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2012 American Cinema Editors Nominees

January 16, 2012 Leave a comment

You know how when watching the credits of a movie and the editor’s name is usually followed by the acronym “A.C.E.”? Why is that? I remember when I was a kid, I used to think it was some sort of self-designated achievement. Once they’ve been around in the industry long enough, they earn the right to call themselves an “ACE.” Well, the truth of what A.C.E. stands for isn’t far from that logic, though it isn’t exactly the same as what WWII fighter pilots saw it as.

The American Cinema Editors is the guild belonging to motion picture editors. While not to be confused with a dues-paying union, the ACE serves more as a society, inducting new members via a voting process based on their experience and skill. Each year, for the last fifty years, the guild has been hosting the Eddie Awards, awarding the best achievements in film editing for each year. While probably not its primary purpose, this award is very influential in each year’s Oscar race.

One of the most interesting facts about the Academy Awards involves feature film editing. In the last thirty years, no film has earned a victory for Best Picture of the Year without also gaining at least a nomination for Best Editing. Since the ACE’s nominations usually line up with it’s equivalent Oscar at least 4/5, this is as good of indicator of the what nominations will look like next week as you can get. In the case of these nominations, not a lot of surprises, being that all of the projected frontrunners have happened to show up here.

The nominees are:

BEST EDITED FEATURE FILM (DRAMATIC)
“The Descendants” – Kevin Tent
“The Girl with the Dragon Tattoo” – Kirk Baxter and Angus Wall
“Hugo” – Thelma Schoonmaker
“Moneyball” – Christopher Tellefsen
“War Horse” – Michael Kahn

BEST EDITED FEATURE FILM (MUSICAL or COMEDIC)
“The Artist” – Anne-Sophie Bion and Michel Hazanavicius
“Bridesmaids” William Kerr and Michael L. Sale
“Midnight in Paris” – Alisa Lepselter
“My Week with Marilyn” Michael Recht
“Young Adult” – Dana Glauberman

BEST EDITED FEATURE FILM (ANIMATED)
“The Adventures of Tintin” – Michael Kahn
“Puss in Boots” – Eric Dapkewicz
“Rango” – Craig Wood

BEST EDITED FEATURE FILM (DOCUMENTARY)
“Cave of Forgotten Dreams” – Joe Bini and Maya Hawk
“Freedom Riders” – Lewis Erskine and Aljernon Tunsil
“George Harrison: Living in the Material World” – David Tedeschi

The Dramatic category is all but exactly what we’d expected it to be. With the kind of bad guild luck that “War Horse” has been experiencing as of late, it’s a little more surprising that it has been able to achieve recognition, however, it’s really difficult to snub Michael Kahn for anything, these days. He really is a master craftsmen, having just received the ACE’s Lifetime Achievement Award the previous year.

As far as Musical/Comedy is concerned, “The Artist,” “Midnight in Paris” and “Bridesmaids” were all likely contenders in this category. One surprise is the absence of such popular comedies as “50/50” and “Win Win” which seem to have been doing well with both critics and industry types up to this point. If only the folks at the top could get their heads screwed on straight and realize that “My Week with Marilyn” is about as comedic as it is musical. It honestly shouldn’t be on either one of these lists, but should at least get it’s classification right.

What does this mean for Oscar? At this point, I would consider “The Artist” and “Hugo” to be locks for a Best Editing nomination. “The Artist” is simply a juggernaut at this point and respect and admiration for Thelma Schoonmaker’s craft is beyond reproach. Following these two would be “The Girl with the Dragon Tattoo,” who’s editors took home the gold last year for “The Social Network,” and “Moneyball,” which is here perhaps completely off of quality and merit. A perfectly edited film.

For the fifth slot, odds are on either “War Horse” or “The Descendants.” The first definitely has the chops, but has lost an immense amount of steam in the last month. At the Golden Globes, the film was treated almost as an afterthought in the awards race. “The Descendants” is far from having anything that resembles showy or standout editing. Yet, probably well-aware of the thirty-year curse, Fox Searchlight has been trying desperately hard to campaign for the film’s editors in a last ditch effort not to fall victim to Oscar voodoo. In the end, there’s always the chance that an unforeseen contender might sneak in. “Tinker, Tailor, Soldier, Spy,” “The Ides of March” and “Drive” are superbly edited features and could easily find their way in much like “Blood Diamond,” “Children of Men” and “Cinderella Man” (none of which received ACE nominations) did in past years.

Only three primary guilds are left to release their nominations (the Costume Designers Guild, the Cinema Audio Society, and the Motion Picture Sound Editors). However, those organizations have not indicated as to when said announcements will take place. Stay up to date when they do at The Edge of the Frame.

The 69th Annual Golden Globe Nominations

December 15, 2011 3 comments

Once again, I’ll have a full opinion piece out in a few hours. In the meantime, I’ll leave you with the nominees (including a tally of how many I correctly predicted). Also, there’s one jarring thought that’s kind of occupying my mind right now?

WHERE THE HELL IS MELISSA McCARTHY!?!?!?!?!?! HFPA, just what were you thinking?

…and the nominees are…

BEST PICTURE: DRAMA  (4/5 + 1 alternate)
“The Descendants”
“The Help”
“Hugo”
“The Ides of March”
“Moneyball”
“War Horse”

BEST PICTURE: MUSICAL/COMEDY (5/5!!!)
“The Artist”
“Bridesmaids”
“50/50”
“Midnight in Paris”
“My Week With Marilyn”

BEST DIRECTOR (4/5 + 1 alternate)
Woody Allen – “Midnight in Paris”
Michel Hazanavicius, “The Artist”
Alexander Payne, “The Descendants”
Martin Scorsese, “Hugo”
George Clooney, “The Ides of March”

BEST ACTOR: DRAMA (4/5 +1 alternate)
George Clooney, “The Descendants”
Leonardo DiCaprio, “J. Edgar”
Michael Fassbender, “Shame”
Ryan Gosling, “The Ides of March”
Brad Pitt, “Moneyball”

BEST ACTOR: MUSICAL/COMEDY (3/5)
Jean Dujardin, “The Artist”
Brendan Gleeson, “The Guard”
Joseph Gordon-Levitt, “50/50”
Ryan Gosling, “Crazy, Stupid, Love.”
Owen Wilson, “Midnight in Paris”

BEST ACTRESS: DRAMA (4/5)
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl With the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Tilda Swinton, “We Need to Talk About Kevin”

BEST ACTRESS: MUSICAL/COMEDY (4/5 + 1 alternate)
Jodie Foster, “Carnage”
Kristen Wiig, “Bridesmaids”
Charlize Theron, “Young Adult”
Michelle Williams, “My Week With Marilyn”
Kate Winslet, “Carnage”

BEST SUPPORTING ACTOR (3/5 + 1 alternate)
Kenneth Branagh, “My Week With Marilyn”
Albert Brooks, “Drive”
Jonah Hill, “Moneyball”
Viggo Mortensen, “A Dangerous Method”
Christopher Plummer, “Beginners”

BEST SUPPORTING ACTRESS (3/5 + 1 alternate)
Berenice Bejo, “The Artist”
Jessica Chastain, “The Help”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”
Shailene Woodley, “The Descendants”

BEST SCREENPLAY (4/5)
Michel Hazanavicius, “The Artist”
Alexander Payne, Nat Faxon and Jim Rash, “The Descendants”
George Clooney, Grant Heslov and Beau Willimon, “The Ides of March”
Woody Allen, “Midnight in Paris”
Aaron Sorkin and Steven Zaillian, “Moneyball”

BEST FOREIGN-LANGUAGE FILM (N/A)
“The Flowers of War”
“In the Land of Blood and Honey”
“The Kid With a Bike”
“A Separation”
“The Skin I Live In”

BEST ANIMATED FEATURE (5/5!!!)
“The Adventures of Tintin”
“Arthur Christmas”
“Cars 2”
“Puss in Boots”
“Rango”

BEST ORIGINAL SCORE (3/5)
Ludovic Bource, “The Artist”
Trent Reznor and Attivus Ross, “The Girl With the Dragon Tattoo”
Howard Shore, “Hugo”
John Williams, “War Horse”
Abel Korzeniowski, “W.E.”

BEST ORIGINAL SONG (N/A)
“Lay Your Head Down,” “Albert Nobbs”
“Hello Hello,” “Gnomeo and Juliet”
“The Living Proof,” “The Help”
“The Keeper,” “Machine Gun Preacher”
“Masterpiece,” “W.E.”

2011 Independent Spirit Award Nominations

November 29, 2011 Leave a comment

Wow. Busy morning. Lots of multitasking. I will try to add my two cents about these later. But in the mean time, I ask one question.

WHERE IS “SHAME”?

Eligibility? Who knows. I’ll try to come up with some hard information on why one of best-reviewed films of the year was shut out of the awards that it should have owned.

Here’s the full list of nominees:

Best Feature
50/50
Beginners
Drive
Take Shelter
The Artist
The Descendants

Best Director
Mike Mills, Beginners
Nicolas Winding Refn, Drive
Jeff Nichols, Take Shelter
Michel Hazanavicius, The Artist
Alexander Payne, The Descendants

Best First Feature
Another Earth
In The Family
Margin Call
Martha Marcy May Marlene
Natural Selection

Best Male Lead
Demian Bichir, A Better Life
Jean Dujardin, The Artist
Ryan Gosling, Drive
Woody Harrelson, Rampart
Michael Shannon, Take Shelter

Best Female Lead
Lauren Ambrose, Think of Me
Rachel Harris, Natural Selection
Adepero Oduye, Pariah
Elizabeth Olsen, Martha Marcy May Marlene
Michelle Williams, My Week With Marilyn

Best Supporting Male
Albert Brooks, Drive
John Hawkes, Martha Marcy May Marlene
Christopher Plummer, Beginners
John C. Reilly, Cedar Rapids
Corey Stoll, Midnight in Paris

Best Supporting Female
Jessica Chastain, Take Shelter
Anjelica Huston, 50/50
Janet McTeer, Albert Nobbs
Harmony Santana, Gun Hill Road
Shailene Woodley, The Descendants

John Cassavetes Award for films made under $500,000
Bellflower
Circumstance
Hello Lonesome
Pariah
The Dynamiter

Best Documentary
An African Selection
Bill Cunningham New York
The Interrupters
The Redemption of General Butt Naked
We Were Here

Best Cinematography
Joel Hodge, Bellflower
Benjamin Kasulke, The Off Hours
Darius Khondji, Midnight in Paris
Guillaume Shiffman, The Artist
Jeffrey Waldron, The Dynamiter

Best First Screenplay
Mike Cahill & Brit Marling, Another Earth
J.C. Chandor, Margin Call
Patrick DeWitt, Terri
Phil Johnston, Cedar Rapids
Will Reiser, 50/50

Best Screenplay
Joseph Cedar, Footnote
Michel Hazanavicius, The Artist
Tom McCarthy, Win Win
Mike Mills, Beginners
Alexander Payne, The Descendants

My 25 Most Anticipated Films of the Season

September 21, 2011 1 comment

Tis the season. What season is that? It’s kind of hard to say. I suppose it’s a combination of fall and winter. I suppose it’s when the awards season really starts to heat up. More than that, however, it’s the time of year when good movies are released. That’s what it is, primarily. It’s the season of good movies, and I look forward to it all year long.

In honor of that, I thought I’d throw up a little list entailing the movies that you absolutely should not miss. Now, these are not necessarily films that you’re guaranteed to like. I’m not even guaranteed to approve. Neither is this an Oscarish type of list, for its guaranteed that nearly half of these movies will never even see a nomination at the Kodak.

What these films do have in common is that they have not yet been released to the general public and from trailers, stills, stories, festival performances and what some critics have already said about them, they look pretty good to me. These are the movies that I really cannot wait to see. With each title in the countdown, I’ve included a few words about why I find these films so promising. I’ve also posted each film’s trailer (except for the small few that have yet to release one). So without further adieu, enjoy, and remember this list if you plan on seeing at least twenty-five movies in the next few months.

NOTE: Two films most would expect to be on here, are not. “Moneyball” would have made a spot on the list, but I have already caught an advance screening of it (AND LOVED IT). “Drive” would also certainly find its place on here, since I have not yet gotten a chance to see it, but since it has already been released, it excludes itself from the rest of films featured.

_____

25. “Margaret”

September 30th (limited)

WHY IT’S  HERE: Pretty weird situation here. The film looks to have an interesting plot, a great cast. However, after being delayed release for six years, you’d think this film’s going to have some severe flaws and issues. The winning flip side is that after that much time of waiting and hoping, the amount of anticipation this film carries with it is more than enough reel me in.

Read more…