’s a very exciting time for movies and an equally exciting time for The Edge of the Frame. I’ve got a lot of great stuff planned for the coming weeks.

First off, now that all of the guild nominations are complete, I will try to be as prompt as possible at announcing the winners as they are awarded. First off will be the Producers Guild which is holding its ceremony tonight. Many believe that, with the DGA and WGA all but locked up, the Producers are the last big hurdle that “The Social Network” needs to vanquish before it can be considered a virtual lock for the Best Picture Oscar. Or, put another way, if “The King’s Speech,” “Black Swan,” “The Fighter,” “Inception,” or even “Toy Story 3” wants to put up any kind of a fight, this should be their last stand. I mean these are producers we’re talking about, so massive box office success may be taken into account here. And all of the above-mentioned films have much more exciting box office turn-ins than the frontrunner (not that “TSN” fared badly, bringing in just shy of $100 million off of a $40 million dollar budget). As far as money goes, my own is still squarely behind David Fincher’s masterpiece. It doesn’t help having one of Hollywood’s most loved and successful producers behind the curtain, in the form of Scott Rudin.

On top of the guilds, I’m going to attempt to not wait until the last possible moment to announce my predictions for this year’s Academy Awards. I’m hoping that by tomorrow evening, I will be ready for my final guess. While, it’s true, there’s virtually nothing between today and Tuesday morning that could change what’s in the envelopes (especially since the AMPAS’ polls closed over a week ago). However, it’s all about the vibe, and for that, I have to take my time.

Along with continuing awards coverage, I am also drafting a few feature articles. I’m currently in progress on my next addition to The Lists series, focusing on the greatest addicts in movie history. Meanwhile, I’m also planning two articles in support of “The Social Network.” One, countering arguments that the film is overrated due to its historic inaccuracies and possibly another that defends Jesse Eisenberg’s performance as one of the year’s best, if not the best of the best.

You know, I take a lot of guff from people who say that I have a huge bias for the Facebook film; that this site is simply all “Social Network” all day long. Well, let’s face it folks. This awards season, let alone the year in cinema has been all “Social Network” all day. As the tagline states, “You don’t get to 500 million friends without making a few enemies.” Well, you don’t get to win 30 out of 33 awards for Best Picture of the Year without being a pretty goddamn good movie, so I really don’t think I’m alone on this one.

Finally, as the 2010 film season comes to a close, it’s about time I conclude my critical coverage of the season. Soon, I will be rolling out my “Best of the Year” series. There are still four more films that I absolutely must see before I feel comfortable posting a valid list. David Michod’s “Animal Kingdom” is in my Blu ray player waiting for me when I get home from work, today. I’ve scheduled a screening of Mike Leigh’s “Another Year” tomorrow afternoon. I should have some time to check out Peter Weir’s “The Way Back later this week, and Alejandro Gonzalez Inarritu’s “Biutiful” opens in Chicago on the 28th. On that time table, I should be able to assemble my Top Ten List by February 1st. I may just have time to sneak “Repo Men,” “Mother and Child,” “The Virginity Hit” and “Scott Pilgrim vs. the World” into consideration, pending on how fast I can work my way through my Netflix DVD queue.

Shortly after I post my Top Ten of the Year, I will begin preparing the nominations for the Conroy Film Awards, or “The Connies” for a certain few who have chosen to refer to them that way. These are my own personal Academy Awards. I believe I have a set of them for every year going back to 1940. They’re tailored with the same nominees as the AMPAS, along with a few other fun categories, including Best Ensemble Cast, Best Heros/Villains, and Best Ending (with no spoilers included, of course).

All in all, it should be a good time. So keep reading, folks, cause the fun is about to begin.

Quentin Tarantino’s Top Ten List

January 2, 2011 Leave a comment

Yes, it’s true that Quentin Tarantino is not a true film critic from any type of publication. However, it’s no mystery that he has a vast and intensive knowledge of cinema and sees quite a few movies. I mean the man used to work in a video store, and it’s old wives tale that he saw every single film within the building’s walls. Therefore, I don’t have much of a problem with posting his Top Ten favorite films.

They are:

1. “Toy Story 3”

2. “The Social Network”

3. “Animal Kingdom”

4. “I Am Love”

5. “Tangled”

6. “True Grit”

7. “The Town”

8. “Greenberg”

9. “Cyrus”

10. “Enter the Void”

Not at bad list, at least not the top two slots. That’s about all that I have to say on the subject. Stay tuned for the National Society of Film Critics Awards which should be out within the next day or two.

My Top Ten Trailers of 2010

December 23, 2010 Leave a comment

So, it’s been a while since I’ve made my last list, aside from the unveiling of the Mitchell List. My last compilation was the Top Ten Movie Monsters of all time, which was a reasonable hit for the site. Now, it’s time for the second edition: The Top Ten Trailers of 2010.

I love movie trailers. I know that some people can’t stand them and even refuse to watch them, but I believe that they can be one of the most enjoyable aspects of going to the movies, as long as their made well. It’s always, actually, been a semi-dream job of mine to edit trailers, because there’s really nothing more fun.

In order to be phenomenal, a trailer must have many of the same qualifications of a great film. It has to have stellar pacing, it must give proper introduction to the film’s character’s and plot. However, unlike a film, it cannot give too much away of the plot and has to leave something exciting for the ticket price. It usually doesn’t hurt to have a decent choice of music, too.

The following are a selection of my favorite trailers that encompass all of these aspects. This includes trailers only for films released during the 2010 year, or else “Battle: Los Angeles” would most certainly be here. Without, further ado, here are the five runners-up:

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Roger Ebert’s Top Ten List

December 17, 2010 Leave a comment

Roger Ebert of the Chicago Sun Times, arguably the most famous movie critic in history, has released his Top Ten of the year. While it’s not that close to my own choices, it’s far more interesting then Peter Travers, which was released a bit earlier this month. The lists do, however, share the same choice as Best Film of the Year.

Not hard to guess what it is.

1. The Social Network
2. The King’s Speech
3. Black Swan
4. I Am Love
5. Winter’s Bone
6. Inception
7. The Secret in Their Eyes
8. The American
9. The Kids Are All Right
10. The Ghost Writer

Here is what he had to say about his number 1 choice:

1. “The Social Network” Here is a film about how people relate to their corporate roles and demographic groups rather than to each other as human beings. That’s the fascination for me; not the rise of social networks but the lives of those who are socially networked. Mark Zuckerberg, who made billions from Facebook and plans to give most of it away, isn’t driven by greed or the lust for power. He’s driven by obsession with an abstract system. He could as well be a chessmaster like Bobby Fischer. He finds satisfaction in manipulating systems.

The tension in the film is between Zuckerberg and the Winklevoss twins, who may well have invented Facebook for all I know, but are traditional analog humans motivated by pride and possessiveness. If Zuckerberg took their idea and ran with it, it was because he saw it as a logical insight rather than intellectual property. Some films observe fundamental shifts in human nature, and this is one of them.

David Fincher’s direction, Aaron Sorkin’s screenplay and the acting by Jesse Eisenberg, Justin Timberlake and the others all harmoniously create not only a story but a world view, showing how Zuckerberg is hopeless at personal relationships but instinctively projects himself into a virtual world and brings 500 million others behind him. “The Social Network” clarifies a process that some believe (and others fear) is creating a new mind-set.

Read more about Ebert’s other choices for best films of the year over at his blog, Roger Ebert’s Journal.

AFI Top Ten List

December 13, 2010 Leave a comment

Quite a boring list, but they’re still AFI, so I guess I have to report this. Unordered, so we don’t know what their favorite is. I’ll just assume that it’s “The Social Network.” : )

AFI TOP TEN LIST

Black Swan

The Fighter

Inception

The Kids Are All Right

127 Hours

The Social Network

The Town

Toy Story 3

True Grit

Winter’s Bone

Richard Corliss of TIME Magazine’s Top Ten List

December 9, 2010 Leave a comment

Yet another top ten. This one from TIME Magazine’s Richard Corliss. His picks sometimes do get a little outlandish, but quite interesting, nonetheless. “Toy Story 3” gets its first major #1 slot. Good for it, as well as “Inside Job.”

Richard Corliss
1. “Toy Story 3”
2. “Inside Job”
3. “Never Let Me Go”
4. “Life During Wartime”
5. “The Social Network”
6. “Rabbit Hole”
7. “Wild Grass”
8. “Green Zone”
9. “Waiting for Superman”
10. “Four Lions”

I really must get around to seeing “Four Lions.” I’ve heard nothing but good things and I’m also an ENORMOUS fan of “In the Loop,” with which it shares a writer.

“Green Zone,” though? Really? The most visceral experience of 2010? I’m perhaps the greatest Paul Greengrass fan in the world, at least of his subjective, docudrama style, but this was one of the most boring and unrealistic action movies I’ve seen in recent years. A letdown, for sure.