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2012 American Cinema Editors Nominees

January 16, 2012 Leave a comment

You know how when watching the credits of a movie and the editor’s name is usually followed by the acronym “A.C.E.”? Why is that? I remember when I was a kid, I used to think it was some sort of self-designated achievement. Once they’ve been around in the industry long enough, they earn the right to call themselves an “ACE.” Well, the truth of what A.C.E. stands for isn’t far from that logic, though it isn’t exactly the same as what WWII fighter pilots saw it as.

The American Cinema Editors is the guild belonging to motion picture editors. While not to be confused with a dues-paying union, the ACE serves more as a society, inducting new members via a voting process based on their experience and skill. Each year, for the last fifty years, the guild has been hosting the Eddie Awards, awarding the best achievements in film editing for each year. While probably not its primary purpose, this award is very influential in each year’s Oscar race.

One of the most interesting facts about the Academy Awards involves feature film editing. In the last thirty years, no film has earned a victory for Best Picture of the Year without also gaining at least a nomination for Best Editing. Since the ACE’s nominations usually line up with it’s equivalent Oscar at least 4/5, this is as good of indicator of the what nominations will look like next week as you can get. In the case of these nominations, not a lot of surprises, being that all of the projected frontrunners have happened to show up here.

The nominees are:

BEST EDITED FEATURE FILM (DRAMATIC)
“The Descendants” – Kevin Tent
“The Girl with the Dragon Tattoo” – Kirk Baxter and Angus Wall
“Hugo” – Thelma Schoonmaker
“Moneyball” – Christopher Tellefsen
“War Horse” – Michael Kahn

BEST EDITED FEATURE FILM (MUSICAL or COMEDIC)
“The Artist” – Anne-Sophie Bion and Michel Hazanavicius
“Bridesmaids” William Kerr and Michael L. Sale
“Midnight in Paris” – Alisa Lepselter
“My Week with Marilyn” Michael Recht
“Young Adult” – Dana Glauberman

BEST EDITED FEATURE FILM (ANIMATED)
“The Adventures of Tintin” – Michael Kahn
“Puss in Boots” – Eric Dapkewicz
“Rango” – Craig Wood

BEST EDITED FEATURE FILM (DOCUMENTARY)
“Cave of Forgotten Dreams” – Joe Bini and Maya Hawk
“Freedom Riders” – Lewis Erskine and Aljernon Tunsil
“George Harrison: Living in the Material World” – David Tedeschi

The Dramatic category is all but exactly what we’d expected it to be. With the kind of bad guild luck that “War Horse” has been experiencing as of late, it’s a little more surprising that it has been able to achieve recognition, however, it’s really difficult to snub Michael Kahn for anything, these days. He really is a master craftsmen, having just received the ACE’s Lifetime Achievement Award the previous year.

As far as Musical/Comedy is concerned, “The Artist,” “Midnight in Paris” and “Bridesmaids” were all likely contenders in this category. One surprise is the absence of such popular comedies as “50/50” and “Win Win” which seem to have been doing well with both critics and industry types up to this point. If only the folks at the top could get their heads screwed on straight and realize that “My Week with Marilyn” is about as comedic as it is musical. It honestly shouldn’t be on either one of these lists, but should at least get it’s classification right.

What does this mean for Oscar? At this point, I would consider “The Artist” and “Hugo” to be locks for a Best Editing nomination. “The Artist” is simply a juggernaut at this point and respect and admiration for Thelma Schoonmaker’s craft is beyond reproach. Following these two would be “The Girl with the Dragon Tattoo,” who’s editors took home the gold last year for “The Social Network,” and “Moneyball,” which is here perhaps completely off of quality and merit. A perfectly edited film.

For the fifth slot, odds are on either “War Horse” or “The Descendants.” The first definitely has the chops, but has lost an immense amount of steam in the last month. At the Golden Globes, the film was treated almost as an afterthought in the awards race. “The Descendants” is far from having anything that resembles showy or standout editing. Yet, probably well-aware of the thirty-year curse, Fox Searchlight has been trying desperately hard to campaign for the film’s editors in a last ditch effort not to fall victim to Oscar voodoo. In the end, there’s always the chance that an unforeseen contender might sneak in. “Tinker, Tailor, Soldier, Spy,” “The Ides of March” and “Drive” are superbly edited features and could easily find their way in much like “Blood Diamond,” “Children of Men” and “Cinderella Man” (none of which received ACE nominations) did in past years.

Only three primary guilds are left to release their nominations (the Costume Designers Guild, the Cinema Audio Society, and the Motion Picture Sound Editors). However, those organizations have not indicated as to when said announcements will take place. Stay up to date when they do at The Edge of the Frame.

69th Annual Golden Globe Winners

January 15, 2012 Leave a comment

Listed below are the winners of this year’s Golden Globe Awards.

Enjoy:

FILM

BEST PICTURE: DRAMA: “The Descendants”

BEST PICTURE: MUSICAL or COMEDY: “The Artist”

BEST DIRECTOR: Martin Scorsese – “Hugo”

BEST ACTOR in a DRAMA: George Clooney – “The Descendants”

BEST ACTRESS in a DRAMA: Meryl Streep – “The Help”

BEST ACTOR in a MUSICAL or COMEDY: Jean Dujardin – “The Artist”

BEST ACTRESS in a MUSICAL or COMEDY: Michelle Williams – “My Week with Marilyn”

BEST SUPPORTING ACTOR: Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS: Octavia Spencer – “The Help”

BEST SCREENPLAY: Woody Allen – “Midnight in Paris”

BEST FOREIGN LANGUAGE FILM: “A Separation”

BEST ANIMATED FEATURE FILM: “The Adventures of Tintin”

BEST ORIGINAL SCORE: Ludovic Bource – “The Artist”

BEST ORIGINAL SONG: “Masterpiece” by Madonna – “W.E.”

TELEVISION

BEST TV DRAMA SERIES: “Homeland”

BEST TV ACTOR in a DRAMA SERIES: Kelsey Grammer – “Boss”

BEST TV ACTRESS in a DRAMA SERIES: Claire Danes – “Homeland”

BEST TV MINI-SERIES or MOVIE: “Downton Abbey”

BEST TV ACTOR in a MINI-SERIES or MOVIE: Idris Elba – “Luther”

BEST TV ACTRESS in a MINI-SERIES or MOVIE: Kate Winslet – “Mildred Pierce”

BEST TV COMEDY SERIES: “Modern Family”

BEST TV ACTOR in a COMEDY SERIES: Matt LeBlanc – “Episodes”

BEST TV ACTRESS in a COMEDY SERIES: Laura Dern – “Enlightened”

BEST SUPPORTING ACTOR in TELEVISION: Peter Dinklage – “Game of Thrones”

BEST SUPPORTING ACTRESS in TELEVISION: Jessica Lange – “American Horror Story”

My Golden Globe Predictions 2012

January 15, 2012 Leave a comment

Same deal as Thursday. I’ll give my winner predictions as well as an alternate. Some of these are going to be pretty predictable. Others Just seem like they’re predictable. There’s bound to be one or two surprises, here. I would expect a very close dogfight in Best Director, with Hazanavicius, Scorsese and Allen all with decent shot at the gold. I also believe that the award for Best Actress (Drama) will largely determine the trajectory of that category for the rest of the year. If Viola Davis is able to overtake Meryl Streep on the veteran’s home turf, expect things to go in her favor from here on out.

It will be interesting to see how much the HFPA’s star-fucking tendencies will be in check, tonight. I think everyone, this year, is expecting them to keep a grip on themselves, for the most part. However, one big question looms: will they snub “A Separation” (a film that has pretty much unanimously been labeled the year’s finest film, foreign or otherwise) for the sole chance of giving a statue to Angelina Jolie. How can they possibly resist?

It shouldn’t be a big secret that I despise the Globes. True that they did do all right by me last year by giving four awards to “The Social Network.” Yet, in that same year, all ninety members of the Hollywood Foreign Press accepted bribes to be flown to Vegas for a live performance by Cher, in exchange for voting “Burlesque” in for a Best Picture nomination. Therefore, I expect plenty of whoring to happen this year, as well.

Or, who knows? Maybe awarding such an outstanding film, last year, caused them to turn over a new leaf. On the whole, their slate of nominees has shown a bit more class and taste than in years’ previous.

The best thing about tonight’s awards is not the HFPA’s winners, but NBC’s coverage of it. One must give credit to NBC for going against the celebrity-loving critics’ wishes and bringing back Ricky Gervais to host the ceremony. I mean come on. If we’re going to watch a three hour event of how cool they are, the least celebrities can do for us is take a little kick in the ass for our amusement. Hopefully, Gervais will be wearing a steel-toed boot. Should be a hoot.

And now, The Edge of the Frame’s picks. My winner predictions are highlighted in bold, while my runners-up are underlined.

BEST PICTURE: DRAMA
“The Descendants”
“The Help”
Hugo
“The Ides of March”
“Moneyball”
“War Horse”

BEST PICTURE: MUSICAL/COMEDY
“The Artist”
“Bridesmaids”
“50/50″
Midnight in Paris
“My Week With Marilyn”

BEST DIRECTOR
Woody Allen – “Midnight in Paris”
Michel Hazanavicius – “The Artist”
Alexander Payne – “The Descendants”
Martin Scorsese – “Hugo”
George Clooney – “The Ides of March”

BEST ACTOR: DRAMA
George Clooney – “The Descendants”
Leonardo DiCaprio – “J. Edgar”
Michael Fassbender – “Shame”
Ryan Gosling – “The Ides of March”
Brad Pitt – “Moneyball”

BEST ACTOR: MUSICAL/COMEDY
Jean Dujardin – “The Artist”
Brendan Gleeson – “The Guard”
Joseph Gordon-Levitt – “50/50″
Ryan Gosling – “Crazy, Stupid, Love.”
Owen Wilson – “Midnight in Paris”

BEST ACTRESS: DRAMA
Glenn Close – “Albert Nobbs”
Viola Davis – “The Help”
Rooney Mara – “The Girl With the Dragon Tattoo”
Meryl Streep – “The Iron Lady”
Tilda Swinton – “We Need to Talk About Kevin”

BEST ACTRESS: MUSICAL/COMEDY
Jodie Foster – “Carnage”
Kristen Wiig – “Bridesmaids”
Charlize Theron – “Young Adult”
Michelle Williams – “My Week With Marilyn”
Kate Winslet – “Carnage”

BEST SUPPORTING ACTOR
Kenneth Branagh – “My Week With Marilyn”
Albert Brooks – “Drive”
Jonah Hill – “Moneyball”
Viggo Mortensen – “A Dangerous Method”
Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS
Berenice Bejo – “The Artist”
Jessica Chastain – “The Help”
Janet McTeer – “Albert Nobbs”
Octavia Spencer – “The Help”
Shailene Woodley – “The Descendants”

BEST SCREENPLAY
Michel Hazanavicius – “The Artist”
Alexander Payne, Nat Faxon and Jim Rash – “The Descendants”
George Clooney – Grant Heslov and Beau Willimon, “The Ides of March”
Woody Allen – “Midnight in Paris”
Aaron Sorkin and Steven Zaillian – “Moneyball”

BEST FOREIGN-LANGUAGE FILM
“The Flowers of War”
“In the Land of Blood and Honey”
“The Kid With a Bike”
“A Separation”
“The Skin I Live In”

BEST ANIMATED FEATURE
“The Adventures of Tintin”
“Arthur Christmas”
“Cars 2″
“Puss in Boots”
“Rango”

BEST ORIGINAL SCORE
Ludovic Bource – “The Artist”

Trent Reznor and Attivus Ross – “The Girl With the Dragon Tattoo”
Howard Shore – “Hugo”
John Williams – “War Horse”
Abel Korzeniowski – “W.E.”

BEST ORIGINAL SONG
“Lay Your Head Down” – “Albert Nobbs”
“Hello Hello” – “Gnomeo and Juliet”
“The Living Proof” – “The Help”
“The Keeper” – “Machine Gun Preacher”
“Masterpiece” – “W.E.”

17th Annual Critics Choice Winners

January 12, 2012 Leave a comment

I’ll be posting the awards as they’re announced live. The technical awards and, you know, others that don’t include stars, will be announced prior to the show starting, so they will be showing up first.

Here are the winners:

BEST PICTURE
“The Artist”

BEST DIRECTOR
Michael Hazanavicius – “The Artist”

BEST ACTOR
George Clooney – “The Descendants”

BEST ACTRESS
Viola Davis – “The Help”

BEST SUPPORTING ACTOR
Christopher Plummer – “The Beginners”

BEST SUPPORTING ACTRESS
Octavia Spencer – “The Help”

BEST ENSEMBLE CAST
“The Help”

BEST YOUNG ACTOR/ACTRESS
Thomas Horn – “Extremely Loud and Incredibly Close”

BEST ADAPTED SCREENPLAY
“MONEYBALL”!!!!!!!!!!

BEST ORIGINAL SCREENPLAY
“Midnight in Paris”

BEST CINEMATOGRAPHY
(TIE) “War Horse” – Janusz Kaminski and “The Tree of Life” – Emmanuel Lubezki

BEST EDITING
“The Girl with the Dragon Tattoo”

BEST ART DIRECTION
“Hugo”

BEST COSTUME DESIGN
“The Artist”

BEST SOUND
“Harry Potter and the Deathly Hollows: Part II”

BEST VISUAL EFFECTS
“Rise of the Planet of the Apes”

BEST MAKEUP
“Harry Potter and the Deathly Hollows: Part II”

BEST ORIGINAL SCORE
“The Artist”

BEST ORIGINAL SONG
“Life is a Happy Song” – “The Muppets”

BEST DOCUMENTARY
“George Harrison: Living in a Material World”

BEST FOREIGN LANGUAGE FILM
“A Separation”

BEST ANIMATED FILM
“Rango”

BEST COMEDY
“Bridesmaids”

BEST ACTION MOVIE
“Drive”

My BFCA Critics Choice Awards Predictions

January 12, 2012 2 comments

 I’m not going to spend any time discussing these but just let my predictions speak for themselves. But, if I could make one wish to the Awards Gods, please let “Moneyball” win for Best Adapted Screenplay. We all know it deserves it.

For the record, as much as I’d like to, I’m really not trying very hard on these. Feel free to use these as a useful guide, but honestly, who the hell knows what these crazy-ass critics are going to do here? Are they going to follow their hearts? Are they going to vote for what people want them to vote for? Or are they going to do what they love most: predict the Oscars?

Who cares? Don’t put any money on these.

Moving on:

BEST PICTURE
“The Artist”
r/u: “Hugo”

BEST ACTOR
George Clooney – “The Descendants”
r/u: Brad Pitt – “Moneyball”

BEST ACTRESS
Meryl Streep – “The Iron Lady”
r/u: Michelle Williams – “My Week With Marilyn”

BEST SUPPORTING ACTOR
Albert Brooks – “Drive”
r/u: Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS
Octavia Spencer – “The Help”
r/u: Melissa McCarthy – “Bridesmaids”

BEST YOUNG ACTOR/ACTRESS
Shailene Woodley – “The Descendants”
r/u: Asa Butterfield – “Hugo”

BEST ACTING ENSEMBLE
“The Help”
r/u: “The Artist”

BEST DIRECTOR
Martin Scorsese – “Hugo”
r/u: Michel Hazanavicius – “The Artist”

BEST ORIGINAL SCREENPLAY
“The Artist” – Michel Hazanavicius
r/u: “Midnight in Paris” – Woody Allen

BEST ADAPTED SCREENPLAY
“The Descendants” – Alexander Payne and Nat Faxon & Jim Rash
r/u: “Moneyball” – Steven Zaillian and Aaron Sorkin, Story by Stan Chervin

BEST CINEMATOGRAPHY
“The Tree of Life” – Emmanuel Lubezki
r/u: “Hugo” – Robert Richardson

BEST ART DIRECTION
“Hugo” – Production Designer: Dante Ferretti, Set Decorator: Francesca Lo Schiavo
r/u: “Harry Potter and the Deathly Hallows: Part 2” – Production Designer: Stuart Craig, Set Decorator: Stephenie McMillan

BEST EDITING
“Hugo” – Thelma Schoonmaker
r/u: “The Artist” – Michel Hazanavicius and Anne-Sophie Bion

BEST COSTUME DESIGN
“The Artist” – Mark Bridges
r/u: “Hugo” – Sandy Powell

BEST MAKEUP
“The Iron Lady”
r/u: “Harry Potter and the Deathly Hallows: Part 2”

BEST VISUAL EFFECTS
“Rise of the Planet of the Apes”
r/u: “Harry Potter and the Deathly Hollows: Part II”

BEST SOUND
“Hugo”
r/u: “War Horse”

BEST FOREIGN LANGUAGE FILM
“A Separation”
r/u: “The Skin I Live In”

BEST DOCUMENTARY FEATURE
“Project Nim”
r/u: “Cave of Forgotten Dreams”

BEST SONG
“Pictures in My Head” – performed by Kermit and the Muppets/written by Jeannie Lurie, Aris Archontis and Chen Neeman – “The Muppets”
r/u: “The Living Proof” – performed by Mary J. Blige/written by Mary J. Blige, Thomas Newman and Harvey Mason, Jr. – “The Help”

BEST SCORE
“War Horse” – John Williams
r/u: “The Artist”

BEST ANIMATED FEATURE
“Rango”
r/u: “The Adventures of Tintin”

BEST ACTION MOVIE
“Drive”
r/u: “Rise of the Planet of the Apes”

BEST COMEDY
“Bridesmaids”
r/u: “Midnight in Paris”

Updated Oscar Predictions – 1/6

January 6, 2012 Leave a comment

These might be my final set of predictions before last call on January 23rd. There’s still a mess-load of guilds on their way and a box office that could still declare certain films winners (or losers), but I still feel pretty confident about these choices. Feel free to comment whether you agree or think I’m crazy.

One note: I have spent the entire year not predicting “Extremely Loud and Incredibly Close,” while everyone else was jumping on the bandwagon. Now that the film has all but completely fallen off the radar (thanks to the utter panning of critics), I can’t help but feel a sense of unadulterated joy. Maybe I’ll be eating my words, later on, but for now…huzzah.

One more note: The Academy’s new method of having and indiscriminate amount of Best Picture nominees has made predicting that category nearly impossible. Therefore, I will still guess on the full ten and you can go ahead and judge by the numbers I provide as to what will make it if there are nine or eight, etc…

BEST PICTURE

1. “The Artist”
2. “Hugo”
3. “The Descendants”
4. “The Help”
5. “War Horse”
6. “Midnight in Paris”
7. “Moneyball”
8. “The Girl with the Dragon Tattoo”
9. “Bridesmaids”
10. “The Tree of Life”

Alt 1: “Drive”
Alt 2: “My Week with Marilyn”

Read more…

Writers Guild of America Nominations Announced

January 5, 2012 Leave a comment

And the guilds keep rolling in. Now, when it comes to Oscar, one cannot hold the WGA up to the same predictive powers as, say, the SAG or the PGA. This is not because the voting bodies don’t match up very well, because they do. It’s because of the Writers Guild annual list of discriminatory ineligibility standards. This year, a number of very promising scripts have been cast by the wayside. The potential frontrunner for Best Original Screenplay “The Artist” will not be found here, along with “Shame,” “Martha Marcy May Marlene,” “Beginners,” and “Margin Call” (among many others). In adapted, “Carnage,” “My Week with Marilyn,” “Drive” and “Tinker, Tailor, Soldier, Spy” are SOL. I don’t mind saying every year that the WGA needs to stop shunning great writers just because they don’t pay their annual dues. With that, on to who does.

If you take a good look at that ineligible list above, you will notice that Steven Spielberg’s “War Horse” is not there. That’s right, it missed out on this nom out of sheer lack of votes. This is the second guild in a row to snub the film, and yet, I still do not believe it’s Best Picture chances have been tarnished. What has, however, been taken down a notch is George Clooney’s “The Ides of March,” which got a bit of a boost with Tuesday’s PGA nominations, but really could have used this one, as well. If the man, himself, doesn’t grab a DGA nod on Monday, I’d consider “Ides” to be down and out.

So enough of what’s been missing guilds and on to what’s been racking them in. Out of all the movies from this year, only two have nailed nominations in each of the four guilds, thus far: “The Help” and…that’s right…”Bridesmaids.” Chew on that for a bit, and begin to accept the film’s Best Picture chances. I’m still not sold, but am certainly entertaining the idea. However, a film enjoying perhaps an even better week is “The Girl with the Dragon Tattoo” and I could not be more pleased. Granted Steven Zallian’s script may be ousted by one of the ineligibles in a couple of weeks, this makes 3 out of 4 guild nominations (and let’s be real, an Ensemble Cast nomination was never really in the cards, given the film’s dynamic). If David Fincher is able to score his second straight DGA nomination, it will be difficult to deny this fantastic film’s chances.

One final note. Congratulations to Zallian and Sorkin for writing the BEST screenplay of the year. Hands down.

Well, I’ll let the nominees do the rest of the talking, themselves. Check them out:

BEST ADAPTED SCREENPLAY
“The Descendants” by Alexander Payne, Nat Faxon and Jim Rash
“The Girl with the Dragon Tattoo” by Steven Zallian
“The Help” by Tate Taylor
“Hugo” by John Logan
“Moneyball” by Aaron Sorkin and Steven Zallian

BEST ORIGINAL SCREENPLAY
“50/50” by Will Reiser
“Bridesmaids” by Annie Mumolo and Kristen Wiig
“Midnight in Paris” by Woody Allen
“Win Win” by Tom McCarthy
“Young Adult” by Diablo Cody

BEST DOCUMENTARY FEATURE
“Better this World” by Katie Galloway and Kelly Duane de la Vega
“If a Tree Falls: A Story of the Earth Liberation Front” by Marshall Curry and Matthew Hamachek
“Nostalgia for the Light” by Patricio Guzman
“Pina” by Wim Wenders
“Position Among the Stars” by Hetty Naaijkens-Retel Helmrich and Leonard Retel Helmrich
“Senna” by Manish Pandey

Back Into the Fray…

January 4, 2012 Leave a comment

Alright, it’s certainly no secret that I’ve been on quite a hiatus from The Edge of the Frame over the last two weeks. I’m sorry to say that I don’t even have a good excuse, aside from just having a lot going on. Obviously Christmas, New Year’s Eve and both of their aftermaths have taken their toll on my schedule. As some of you know, my birthday also happened to fall in the last few weeks (congratulations to me for making it to a quarter of a century) which also brought about it’s own string of festivities. Perhaps the most time-consuming and unfortunately debilitating event of recent times was my grueling bout with food poisoning, that kept me all but bed-ridden for nearly a week. Allow me to thank Peking Chinese Kitchen on Belmont for that. You definitely lost a return customer with that one.

Anyway, now that my schedule is relatively clear and my digestive system is back to normal, I think it’s about time to get back down to business. The last post I made was to close out the biggest week in the awards season with the Golden Globe nominations. And while not many more hugely substantial announcements have occurred since, the shape of this year’s race has shifted a little bit. Let’s dive in.

Well, while other things have changed here and there, the overall frontrunner has not moved much. “The Artist” positioned itself in the lead about a month ago and it really hasn’t lost any ground. “The Tree of Life” has certainly picked up a lot of steam on the critics circuit, but no film has come close to matching the strong silent type in terms of genuine devotion, from critics and audiences alike. It also has a fresh taste spinning for it that virtually no other film made this year can lay claim to.

So what film this year still has the potential to upset the current trajectory? The answer, unfortunately is nothing. Several films have earned themselves a late surge with some unexpected critical love, such as the above-mentioned “The Tree of Life,” as well as “Drive,” yet both films are still just fighting for nominations. As far as the other juggernauts go, “War Horse” just hasn’t been able to break past its own sappiness to overcome it’s largely mediocre status. “The Descendants,” meanwhile, seemingly peaked too early and lost a lot of its buzz by the time awards started rolling in. It will still likely pick up an Oscar or two, but its original status as a Best Picture hopeful is fading.

Perhaps the only two films that stand anywhere near a fighting chance are “Hugo” and “The Help.” While just about no one (aside from myself) can stop drooling their praise all over Martin Scorsese and what he has done with this 3D endeavor, the film does suffer greatly from completely missing out in the SAG nominations. Say what you want, but the performers contingent of the Academy nearly doubles any other and their opinion weighs in greatly, here. And one film’s bane is another’s best friend, for “The Help” has the SAG deep in it’s pocket. This unlikely little film-that-could has surprisingly become “The Artist”‘s biggest competition, provided it keeps up a solid guild run (which certainly seems probable with it’s PGA nomination). Perhaps its biggest detractor is the lack of a well-known director. Yet, if Tate Taylor is able to surprise us all with a DGA nomination next week, it’s star will just keep rising.

Obviously, the biggest surprise of the last month has been the emergence of “Bridesmaids” as a contender for a Best Picture nomination. I’d wager any money that, back in May, you could count on both hands how many people thought that this was a plausible scenario for a film that features one woman going number two in a bathroom sink, while another squats in the middle of the street. Albeit, that is arguably the funniest scene of any film this year and I would not be at all disappointed if the film ended up on the shortlist. Yet, it’s bordering on mystifying that the Academy has reached that point. If “Bridesmaids” scores a nomination with the WGA, tomorrow, it will have one from all four guilds, and you can count on only one hand the amount of films that have done that this year.

I won’t go into the acting categories just yet, but will hopefully address those individually at a later date. However, I will be following this up with a new complete set of predictions by tomorrow. Stay tuned.

The PGA Nominations Announced

January 3, 2012 Leave a comment

I’m going to avoid any general discussion on this at the moment, suffice a moment of ecstatic joy concerning the official end of “Harry Potter and the Deathly Hollows” Best Picture run. It would take a miracle to get it in if the Producers won’t even give it the time of day. Apologies to “Potter” aficionados who read this blog, but I have never been a fan and I’d hate to to see that film steal away a spot on the shortlist, namely from films like “The Girl with the Dragon Tattoo” or “Moneyball”.

I’m currently crafting an all-encompassing post on the status of the current race which will be out later today. But for now, here are the nominations:

“THE ARTIST”
Producer: Thomas Langmann

“BRIDESMAIDS”
Producers: Judd Apatow, Barry Mendel, Clayton Townsend

“THE DESCENDANTS”
Producers: Jim Burke, Alexander Payne, Jim Taylor

“THE GIRL WITH THE DRAGON TATTOO”
Producers: Ceán Chaffin, Scott Rudin

“THE HELP”
Producers: Michael Barnathan, Chris Columbus, Brunson Green

“HUGO”
Producers: Graham King, Martin Scorsese

“THE IDES OF MARCH”
Producers: George Clooney, Grant Heslov, Brian Oliver

“MIDNIGHT IN PARIS”
Producers: Letty Aronson, Stephen Tenenbaum

“MONEYBALL”
Producers: Michael De Luca, Rachael Horovitz, Brad Pitt

“WAR HORSE”
Producers: Kathleen Kennedy, Steven Spielberg

The Producers Guild of America Producer of the Year Award in Animated Theatrical Motion Pictures:

“THE ADVENTURES OF TINTIN”
Producers: Peter Jackson, Kathleen Kennedy, Steven Spielberg

“CARS 2”
Producer: Denise Ream

“KUNG FU PANDA 2”
Producer: Melissa Cobb

“PUSS IN BOOTS”
Producers: Joe M. Aguilar, Latifa Ouaou

“RANGO”
Producers: John B. Carls, Gore Verbinski

The 69th Annual Golden Globe Nominations

December 15, 2011 3 comments

Once again, I’ll have a full opinion piece out in a few hours. In the meantime, I’ll leave you with the nominees (including a tally of how many I correctly predicted). Also, there’s one jarring thought that’s kind of occupying my mind right now?

WHERE THE HELL IS MELISSA McCARTHY!?!?!?!?!?! HFPA, just what were you thinking?

…and the nominees are…

BEST PICTURE: DRAMA  (4/5 + 1 alternate)
“The Descendants”
“The Help”
“Hugo”
“The Ides of March”
“Moneyball”
“War Horse”

BEST PICTURE: MUSICAL/COMEDY (5/5!!!)
“The Artist”
“Bridesmaids”
“50/50”
“Midnight in Paris”
“My Week With Marilyn”

BEST DIRECTOR (4/5 + 1 alternate)
Woody Allen – “Midnight in Paris”
Michel Hazanavicius, “The Artist”
Alexander Payne, “The Descendants”
Martin Scorsese, “Hugo”
George Clooney, “The Ides of March”

BEST ACTOR: DRAMA (4/5 +1 alternate)
George Clooney, “The Descendants”
Leonardo DiCaprio, “J. Edgar”
Michael Fassbender, “Shame”
Ryan Gosling, “The Ides of March”
Brad Pitt, “Moneyball”

BEST ACTOR: MUSICAL/COMEDY (3/5)
Jean Dujardin, “The Artist”
Brendan Gleeson, “The Guard”
Joseph Gordon-Levitt, “50/50”
Ryan Gosling, “Crazy, Stupid, Love.”
Owen Wilson, “Midnight in Paris”

BEST ACTRESS: DRAMA (4/5)
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl With the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Tilda Swinton, “We Need to Talk About Kevin”

BEST ACTRESS: MUSICAL/COMEDY (4/5 + 1 alternate)
Jodie Foster, “Carnage”
Kristen Wiig, “Bridesmaids”
Charlize Theron, “Young Adult”
Michelle Williams, “My Week With Marilyn”
Kate Winslet, “Carnage”

BEST SUPPORTING ACTOR (3/5 + 1 alternate)
Kenneth Branagh, “My Week With Marilyn”
Albert Brooks, “Drive”
Jonah Hill, “Moneyball”
Viggo Mortensen, “A Dangerous Method”
Christopher Plummer, “Beginners”

BEST SUPPORTING ACTRESS (3/5 + 1 alternate)
Berenice Bejo, “The Artist”
Jessica Chastain, “The Help”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”
Shailene Woodley, “The Descendants”

BEST SCREENPLAY (4/5)
Michel Hazanavicius, “The Artist”
Alexander Payne, Nat Faxon and Jim Rash, “The Descendants”
George Clooney, Grant Heslov and Beau Willimon, “The Ides of March”
Woody Allen, “Midnight in Paris”
Aaron Sorkin and Steven Zaillian, “Moneyball”

BEST FOREIGN-LANGUAGE FILM (N/A)
“The Flowers of War”
“In the Land of Blood and Honey”
“The Kid With a Bike”
“A Separation”
“The Skin I Live In”

BEST ANIMATED FEATURE (5/5!!!)
“The Adventures of Tintin”
“Arthur Christmas”
“Cars 2”
“Puss in Boots”
“Rango”

BEST ORIGINAL SCORE (3/5)
Ludovic Bource, “The Artist”
Trent Reznor and Attivus Ross, “The Girl With the Dragon Tattoo”
Howard Shore, “Hugo”
John Williams, “War Horse”
Abel Korzeniowski, “W.E.”

BEST ORIGINAL SONG (N/A)
“Lay Your Head Down,” “Albert Nobbs”
“Hello Hello,” “Gnomeo and Juliet”
“The Living Proof,” “The Help”
“The Keeper,” “Machine Gun Preacher”
“Masterpiece,” “W.E.”