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Posts Tagged ‘rise of the planet of the apes’

The 84th Oscars: Aftermath and Postgame Coverage

March 1, 2012 2 comments

As I watched the telecast of Sunday’s awards, going over the mixture of predictably safe choices, three words kept circling through my head, like scrolling text on the side of a blimp: BUSINESS AS USUAL. It’s been known for a while that the French silent film “The Artist” was scheduled to take home many of the top awards including Best Picture and Best Director. However, what was not expected was that the sweep would be split between it and Martin Scorsese’s family film (I feel like my hatred towards it spawns mostly from having to join those four words together), “Hugo,” which matched “The Artist’s” total of five wins. In simplest terms, I’d describe these wins as safe, mundane and boring, but honestly, what else is new? Read more…

My FINAL 2012 Oscar Predictions

February 26, 2012 Leave a comment

It’s time, folks. The time is come. No more second-guessing. No more procrastinating. This is it. I think I’ve provided enough commentary over the last few months (and I’ve got to start helping my girlfriend get our place ready for our Oscar party), so I’ll just let my predictions speak for themselves.

Here goes nothing:

BEST PICTURE
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST DIRECTOR
WINNER: Michel Hazanavicius – “The Artist
(runner-up: “Martin Scorsese – “Hugo”)

BEST ACTOR in a LEADING ROLE
WINNER: George Clooney – “The Descendants”
(runner-up: Jean Dujardin – “The Artist”)

BEST ACTRESS in a LEADING ROLE
WINNER: Viola Davis – “The Help”
(runner-up: Meryl Streep – “The Iron Lady”)

BEST ACTOR in a SUPPORTING ROLE
WINNER: Christopher Plummer – “Beginners”
(runner-up: Max von Sydow – “Extremely Loud and Incredibly Close”)

BEST ACTRESS in a SUPPORTING ROLE
WINNER: Octavia Spencer – “The Help”
(runner-up: Berenice Bejo – “The Artist”)

BEST ADAPTED SCREENPLAY
WINNER: “The Descendants”
(runner-up: “Moneyball”)

BEST ORIGINAL SCREENPLAY
WINNER: “Midnight in Paris”
(runner-up: “The Artist”)

BEST ANIMATED FEATURE
WINNER: “Rango”
(runner-up: “Puss in Boots”)

BEST DOCUMENTARY FEATURE
WINNER: “Paradise Lost 3: Purgatory”
(runner-up: “Undefeated”)

BEST FOREIGN LANGUAGE FILM
WINNER: “A Separation”
(runner-up: “In Darkness”)

BEST ART DIRECTION
WINNER: “Hugo”
(runner-up: “The Artist”)

BEST CINEMATOGRAPHY
WINNER: “The Tree of Life”
(runner-up: “The Artist”)

BEST COSTUME DESIGN
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST EDITING
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST SOUND MIXING
WINNER: “Hugo”
(runner-up: “War Horse”)

BEST SOUND EDITING
WINNER: “War Horse”
runner-up: “Hugo”

BEST VISUAL EFFECTS
WINNER: “Rise of the Planet of the Apes”
(runner-up: “Hugo”)

BEST MAKEUP
WINNER: “The Iron Lady”
(runner-up: “Harry Potter and the Deathly Hollows: Part 2”)

BEST ORIGINAL SCORE
WINNER: “The Artist”
(runner-up: “Hugo”)

BEST ORIGINAL SONG
WINNER: “Man or Muppet” from “The Muppets”
(runner-up: “Real in Rio” from “Rio”)

BEST LIVE ACTION SHORT FILM
WINNER: “Tuba Atlantic”
(runner-up: “The Shore”)

BEST ANIMATED SHORT FILM
WINNER: “The Fantastic Flying Books of Mr. Morris Lessmore”
(runner-up: “A Morning Stroll”)

BEST DOCUMENTARY SHORT FILM
WINNER: “The Tsunami and the Cherry Blossom”
(runner-up: “Saving Face”)

Well there you have it. I’m gonna go make some dip. I’ll try not to get my hair in it, since pulling it out will be all I do for the next two hours.

Have fun everyone, and remember that there will be live updates on The Edge of the Frame for each win. Also, follow me on Twitter (@edgeoftheframe) for some good old snarkyness.

2nd Annual Edgy Award Winners

February 25, 2012 2 comments

At last, the moment you’ve all been waiting for. After a lot of work and, actually, a lot more deliberation than I had originally imagined, it’s now time to announce the winners of the 2nd Annual Edgy Awards. If you missed the original nominations, you can find the full list here. These winners encompass what I believe to be the best work put forth in each respective category. Now, I’m sure there’s a few that people are sure to disagree with, so, in addition to posting video clips that showcase the work, I’ll also provide a bit of commentary that will help to defend my decisions.

This year shows a very different distribution than the 1st Edgy Awards. Last year, nearly fifty percent of the awards were collected by only two films (“The Social Network” – 7 and “Inception” – 4). This year has seemed to take on a more “spread the wealth” fashion. For example, last year, there were only six films taking home one award apiece (and that was with an extra category). This year, there are thirteen. This might also be the first time in my history of giving awards that a different film has won each of the eight technical categories (Cinematography, Editing, Art Direction, Costume Design, Sound Mixing, Sound Editing, Visual Effects, and Makeup). I guess that shows the diversity of filmmaking that this year brought to the table.

It’s time to sit back and enjoy. Here are your Edgy winners:

BEST ORIGINAL SONG

“Think You Can Wait”

Music and Lyrics by “The National

RUNNER-UP: “Shelter” from “Take Shelter”

Aside from just being a straight-up beautiful and enjoyable song to listen to, over and over, “Think You Can Wait” is a phenomenal companion piece to Thomas McCarthy’s “Win Win.” The longing melody and wistfully fluid lyrics encompass both the woes and lingering hopes of the suburban life experienced by the film’s characters. This winner was never a question in my mind. A fantastic song.

Read more…

2012 Oscars Winner Predictions – Round One

January 29, 2012 2 comments

Well, there’s no turning back now. There’s no more debating to be done on the Academy Award nominees. No more discussion of who’s too young or too old, too white or too black, too new or two powerful, and no more weighing out each person’s clout within their particular groups of peers. The nominations are in, and it’s a whole new ballgame. Some frontrunners have fallen and others still sit at the top. Yet, I fully believe that barely a single category is the same as it was three days ago.

Instead of just highlighting a few select categories and offering my thoughts, I’m going to go through each award, one by one, and discuss how things have shaped up.

See the full list after the jump:

BEST PICTURE

Despite a couple shifts in the power balance a few days ago, this is an award whose frontrunner hasn’t shifted at all. “Hugo” may have beat it out by one to become the nomination leader (and thus the only competition for the award), but “The Artist” has a massive lead. It will take a whole lot to knock it from the top of the ladder. “The Help,” once considered a possible underdog upset, showed up little support, including a lack of the crucial Best Editing nomination. Meanwhile, “The Descendants” has lost this battle in the guilds. “Hugo” is the only film that really holds any kind of chance, but only in theory.
MY PREDICTION: “The Artist”
SPOILER: “Hugo” Read more…

Motion Picture Sound Editors Announce 2012 Nominations

January 20, 2012 1 comment

I can’t say I’m as enthralled by the MPSE’s nominations. They just don’t have the same oomph and hutzpah that their younger brother, the Cinema Audio Society, seems to exhibit. It might have to do with their obvious indecisiveness, citing forty-seven nominees split into seven different categories. I do, in fact, understand the difference in editing both music and dialogue, yet, when you can’t narrow it down past eight nominees for ADR editing, you’re just not trying hard enough.

That brings me to the second point which is quality. When you’re nominating films like “Hop,” “Abduction” and “Priest” for actual awards, those films better have sound editing on par with “Saving Private Ryan.” Otherwise, you look just about as stupid as the Academy’s make-up branch when they nominate the latest Eddie Murphy or Adam Sandler flick. Some films just deserve to be forgotten and by nominating them for awards, you’re just not helping anyone. And “Quarantine II: Terminal”? Seriously? I have no words.

As far as what these awards mean for Oscar, one thing’s for sure. Even if the Academy’s visual effects corridor has shunned it, “Super 8” has certainly made its make in regards to its sound. After picking up a CAS nom yesterday, the film dominated the MPSE with three mentions, in other words, every category that it was eligible in. I think it would be safe to put money on Abrams’ film making it in for at least one, if not both of the AMPAS sound categories.

See the full list of nominees after the cut:

BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM
“Drive”
“Fast Five”
“The Girl with the Dragon Tattoo”
“Mission Impossible: Ghost Protocol”
“Rise of the Planet of the Apes”
“Super 8”
“Transformers: Dark of the Moon”
“War Horse”

Read more…

The Visual Effects Society Nominates…

January 9, 2012 Leave a comment

I won’t spend a lot of time on this, being that we already have the Academy’s shortlist down to ten names. In case you missed the news, the following films are still in the running for the Best Visual Effects Oscar.

“Captain America: The First Avenger”

“Harry Potter and the Deathly Hallows Part 2″

“Hugo”

“Mission: Impossible – Ghost Protocol”

“Pirates of the Caribbean: On Stranger Tides”

“Real Steel”

“Rise of the Planet of the Apes”

“Transformers: Dark of the Moon”

“The Tree of Life”

“X-Men: First Class”

This list of nominees from the VES, doesn’t really change or sway much. The frontrunners all managed to pick up a slew of nominations. “Transformers” and “Harry Potter” led the way with five apiece. “Rise of the Planet of the Apes” wasn’t far behind with four and “Hugo” picked up the rear with three. One unusual facet of these noms is the complete exclusion of “The Tree of Life,” which many believed to be that fifth slot with the Oscars. Also snubbed were “X-Men: First Class” and “Real Steel,” while “Captain America” and “Thor,” while already kicked off the Academy’s list, managed multiple nominations.

Perhaps the most notable detail that I can see is the complete snubbage of J.J. Abrams’ “Super 8”. Now I know that the film is not on the Academy’s shortlist for this award, but I can remember back to a time when many thought that this film would clean up in the tech categories. Here it doesn’t even merit a single mention. We’ll have to wait for the MPSE and the CAS, but now I’m wondering if the film might be banned from the Kodak entirely.

See the full list of nominees after the cut:

Outstanding Visual Effects in a Visual Effects-Driven Feature
“Captain America: The First Avenger”
“Harry Potter and the Deathly Hallows: Part 2”
“Pirates of the Caribbean: On Stranger Tides”
“Rise of the Planet of the Apes”
“Transformers: Dark of the Moon”

15 Finalists for Best Visual Effects Category

December 9, 2011 Leave a comment

Just as it did with Best Documentary, and likely will do for Best Makeup, the Academy has shortlisted a selection of 15 finalists that will go on to compete for nominations in the Best Visual Effects category. Unlike last year, in which this category was gift-wrapped for “Inception” from the moment the flick appeared in theaters, 2011 features an assortment of talent that will likely produce some actual competition for the gold.

The following films are on the VFX shortlist:

“Captain America: The First Avenger”
“Cowboys & Aliens”
“Harry Potter and the Deathly Hallows Part 2″
“Hugo”
“Mission: Impossible – Ghost Protocol”
“Pirates of the Caribbean: On Stranger Tides”
“Real Steel”
“Rise of the Planet of the Apes”
“Sherlock Holmes: A Game of Shadows”
“Sucker Punch”
“Super 8″
“Thor”
“Transformers: Dark of the Moon”
“The Tree of Life”
“X-Men: First Class”

While the field is more competitive this year, it’s difficult not to give frontrunner status to “Rise of the Planet of the Apes.” Not only did the quality of the film itself utterly drive over everyone’s expectations, but the visual effects are quite astounding. While most buzz around this film is directed towards Andy Serkis’ fine performance, folks can’t forget that he was only half responsible for the character of Ceasar. If the VFX hadn’t been spot on, the film never would have been held in such high esteem.

Perhaps “Apes” biggest competition comes from a duo of films that I have chosen to call the attack of the “H”s, if only for my own amusement. The Harry Potter franchise has already been nominated in this category twice before (while many probably believe that number should be greater). There might be a bit of overdue status surrounding “Deathly Hollows: Part 2” and many voters may find this the best place to honor it. Mostly because the film’s other competitive category of Art Direction will likely get taken down by the other “H” that is Martin Scorsese’s “Hugo.” The 3D effect-ridden world of said film may sway voters towards a win, but people may see through the CGI and remember only the design of it all.

 

One film that I finally viewed recently and really hope makes a splash here is “X-Men: First Class” only the mutant effects, but practically everything featured in the film’s final thirty minutes is more than deserving of a nomination. It will have a tough time outing any of the category’s big guns, though.

From this list, I’d say that the field will probably look something like this:

1. “Rise of the Planet of the Apes”
2. “Harry Potter and the Deathly Hollows: Part 2”
3. “Hugo”
4. “Transformers: Dark of the Moon”
5. “Super 8”

Alt 1: “X-Men:  First Class”
Alt 2: “Real Steel”