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Predictions for the 92nd Annual Academy Award Nominations
BEST MOTION PICTURE
WILL WIN: 1917
MIGHT WIN: Parasite
MY VOTE: Parasite
SHOULD BE HERE: Uncut Gems
BEST DIRECTOR
WILL WIN: Sam Mendes – 1917
MIGHT WIN: Bong Joon-Ho – Parasite
MY VOTE: Bong Joon-Ho – Parasite
SHOULD BE HERE: Robert Eggers – The Lighthouse
BEST LEADING ACTOR
WILL WIN: Joaquin Phoenix – Joker
MIGHT WIN: Adam Driver – Marriage Story
MY VOTE: Joaquin Phoenix – Joker
SHOULD BE HERE: Adam Sandler – Uncut Gems
BEST LEADING ACTRESS
WILL WIN: Renee Zellweger – Judy
MIGHT WIN: Scarlett Johansson – Marriage Story
MY VOTE: Scarlett Johansson – Marriage Story
SHOULD BE HERE: Florence Pugh – Midsommar
BEST SUPPORTING ACTOR
WILL WIN: Brad Pitt – Once Upon a Time in Hollywood
MIGHT WIN: Joe Pesci – The Irishman
MY VOTE: Tom Hanks – A Beautiful Day in the Neighborhood
SHOULD BE HERE: Willem Dafoe – The Lighthouse
BEST SUPPORTING ACTRESS
WILL WIN: Laura Dern – Marriage Story
MIGHT WIN: Scarlett Johansson – Jojo Rabbit
MY VOTE: Florence Pugh – Little Women
SHOULD BE HERE: Shuzhen Zhao – The Farewell
BEST ORIGINAL SCREENPLAY
WILL WIN: Parasite
MIGHT WIN: Once Upon a Time in Hollywood
MY VOTE: Parasite
SHOULD BE HERE: The Farewell
BEST ADAPTED SCREENPLAY
WILL WIN: Jojo Rabbit
MIGHT WIN: Little Women
MY VOTE: The Irishman
SHOULD BE HERE: A Beautiful Day in the Neighborhood
BEST INTERNATIONAL FILM
WILL WIN: Parasite
MIGHT WIN: Les Miserables
MY VOTE: Parasite
SHOULD BE HERE: Atlantics
BEST ANIMATED FEATURE
WILL WIN: Toy Story 4
MIGHT WIN: Klaus
MY VOTE: I Lost My Body
SHOULD BE HERE: N/A
BEST DOCUMENTARY FEATURE
WILL WIN: American Factory
MIGHT WIN: For Sama
MY VOTE: For Sama
SHOULD BE HERE: One Child Nation
BEST CINEMATOGRAPHY
WILL WIN: 1917
MIGHT WIN: Once Upon a Time in Hollywood
MY VOTE: The Lighthouse
SHOULD BE HERE: Parasite
BEST EDITING
WILL WIN: Parasite
MIGHT WIN: Ford v Ferrari
MY VOTE: Parasite
SHOULD BE HERE: Uncut Gems
BEST PRODUCTION DESIGN
WILL WIN: Once Upon a Time in America
MIGHT WIN: Parasite
MY VOTE: Parasite
SHOULD BE HERE: Midsommar
BEST COSTUME DESIGN
WILL WIN: Little Women
MIGHT WIN: Jojo Rabbit
MY VOTE: Little Women
SHOULD BE HERE: Rocketman
BEST SOUND EFFECTS MIXING
WILL WIN: 1917
MIGHT WIN: Ford v Ferrari
MY VOTE: Joker
SHOULD BE HERE: Rocketman
BEST SOUND EFFECTS EDITING
WILL WIN: 1917
MIGHT WIN: Ford v Ferrari
MY VOTE: Ford v Ferrari
SHOULD BE HERE: Parasite
BEST VISUAL EFFECTS
WILL WIN: 1917
MIGHT WIN: Avengers: Endgame
MY VOTE: The Irishman
SHOULD BE HERE: Ad Astra
BEST MAKEUP and HAIRSTYLING
WILL WIN: Bombshell
MIGHT WIN: Judy
MY VOTE: Bombshell
SHOULD BE HERE: Midsommar
BEST ANIMATED SHORT FILM
WILL WIN: Hair Love
MIGHT WIN: Kitbull
MY VOTE: N/A
SHOULD BE HERE: N/A
BEST LIVE ACTION SHORT FILM
WILL WIN: The Neighbor’s Window
MIGHT WIN: Brotherhood
MY VOTE: N/A
SHOULD BE HERE: N/A
BEST DOCUMENTARY SHORT FILM
WILL WIN: Learning to Skateboard in a War Zone
MIGHT WIN: Walk Run Cha Cha
MY VOTE: N/A
SHOULD BE HERE: N/A
2016 Oscar Predictions
Great year for film. My own picks for the 6th Annual Edgy Awards will commence later this week. Meanwhile, here are my predictions for that other awards show.
I’ve never understood not waiting until the last minute. I soak up every final thought. Last year, I really went all out with the notion of using my heart instead of my head. I crashed and burned, pulling in one of my worst percentages in a decade. This year, I’m all business. Happy Oscars…
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BEST MOTION PICTURE of the YEAR
WILL WIN: “The Revenant”
MIGHT WIN: “Spotlight”
SHOULD BE HERE: “Inside Out”
BEST DIRECTOR
WILL WIN: Alejandro Gonzalez Inarritu – “The Revenant”
MIGHT WIN: George Miller – “Mad Max: Fury Road”
SHOULD BE HERE: Denis Villneuve – “Sicario”
BEST ACTOR in a LEADING ROLE
WILL WIN: Leonardo DiCaprio – “The Revenant”
MIGHT WIN: Bryan Cranston – “Trumbo”
SHOULD BE HERE: Johnny Depp – “Black Mass”
BEST ACTRESS in a LEADING ROLE
WILL WIN: Brie Larson – “Room”
MIGHT WIN: Saoirse Ronan – “Brooklyn”
SHOULD BE HERE: Carey Mulligan – “Suffragette”
BEST ACTOR in a SUPPORTING ROLE
WILL WIN: Sylvester Stallone – “Creed”
MIGHT WIN: Mark Ruffalo – “Spotlight”
SHOULD BE HERE: Benicio Del Toro – “Sicario”
BEST ACTRESS in a SUPPORTING ROLE
WILL WIN: Alicia Vikander – “The Danish Girl“
MIGHT WIN: Rooney Mara – “Carol”
SHOULD BE HERE: Mya Taylor – “Tangerine”
BEST ORIGINAL SCREENPLAY
WILL WIN: “Spotlight”
MIGHT WIN: “Inside Out”
SHOULD BE HERE: “Sicario”
BEST ADAPTED SCREENPLAY
WILL WIN: “The Big Short”
MIGHT WIN: “Room”
SHOULD BE HERE: “Steve Jobs”
BEST FOREIGN LANGUAGE FILM
WILL WIN: “Son of Saul”
MIGHT WIN: “Mustang”
SHOULD BE HERE: “N/A”
BEST DOCUMENTARY FEATURE
WILL WIN: “Amy”
MIGHT WIN: “Cartel Land”
SHOULD BE HERE: “Going Clear: Scientology and the Prison of Belief”
BEST ANIMATED FEATURE
WILL WIN: “Inside Out”
MIGHT WIN: “Anomalisa”
SHOULD BE HERE: N/A
BEST CINEMATOGRAPHY
WILL WIN: “The Revenant”
MIGHT WIN: “Sicario”
SHOULD BE HERE: “Son of Saul”
BEST EDITING
WILL WIN: “Mad Max: Fury Road”
MIGHT WIN: “The Big Short”
SHOULD BE HERE: “Amy”
BEST PRODUCTION DESIGN
WILL WIN: “Mad Max: Fury Road”
MIGHT WIN: “The Revenant”
SHOULD BE HERE: “Crimson Peak”
BEST COSTUME DESIGN
WILL WIN: “Mad Max: Fury Road”
MIGHT WIN: “The Danish Girl”
SHOULD BE HERE: “Brooklyn”
BEST SOUND MIXING
WILL WIN: “”Mad Max: Fury Road”
MIGHT WIN: “The Revenant”
SHOULD BE HERE: “Love & Mercy”
BEST SOUND EFFECTS EDITING
WILL WIN: “Mad Max: Fury Road”
MIGHT WIN: “Star Wars: The Force Awakens”
SHOULD BE HERE: “Inside Out”
BEST VISUAL EFFECTS
WILL WIN: “Star Wars: The Force Awakens”
MIGHT WIN: “The Revenant”
SHOULD BE HERE: “Jurassic World”
BEST MAKEUP and HAIRSTYLING
WILL WIN: “Mad Max: Fury Road”
MIGHT WIN: “The Revenant”
SHOULD BE HERE: “Black Mass”
BEST ORIGINAL SCORE
WILL WIN: “The Hateful Eight”
MIGHT WIN: “Carol”
SHOULD BE HERE: “Mad Max: Fury Road”
BEST ORIGINAL SONG
WILL WIN: “Till It Happens to You” from “The Hunting Ground”
MIGHT WIN: “Simple Song 3” from “Youth”
SHOULD BE HERE: “One Kind of Love” from “Love and Mercy”
BEST LIVE-ACTION SHORT FILM
WILL WIN: “Ave Maria”
MIGHT WIN: “Stutterer”
SHOULD BE HERE: N/A
BEST ANIMATED SHORT FILM
WILL WIN: “Sanjay’s Super Team”
MIGHT WIN: “Bear Story”
SHOULD BE HERE: N/A
BEST DOCUMENTARY SHORT SUBJECT
WILL WIN: “Claude Lanzmann: Spectres of the Shoah”
MIGHT WIN: “Body Team 12”
SHOULD BE HERE: N/A
Predictions for the 86th Annual Academy Awards
Despite all of the detriments and shenanigans that have occupied (and in some instances, plagued) my life over the last few months, including those that have almost precluded me from even getting to watch the Oscars this year, I’d never miss the chance to offer up my official predictions. Check out what I think will take home the gold, as well as the cliched (but effective) spiel of what could possibly win, what I think should win and what wasn’t even nominated but definitely should have.
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BEST PICTURE
WILL WIN: “12 Years a Slave”
COULD WIN: “Gravity”
SHOULD WIN: “12 Years a Slave”
SHOULD HAVE BEEN THERE: “Inside Llewyn Davis” AND “Short Term 12”
BEST DIRECTOR
WILL WIN: Alfonso Cuaron – “Gravity”
COULD WIN: Steve McQueen – “12 Years a Slave”
SHOULD WIN: Steve McQueen – “12 Years a Slave”
SHOULD HAVE BEEN THERE: Paul Greengrass – “Captain Phillips”
BEST ACTOR in a LEADING ROLE
WILL WIN: Matthew McConaughey – “Dallas Buyers Club”
COULD WIN: Leonardo DiCaprio – “The Wolf of Wall Street”
SHOULD WIN: Leonardo DiCaprio – “The Wolf of Wall Street”
SHOULD HAVE BEEN THERE: Tom Hanks – “Captain Phillips” AND Oscar Isaac – “Inside Llewyn Davis”
BEST ACTRESS in a LEADING ROLE
WILL WIN: Cate Blanchett – “Blue Jasmine”
COULD WIN: Judi Dench – “Philomena”
SHOULD WIN: Cate Blanchett – “Blue Jasmine”
SHOULD HAVE BEEN THERE: Brie Larson – “Short Term 12”
BEST ACTOR in a SUPPORTING ROLE
WILL WIN: Jared Leto – “Dallas Buyers Club”
COULD WIN: Barkhad Abdi – “Captain Phillips”
SHOULD WIN: Michael Fassbender – “12 Years a Slave”
SHOULD HAVE BEEN THERE: James Franco – “Spring Breakers”
BEST ACTRESS in a SUPPORTING ROLE
WILL WIN: Lupita Nyong’o – “12 Years a Slave”
COULD WIN: Jennifer Lawrence – “American Hustle”
SHOULD WIN: Lupita Nyong’o – “12 Years a Slave”
SHOULD HAVE BEEN THERE – N/A (Again, I think this category is fantastic)
BEST ORIGINAL SCREENPLAY
WILL WIN: “Her”
COULD WIN: “American Hustle”
SHOULD WIN: “Her”
SHOULD HAVE BEEN THERE: “Inside Llewyn Davis”
BEST ADAPTED SCREENPLAY
WILL WIN: “12 Years a Slave”
COULD WIN: “Philomena”
SHOULD WIN: “12 Years a Slave”
SHOULD HAVE BEEN THERE: N/A (I full agree with these nominations)
BEST ANIMATED FEATURE
WILL WIN: “Frozen”
COULD WIN: “The Wind Rises”
SHOULD WIN: “The Wind Rises”
SHOULD HAVE BEEN THERE: N/A (Unfortunately, I just don’t care too much about this category. No offense, animators)
BEST DOCUMENTARY FEATURE
WILL WIN: “20 Feet From Stardom”
COULD WIN: “The Act of Killing”
SHOULD WIN: “The Act of Killing”
SHOULD HAVE BEEN THERE: “Blackfish”
BEST FOREIGN LANGUAGE FILM
WILL WIN: “The Hunt”
COULD WIN: “The Great Beauty”
SHOULD WIN: “The Hunt”
SHOULD HAVE BEEN THERE: N/A (just haven’t paid enough attention to this category, this year)
BEST CINEMATOGRAPHY
WILL WIN: “Gravity”
COULD WIN: “Inside Llewyn Davis”
SHOULD WIN: “Inside Llewyn Davis”
SHOULD HAVE BEEN THERE: “12 Years a Slave”
BEST EDITING
WILL WIN: “Captain Phillips”
COULD WIN: “Gravity”
SHOULD WIN: “Captain Phillips”
SHOULD HAVE BEEN THERE: “The Place Beyond the Pines”
BEST PRODUCTION DESIGN
WILL WIN: “The Great Gatsby”
COULD WIN: “12 Years a Slave”
SHOULD WIN: “Her”
SHOULD HAVE BEEN THERE: “Inside Llewyn Davis”
BEST COSTUME DESIGN
WILL WIN: “The Great Gatsby”
COULD WIN: “American Hustle”
SHOULD WIN: “American Hustle”
SHOULD HAVE BEEN THERE: “42”
BEST SOUND MIXING
WILL WIN: “Gravity”
COULD WIN: “Captain Phillips”
SHOULD WIN: “Inside Llewyn Davis”
SHOULD HAVE BEEN THERE: “Stoker”
BEST SOUND EDITING
WILL WIN: “Gravity”
COULD WIN: “All is Lost”
SHOULD WIN: “Gravity”
SHOULD HAVE BEEN THERE: “Star Trek: Into Darkness”
BEST VISUAL EFFECTS
WILL WIN: “Gravity”
COULD WIN: N/A
SHOULD WIN: “Gravity”
SHOULD HAVE BEEN THERE: “Oblivion”
BEST MAKE-UP EFFECTS
WILL WIN: “Dallas Buyers Club”
COULD WIN: “Jackass Presents: Bad Grandpa”
SHOULD WIN: “Dallas Buyers Club”
SHOULD HAVE BEEN THERE: “12 Years a Slave”
BEST ORIGINAL SONG
WILL WIN: “Let It Go” from “Frozen”
COULD WIN: “Happy” from “Despicable Me”
SHOULD WIN: “The Moon Song” from “Her”
SHOULD HAVE BEEN THERE: “Young and Beautiful” from “The Great Gatsby”
BEST ORIGINAL SCORE
WILL WIN: “Gravity”
COULD WIN: “Philomena”
SHOULD WIN: “Her”
SHOULD HAVE BEEN THERE: “12 Years a Slave”
BEST ANIMATED SHORT FILM
WILL WIN: “Get a Horse”
COULD WIN: “Feral”
SHOULD WIN: “N/A”
SHOULD HAVE BEEN THERE: “N/A”
BEST LIVE ACTION SHORT FILM
WILL WIN: “Helium”
COULD WIN: “The Voorman Problem”
SHOULD WIN: “N/A”
SHOULD HAVE BEEN THERE: “N/A”
BEST DOCUMENTARY SHORT FILM
WILL WIN: “The Lady in Number 6: Music Saved My Life”
COULD WIN: “Facing Fear”
SHOULD WIN: “N/A”
SHOULD HAVE BEEN THERE: “N/A”
Happy Oscar Day, everyone!
Final 2013 Oscar Predictions with Analysis
Only a couple hours left to go. Below, you can see my predictions for this year’s Oscar winners, finally set in stone. I’ve included a bit of insight and reasoning for each category.
Make sure to also check back for live updates as the awards are announced.
BEST MOTION PICTURE OF THE YEAR
Will Win: “Argo”
Could Win: “Lincoln”
Analysis: This year’s Best Picture race is, without a doubt, the most upside down it’s been in recent memory. All logic (and good judgment) would point to “Lincoln,” as not only the year’s best film, but also the most nominated and a genuine perfect storm of concept and execution. However, the combination of a sweep of all four guilds, the BAFTA, the BFCA and the Globes, along with (and perhaps the cause of the former) the sympathy vote for Affleck and his lack of a Director nomination, one would have to be a fool not to predict it for the final showdown. I’ll keep my fingers crossed for an upset, but not my predictions.
Oscar Winner Predictions: The Impossibility of Reason
I’ve taken somewhat of a backseat to much of this year’s Oscars and how they’ve unfolded. Maybe I don’t have as much time on my hands anymore, or perhaps I’m getting a little bit lazy. However, there’s also the immutable fact that this is, without a doubt, the weirdest Oscars I’ve ever bore witness to. Pundits like myself have bitched and moaned for years about the Oscar race becoming a predictable formality. Now, we’ve had so many wrenches thrown into the works that all of the precedents, reason and logic have just gone clear out the window. 2012 is the ultimate crapshoot.
Perhaps it’s a good thing, overall. Because while this year’s awards season has spiraled into an enormous whirlwind of indecision and confusion, I believe we can all find a consensus in the overwhelming class and quality that was on display in filmmaking during the past year. I can’t have enough good things to say about 2012 and I believe it will go down as shining star in the chronology of cinematic history, up there with the likes of 2001, 1980, 1976, 1960 and, of course, 1939. I also believe that, in some way, the less focus on awards and accolades, we can foresee that it’s ultimately the movies that we’ll remember decades from now, while fiasco over the gold will simply be an afterthought.
Nevertheless, at it’s roots, this is an awards site and it’s time to get down to business. Bottom line, the award for Best Picture (and more than a few others) was completely thrown for a loop the morning that the nominations were announced, when two of the year’s biggest heavyweights were absent from the shortlist. Ben Affleck and Kathryn Bigelow being left in the cold was perhaps the strangest occurrence in this category since Ang Lee and Ron Howard failed to receive nominations for their respective work back in 1995 (“Apollo 13” and “Sense and Sensibility”). Yet, this may have overall worked in Affleck’s favor, for since that morning, every critic, actor, producer, director, grip, PA and their mother has seemed to fall head over heels for the film. At this point, it seems that enough voters will sway towards “Argo” for the Best Picture, out of sheer sympathy, more than anything else. It doesn’t hurt that it’s also a fantastically entertaining and uplifting piece that pulls at Oscar’s heartstrings like a toddler on a hoop earring.
Meanwhile, there’s a flip-side to every equation. “Argo” may have taken every award since that fateful morning, yet that doesn’t change the fact that the snub still happened. Affleck missing out on Best Director makes a huge statement. It has to be more than just a fluke or the notion of the Academy leaning so heavily on what the guilds have done in the past. Plus, while one can compare the strangeness of this year’s circumstances to ’95, it’s important to be reminded how that year turned out, with neither Lee or Howard taking home the big prize at the end of the night. For now, I’ll go with the odds-on favorite, but can easily see the winds shifting. This weekend’s WGA will may be a largely determining factor.
Alas, my first round of winner predictions for the 85th Academy Awards:
BEST PICTURE: “Argo”
alternate: “Lincoln”
2013 Golden Globe Predictions
BEST PICTURE – DRAMA
Winner: “Lincoln”
Alternate: “Argo”
BEST PICTURE – MUSICAL/COMEDY
Winner: “Les Miserables”
Alternate: “Silver Linings Playbook”
BEST ACTOR – DRAMA
Winner: Daniel Day-Lewis – “Lincoln”
Alternate: Joaquin Phoenix – “The Master”
BEST ACTRESS – DRAMA
Winner: Jessica Chastain – “Zero Dark Thirty”
Alternate: Marion Cotillard – “Rust and Bone”
BEST ACTOR – MUSICAL/COMEDY
Winner: Hugh Jackman – “Les Miserables”
Alternate: Bradley Cooper – “Silver Linings Playbook”
BEST ACTRESS – MUSICAL/COMEDY
Winner: Jennifer Lawrence – “Silver Linings Playbook”
Alternate: Maggie Smith – “Quartet”
BEST SUPPORTING ACTOR
Winner: Leonardo DiCaprio – “Django Unchained”
Alternate: Tommy Lee Jones – “Lincoln”
BEST SUPPORTING ACTRESS
Winner: Anne Hathaway – “Les Miserables”
Alternate: Sally Field – “Lincoln”
BEST DIRECTOR
Winner: Ben Affleck – “Argo”
Alternate: Steven Spielberg – “Lincoln”
BEST SCREENPLAY
Winner: “Lincoln”
Alternate: “Argo”
BEST ANIMATED FILM
Winner: “Frankenweenie”
Alternate: “Wreck It Ralph”
BEST FOREIGN LANGUAGE FILM
Winner: “Amour”
Alternate: “The Intouchables”
BEST ORIGINAL SCORE
Winner: “Life of Pi”
Alternate: “Lincoln”
BEST ORIGINAL SONG
Winner: “Skyfall” from “Skyfall”
Alternate: “Suddenly” from “Les Miserables”
Final Predictions for the 85th Academy Awards
With the clock ticking, unfortunately, there’s not much time for discussion or justification. I’m just going to have to spit these out and see what happens in a matter of hours. Enjoy, and don’t forget to check back to see the results in the morning.
BEST PICTURE
1. “Zero Dark Thirty”
2. “Lincoln”
3. “Argo”
4. “Les Miserables”
5. “Silver Linings Playbook”
6. “Life of Pi”
7. “Moonrise Kingdom”
8. “Beasts of the Southern Wild”
9. “Skyfall”
10. “Amour”
Alt 1: Django Unchained
Alt 2: “The Master”
(NOTE: Again, Best Picture could end up being anywhere between 5 and 10 nominees, so in this case, you can use the ideology of “if there are five…if there are six…etc”)
BEST DIRECTOR
1. Kathryn Bigelow – “Zero Dark Thirty”
2. Steven Spielberg – “Lincoln”
3. Ben Affleck – “Argo”
4. Ang Lee – “Life of Pi”
5. Tom Hooper” – “Les Miserables”
Alt 1: Michael Haneke – “Amour
Alt 2: Quentin Tarantino – “Django Unchained”
BEST LEADING ACTOR
1. Daniel Day-Lewis – “Lincoln”
2. Denzel Washington – “Flight”
3. Hugh Jackman – “Les Miserables”
4. John Hawkes – “The Sessions”
5. Joaquin Phoenix – “The Master”
Alt 1: Bradley Cooper – “Silver Linings Playbook”
Alt 2: Richard Gere – “Arbitrage”
BEST LEADING ACTRESS
1. Jennifer Lawrence – “Silver Linings Playbook”
2. Jessica Chastain – “Zero Dark Thirty”
3. Marion Cotillard – “Rust and Bone”
4. Naomi Watts – “The Impossible”
5. Emmanuelle Riva – “Amour”
Alt 1: Quevenzhane Wallis – “Beasts of the Southern Wild”
Alt 2: Helen Mirren – “Hitchcock”
BEST SUPPORTING ACTOR
1. Tommy Lee Jones – “Lincoln”
2. Philip Seymour Hoffman – “The Master”
3. Robert De Niro – “Silver Linings Playbook”
4. Alan Arkin – “Argo”
5. Leonardo DiCaprio – “Django Unchained”
Alt 1: Matthew McConaughey – “Magic Mike”
Alt 2: Christoph Waltz” – “Django Unchained”
BEST SUPPORTING ACTRESS
1. Anne Hathaway – “Les Miserables”
2. Sally Field – “Lincoln”
3. Helen Hunt – “The Sessions”
4. Amy Adams – “The Master”
5. Ann Dowd – “Compliance”
Alt 1: Nicole Kidman – “The Paperboy”
Alt 2: Judi Dench – “The Best Exotic Marigold Hotel”
BEST ADAPTED SCREENPLAY
1. “Lincoln”
2. “Argo”
3. “Silver Linings Playbook”
4. “Beasts of the Southern Wild”
5. “Life of Pi”
Alt 1: “The Perks of Being a Wallflower”
Alt 2: “The Sessions”
BEST ORIGINAL SCREENPLAY
1. “Zero Dark Thirty”
2. “Moonrise Kingdom”
3. “The Master”
4. “Amour”
5. “Looper”
Alt 1: “Django Unchained”
Alt 2: “Middle of Nowhere”
BEST DOCUMENTARY FEATURE
1. “The Gatekeepers”
2. “The Invisible War”
3. “Searching for Sugar Man”
4. “The House I Live In”
5. “Mea Maxima Culpa: Silence in the House of God”
Alt 1: “How to Survive a Plague”
Alt 2: “5 Broken Cameras”
BEST ANIMATED FEATURE
1. “Brave”
2. “Frankenweenie”
3. “Wreck It Ralph”
4. “Paranorman”
5. “Rise of the Guardians”
Alt 1: “The Painting”
Alt 2: “Zarafa”
BEST FOREIGN LANGUAGE FILM
1. “Amour”
2. “The Intouchables”
3. “War Witch”
4. “A Royal Affair”
5. “No”
Alt 1: “Sister”
Alt 2: “Kon Tiki”
BEST CINEMATOGRAPHY
1. “Life of Pi”
2. “Skyfall”
3. “Lincoln”
4. “The Master”
5. “Les Miserables”
Alt 1: “Zero Dark Thirty”
Alt 2: “Anna Karenina”
BEST EDITING
1. “Zero Dark Thirty”
2. “Argo”
3. “Skyfall”
4. “Lincoln”
5. “Les Miserables”
Alt 1: “Silver Linings Playbook”
Alt 2: “Life of Pi”
BEST PRODUCTION DESIGN
1. “Les Miserables”
2. “Lincoln”
3. “Anna Karenina”
4. “The Master”
5. “The Hobbit: An Unexpected Journey”
Alt 1: “Cloud Atlas”
Alt 2: “The Dark Knight Rises”
BEST COSTUME DESIGN
1. “Lincoln”
2. “Les Miserables”
3. “Anna Karenina”
4. “Django Unchained”
5. “Mirror Mirror”
Alt 1: “A Royal Affair”
Alt 2: “Snow White and the Huntsman”
BEST SOUND MIXING
1. “Les Miserables”
2. “Skyfall”
3. “Zero Dark Thirty”
4. “The Avengers”
5. “The Dark Knight Rises”
Alt 1: “Lincoln”
Alt 2: “The Hobbit: An Unexpected Journey”
BEST SOUND EFFECTS EDITING
1. “Skyfall”
2. “The Dark Knight Rises”
3. “The Avengers”
4. “Les Miserables”
5. “Django Unchained”
Alt 1: “Zero Dark Thirty”
Alt 2: “The Hobbit: An Unexpected Journey”
BEST VISUAL EFFECTS
1. “Life of Pi”
2. “The Hobbit: An Unexpected Journey”
3. “The Avengers”
4. “Prometheus”
5. “The Dark Knight Rises”
Alt 1: “Cloud Atlas”
Alt 2: “John Carter”
BEST MAKEUP EFFECTS
1. “Lincoln”
2. “The Hobbit: An Unexpected Journey”
3. “Les Miserables”
Alt 1: “Men in Black 3″
Alt 2: “Looper”
BEST ORIGINAL SCORE
1. “Life of Pi”
2. “Lincoln”
3. “Argo”
4. “Anna Karenina”
5. “Beasts of the Southern Wild”
Alt 1: “The Master”
Alt 2: “Zero Dark Thirty”
BEST ORIGINAL SONG
1. “Skyfall” – “Skyfall”
2. “Suddenly” – “Les Miserables”
3. “Learn Me Right” – “Brave”
4. “Still Alive” – “Paul Williams Still Alive”
5. “Ancora Qui” – “Django Unchained”
Alt 1: “From Here to the Moon and Back” – “Joyful Noise”
Alt 2: “Song of the Lonely Mountain” – “The Hobbit: An Unexpected Journey”
Updated 2013 Oscar Predictions – 12/29
It’s less than two weeks left until the big morning comes, but with everything that’s happened thus far, I thought it would be a good time to re-assess things. Obviously, “Zero Dark Thirty” has largely positioned itself at the head of the pack and Daniel Day Lewis is lined up for another coronation. However, many of the major categories still seem much more open then normal.
In the next two weeks, the guilds will really start to have their say. Throughout the last decade or so, these union groups nominations have very tight links to the eventual nominations. On the other hand, this year will be a unique one. For the first time, the DGA nominations won’t be announced until after Oscar ballots are due in. Therefore, this year, the DGA, which was always believed to have a large impact on not only Best Director, but the Best Picture category as well. Or perhaps this year will prove that theory wrong, in the event that we see the two organizations line-up without any connection proves that they really do think alike. We shall see.
Here’s my latest round of predictions for the 85th Academy Awards:
BEST PICTURE
1. “Zero Dark Thirty”
2. “Lincoln”
3. “Argo”
4. “Les Miserables”
5. “Silver Linings Playbook”
6. “Moonrise Kingdom”
7. “Life of Pi”
8. “Amour”
9. “The Master”
10. “Beasts of the Southern Wild”
Alt 1: Django Unchained
Alt 2: “Skyfall”
BEST DIRECTOR
1. Kathryn Bigelow – “Zero Dark Thirty”
2. Steven Spielberg – “Lincoln”
3. Ben Affleck – “Argo”
4. Tom Hooper – “Les Miserables”
5. David O’Russell – “Silver Linings Playbook”
Alt 1: Ang Lee – “Life of Pi”
Alt 2: Michael Haneke – “Amour”
BEST LEADING ACTOR
1. Daniel Day-Lewis – “Lincoln”
2. Denzel Washington – “Flight”
3. Hugh Jackman – “Les Miserables”
4. John Hawkes – “The Sessions”
5. Joaquin Phoenix – “The Master”
Alt 1: Bradley Cooper – “Silver Linings Playbook”
Alt 2: Richard Gere – “Arbitrage”
BEST LEADING ACTRESS
1. Jennifer Lawrence – “Silver Linings Playbook”
2. Jessica Chastain – “Zero Dark Thirty”
3. Marion Cotillard – “Rust and Bone”
4. Naomi Watts – “The Impossible”
5. Emmanuelle Riva – “Amour”
Alt 1: Quevenzhane Wallis – “Beasts of the Southern Wild”
Alt 2: Rachel Weisz – “The Deep Blue Sea”
BEST SUPPORTING ACTOR
1. Tommy Lee Jones – “Lincoln”
2. Philip Seymour Hoffman – “The Master”
3. Robert De Niro – “Silver Linings Playbook”
4. Alan Arkin – “Argo”
5. Leonardo DiCaprio – “Django Unchained”
Alt 1: Matthew McConaughey – “Magic Mike”
Alt 2: Eddie Redmayne – “Les Miserables”
BEST SUPPORTING ACTRESS
1. Anne Hathaway – “Les Miserables”
2. Sally Field – “Lincoln”
3. Helen Hunt – “The Sessions”
4. Amy Adams – “The Master”
5. Ann Dowd – “Compliance”
Alt 1: Nicole Kidman – “The Paperboy”
Alt 2: Judi Dench – “The Best Exotic Marigold Hotel”
BEST ADAPTED SCREENPLAY
1. “Lincoln”
2. “Argo”
3. “Silver Linings Playbook”
4. “Beasts of the Southern Wild”
5. “Life of Pi”
Alt 1: “The Sessions”
Alt 2: “The Perks of Being a Wallflower”
BEST ORIGINAL SCREENPLAY
1. “Zero Dark Thirty”
2. “The Master”
3. “Moonrise Kingdom”
4. “Amour”
5. “Looper”
Alt 1: “Django Unchained”
Alt 2: “Seven Psychopaths”
BEST DOCUMENTARY FEATURE
1. “The Gatekeepers”
2. “The Invisible War”
3. “Searching for Sugar Man”
4. “The House I Live In”
5. “Mea Maxima Culpa: Silence in the House of God”
Alt 1: “How to Survive a Plague”
Alt 2: “Bully”
BEST ANIMATED FEATURE
1. “Brave”
2. “Frankenweenie”
3. “Wreck It Ralph”
4. “Paranorman”
5. “Rise of the Guardians”
Alt 1: “The Painting”
Alt 2: “Zarafa”
BEST FOREIGN LANGUAGE FILM
1. “Amour”
2. “The Intouchables”
3. “A Royal Affair”
4. “War Witch”
5. “Sister”
Alt 1: “No”
Alt 2: “Kon Tiki”
BEST CINEMATOGRAPHY
1. “Life of Pi”
2. “The Master”
3. “Skyfall”
4. “Lincoln”
5. “Zero Dark Thirty”
Alt 1: “Les Miserables”
Alt 2: “Django Unchained”
BEST EDITING
1. “Zero Dark Thirty”
2. “Argo”
3. “Lincoln”
4. “Skyfall”
5. “Les Miserables”
Alt 1: “Silver Linings Playbook”
Alt 2: “LIfe of Pi”
BEST PRODUCTION DESIGN
1. “Les Miserables”
2. “Lincoln”
3. “Anna Karenina”
4. “The Master”
5. “The Hobbit: An Unexpected Journey”
Alt 1: “Cloud Atlas”
Alt 2: “Moonrise Kingdom”
BEST COSTUME DESIGN
1. “Lincoln”
2. “Les Miserables”
3. “Anna Karenina”
4. “Mirror Mirror”
5. “Django Unchained”
Alt 1: “A Royal Affair”
Alt 2: “Snow White and the Huntsman”
BEST SOUND MIXING
1. “Les Miserables”
2. “Skyfall”
3. “The Dark Knight Rises”
4. “The Avengers”
5. “Zero Dark Thirty”
Alt 1: “Django Unchained”
Alt 2: “Life of Pi”
BEST SOUND EFFECTS EDITING
1. “Skyfall”
2. “The Dark Knight Rises”
3. “The Avengers”
4. “Les Miserables”
5. “Django Unchained”
Alt 1: “Zero Dark Thirty”
Alt 2: “The Hobbit: An Unexpected Journey”
BEST VISUAL EFFECTS
1. “Life of Pi”
2. “The Hobbit: An Unexpected Journey”
3. “The Avengers”
4. “Prometheus”
5. “The Dark Knight Rises”
Alt 1: “Cloud Atlas”
Alt 2: “John Carter”
BEST MAKEUP EFFECTS
1. “Lincoln”
2. “The Hobbit: An Unexpected Journey”
3. “Les Miserables”
Alt 1: “Looper”
Alt 2: “Men in Black 3”
BEST ORIGINAL SCORE
1. “Life of Pi”
2. “Lincoln”
3. “Argo”
4. “Anna Karenina”
5. “Beasts of the Southern Wild”
Alt 1: “The Master”
Alt 2: “Skyfall”
BEST ORIGINAL SONG
1. “Skyfall” – “Skyfall”
2. “Suddenly” – “Les Miserables”
3. “Learn Me Right” – “Brave”
4. “Still Alive” – “Paul Williams Still Alive”
5. “Ancora Qui” – “Django Unchained”
Alt 1: “From Here to the Moon and Back” – “Joyful Noise”
Alt 2: “Still Dream” – “Rise of the Guardians”
NOMINATIONS TALLY
12 – “Lincoln”
11 – “Les Miserables”
7 – “The Master”
7 – “Zero Dark Thirty”
6 – “Argo”
5 – “Life of Pi”
5 – “Silver Linings Playbook”
5 – “Skyfall”
4 – “Amour”
4 – “Django Unchained”
3 – “Anna Karenina”
3 – “The Avengers”
3 – “Beasts of the Southern Wild”
3 – “The Dark Knight Rises”
3 – “The Hobbit: An Unexpected Journey”
2 – “Brave”
2 – “Moonrise Kingdom”
2 – “The Sessions”
2013 Oscar Predictions: “Just when I thought I was out…”
“…they pull me back in.” That’s right folks. It has now been nearly nine months since my last official post on The Edge of the Frame and I am severely out of practice. The close of last year’s Oscar season ironically coincided with my being hired into full time employment. Spending nine hours a day composing upwards of seventy-five emails and compiling online data have made coming home and getting behind a computer screen a not-so-welcoming scenario. A couple of hours of “The X-Files” on Netflix or “The Sopranos” on DVD have become a much more viable way to close out an evening. All of this partnered with a summer of fantasy baseball and my engagement to the woman I love have left comparably little time for my beloved little website.
However, as it turns out, old habits die hard. I’ve been watching the Oscars religiously for fifteen years and been dipping my toe into prognostication for the last seven. There’s no way I can sit this one out. There’s a lot of work to be done. Working full time has more or less hindered my rate of viewing new releases. I’ve got a schedule of about 36 films to see, both on Netflix and in theaters, over the next three months. However, with the first of the critics’ awards just around the corner, things are about to get very busy. Even before everything is seen and done, it’s about time that I offer a bit of perspective on how this year’s race is going to play out.
Some of the year’s biggest contenders have retained their position at the head of the race (“Les Miserables,” “Lincoln,”), practically since they were originally announced. Others have taken a hefty fall from grace (“The Master,” “The Dark Knight Rises”). A few projects have sprung up from out of the blue to become bonafide Best Picture threats (“The Silver Linings Playbook,” “Beasts of the Southern Wild,”), while a couple that have barely been seen at all remain a mystery to many (“Zero Dark Thirty,” “Django Unchained”).
However, it’s never too early (or too late, in my case) to start putting the pieces together and assembling a picture of how the board will look almost exactly three months to the date. Listed below are my predictions for the 85th Annual Academy Award nominations. They’re ranked by the chances of each film (or individual) getting nominated. Winning does not come into play here. As complicated as it is, sometimes a person could have a lot easier a path getting nominated for an Oscar, then they ever would of winning. Ask Peter O’Toole if you need more info…
Enjoy, and remember that this whole chalkboard might be completely erased and scribbled down again, a month from now:
BEST PICTURE
1. “Argo”
2. “Lincoln”
3. “Les Miserables”
4. “Silver Linings Playbook”
5. “Zero Dark Thirty”
6. “The Master”
7. “Beasts of the Southern Wild”
8. “Moonrise Kingdom”
9. “Life of Pi”
10. “The Sessions”
Alt 1: “Django Unchained”
Alt 2: “Amour”
Alt 3: “Flight”
My FINAL 2012 Oscar Predictions
It’s time, folks. The time is come. No more second-guessing. No more procrastinating. This is it. I think I’ve provided enough commentary over the last few months (and I’ve got to start helping my girlfriend get our place ready for our Oscar party), so I’ll just let my predictions speak for themselves.
Here goes nothing:
BEST PICTURE
WINNER: “The Artist”
(runner-up: “Hugo”)
BEST DIRECTOR
WINNER: Michel Hazanavicius – “The Artist
(runner-up: “Martin Scorsese – “Hugo”)
BEST ACTOR in a LEADING ROLE
WINNER: George Clooney – “The Descendants”
(runner-up: Jean Dujardin – “The Artist”)
BEST ACTRESS in a LEADING ROLE
WINNER: Viola Davis – “The Help”
(runner-up: Meryl Streep – “The Iron Lady”)
BEST ACTOR in a SUPPORTING ROLE
WINNER: Christopher Plummer – “Beginners”
(runner-up: Max von Sydow – “Extremely Loud and Incredibly Close”)
BEST ACTRESS in a SUPPORTING ROLE
WINNER: Octavia Spencer – “The Help”
(runner-up: Berenice Bejo – “The Artist”)
BEST ADAPTED SCREENPLAY
WINNER: “The Descendants”
(runner-up: “Moneyball”)
BEST ORIGINAL SCREENPLAY
WINNER: “Midnight in Paris”
(runner-up: “The Artist”)
BEST ANIMATED FEATURE
WINNER: “Rango”
(runner-up: “Puss in Boots”)
BEST DOCUMENTARY FEATURE
WINNER: “Paradise Lost 3: Purgatory”
(runner-up: “Undefeated”)
BEST FOREIGN LANGUAGE FILM
WINNER: “A Separation”
(runner-up: “In Darkness”)
BEST ART DIRECTION
WINNER: “Hugo”
(runner-up: “The Artist”)
BEST CINEMATOGRAPHY
WINNER: “The Tree of Life”
(runner-up: “The Artist”)
BEST COSTUME DESIGN
WINNER: “The Artist”
(runner-up: “Hugo”)
BEST EDITING
WINNER: “The Artist”
(runner-up: “Hugo”)
BEST SOUND MIXING
WINNER: “Hugo”
(runner-up: “War Horse”)
BEST SOUND EDITING
WINNER: “War Horse”
runner-up: “Hugo”
BEST VISUAL EFFECTS
WINNER: “Rise of the Planet of the Apes”
(runner-up: “Hugo”)
BEST MAKEUP
WINNER: “The Iron Lady”
(runner-up: “Harry Potter and the Deathly Hollows: Part 2”)
BEST ORIGINAL SCORE
WINNER: “The Artist”
(runner-up: “Hugo”)
BEST ORIGINAL SONG
WINNER: “Man or Muppet” from “The Muppets”
(runner-up: “Real in Rio” from “Rio”)
BEST LIVE ACTION SHORT FILM
WINNER: “Tuba Atlantic”
(runner-up: “The Shore”)
BEST ANIMATED SHORT FILM
WINNER: “The Fantastic Flying Books of Mr. Morris Lessmore”
(runner-up: “A Morning Stroll”)
BEST DOCUMENTARY SHORT FILM
WINNER: “The Tsunami and the Cherry Blossom”
(runner-up: “Saving Face”)
Well there you have it. I’m gonna go make some dip. I’ll try not to get my hair in it, since pulling it out will be all I do for the next two hours.
Have fun everyone, and remember that there will be live updates on The Edge of the Frame for each win. Also, follow me on Twitter (@edgeoftheframe) for some good old snarkyness.