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The 7th Annual Edgy Award Nominations

February 22, 2017 Leave a comment

7th-edgy-collage

Alas, it’s the most wonderful time of the year. Time to take stock of what’s been seen and shower you all with my opinions. On schedule for once.

To remind everyone, while there may only be 6 previous editions of the Edgies available online, the awards are cataloged by yours truly going all the way back to 1940. The recipients’ nomination and win counts are grouped according to each category, with the exception of the two music categories and the four acting categories being linked. So while Martin Scorsese may be getting only his 3rd nomination for producing, that certainly does not include the wealth of nominations he’s accumulated for directing.

Without further ado, here are my nominations for the best craftsmanship and talent on display in 2016:

__________

BEST ORIGINAL SONG

Audition
featured in “La La Land”
Music by Justin Hurwitz (2nd nom), Lyrics by Benj Pasik (2nd nom) and  Justin Paul (2nd nom)

City of Stars
featured in “La La Land”
Music by Justin Hurwitz (2nd nom), Lyrics by Benj Pasik (2nd nom) and  Justin Paul (2nd nom)

Drive It Like You Stole It
featured in “Sing Street”
Music and Lyrics by Gary Clark (1st nom)

Heathens
featured in “Suicide Squad”
Music and Lyrics by Tyler Joseph (1st nom)

Letter to the Free
featured in “13th”
Music and Lyrics by Common (2nd nom)

__________

BEST ORIGINAL SCORE

Arrival
Johann Johannsson (2nd nom, 1 win – “Sicaro”)

Jackie
Mica Levi (2nd nom)

Midnight Special
David Wingo (1st nom)

Moonlight
Nicholas Britell (1st nom)

The Witch
Mark Korven (1st nom)

__________

BEST MAKEUP and HAIRSTYLING

 Green Room
Nancy J. Hvasta Leonardi (1st nom) and Stephen Prouty (1st nom)

Hacksaw Ridge
Shane Thomas (1st nom)

The Light Between Oceans
Michael Marino (4th nom)

Suicide Squad
Alessandro Bertolazzi (1st nom) and Christopher Allen Nelson (1st nom)

The Witch
Francois Deganais (1st nom) and Michael J. Walsh (1st nom)

__________

BEST VISUAL EFFECTS

Arrival
Alexander Lafortune (1st nom) and Louis Morin (1st nom)

The BFG
Mark Gee (1st nom), Joe Letteri (9th nom, 5 wins – “The Hobbit: An Unexpected Journey,” “Rise of the Planet of the Apes,” “Avatar,” “LOTR: The Return of the King,” and “LOTR: The Two Towers”), Kevin McGaugh (1st nom) and Kevin Andrew Smith (1st nom)

The Jungle Book
Andrew R. Jones (3rd nom, 1 win – “Avatar”), Robert Legato (5th nom), Dan Lemmon (3rd nom, 1 win – “Rise of the Planet of the Apes”) and Adam Valdez (1st nom)

Rogue One: A Star Wars Story
Neil Corbould (4th nom, 2 wins – “Gravity” and “Gladiator”), John Knoll (6th nom, 1 win – “POTC: Dead Man’s Chest”), Hal T. Hickel (4th nom, 1 win – “POTC: Dead Man’s Chest”) and Mohen Leo (1st nom)

The Shallows
Scott E Anderson (4th nom, 2 wins – “Starship Troopers” and “Babe”), Nathan McGuinness (2nd nom) and David Nelson (1st nom)

__________

BEST SOUND EFFECTS EDITING

Arrival
Sylvain Bellemare (1st nom)

Hacksaw Ridge
Robert MacKenzie (1st nom) and Andy Wright (1st nom)

Midnight Special
Jeremy Bowker (1st nom) and Will Files (2nd nom)

A Monster Calls
Oriol Tarrago (1st nom)

 Rogue One: A Star Wars Story
David Acord (2nd nom, 1 win – “Star Wars: The Force Awakens”) and Matthew Wood (8th nom, 1 win – “Star Wars: The Force Awakens”)

__________

BEST SOUND EFFECTS MIXING

Arrival
Bernard Gariepy Strobl (1st nom) and Claude La Haye (1st nom)

Blair Witch
Andy Hay (1st nom) and Greg Townsend (1st nom)

 Green Room
Bob Chefalas (2nd nom, 1 win – “Apollo 13”) and Roland Vajs (1st nom)

Midnight Special
Will Files (2nd nom) and Brandon Proctor (1st nom)

Rogue One: A Star Wars Story
David Parker (7th nom, 1 win – “The Social Network”), Christopher Scarabosio (4th nom) and Stuart Wilson (3rd nom)

__________

BEST COSTUME DESIGN

Allied
Joanna Johnston (3rd nom)

Florence Foster Jenkins
Consolata Boyle (1st nom)

Jackie
Madeline Fontaine (1st nom)

 Silence
Dante Ferretti (1st nom)

The Witch
Linda Muir (1st nom)

__________

BEST PRODUCTION DESIGN

Arrival
Paul Hotte (1st nom) and Patrice Vermette (1st nom)

 Hail, Caesar!
Jess Gonchor (1st nom) and Nancy Haigh (8th nom)

Jackie
Veronique Melery (3rd nom, 1 win – “A Very Long Engagement”) and Jean Rabasse (1st nom)

La La Land
Sandy Reynolds-Wasco (2nd nom) and David Wasco (2nd nom)

The Witch
Mark Kirkland (1st nom) and Craig Lathrop (1st nom)

__________

BEST EDITING

American Honey
Joe Bini (1st nom)

Arrival
Joe Walker (4th nom)

Hell or High Water
Jake Roberts (1st nom)

Midnight Special
Julie Monroe (1st nom)

Moonlight
Joi McMillon (1st nom) and Nat Sanders (1st nom)

__________

BEST CINEMATOGRAPHY

Arrival
Bradford Young (2nd nom)

Jackie
Stephane Fontaine (1st nom)

La La Land
Linus Sandgren (1st nom)

Moonlight
James Laxton (1st nom)

The Witch
Jarin Blaschke (1st nom)

__________

BEST DOCUMENTARY FEATURE

13th
Spencer Averick (1st nom), Howard Barish (1st nom) and Ava DuVernay (1st nom)

Cameraperson
Kirsten Johnson (1st nom) and Marilyn Ness (1st nom)

Gleason
Seth Gordon (2nd nom, 1 win – “King of Kong: A Fistful of Dollars”), Mary Rohlich (1st nom) and Clay Tweel (1st nom)

Newtown
Maria Cuomo Cole (1st nom) and Kim A. Snyder (1st nom)

Tower
Megan Gilbride (1st nom), Keith Maitland (1st nom) and Susan P. Thomson (1st nom)

__________

BEST ADAPTED SCREENPLAY

Arrival
Eric Heisserer (1st nom)

Loving
Jeff Nichols (2nd nom)

Moonlight
Barry Jenkins (1st nom) and Tarell Alvin McCraney (1st nom)

Nocturnal Animals
Tom Ford (1st nom)

Silence
Jay Cocks (2nd nom) and Martin Scorsese (3rd nom, 1 win – “Goodfellas”)

__________

BEST ORIGINAL SCREENPLAY

Everybody Wants Some
Richard Linklater (6th nom, 1 win – “Boyhood”)

Hell or High Water
Taylor Sheridan (2nd nom)

Jackie
Noah Oppenheim (1st nom)

Manchester by the Sea
Kenneth Lonergan (2nd nom)

Paterson
Jim Jarmusch (1st nom)

__________

 BEST ENSEMBLE CAST

American Honey
Chad Cox, Raymond Coalson, Veronica Ezell, Arielle Holmes, Gary Howell, Crystal Ice, Sasha Lane, Shia LaBoeuf, McCaul Lombardi, Shawna Ray Moseley, Will Patton, Johnny Pierce II, Isaiah Stone, Kenneth Kory Tucker, Christopher David Wright

Everybody Wants Some
Temple Baker, Will Brittain, Zoey Deutsch, Ryan Guzman, Tyler Hoechlin, Blake Jenner, J. Quinton Johnson, Glen Powell, Wyatt Russell, Juston Street

Manchester by the Sea
Casey Affleck, Anna Baryshnikov, Matthew Broderick, Kyle Chandler, Tate Donovan, Kara Hayward, Stephen Henderson, Gretchen Mol, Ben O’Brien, Michelle Williams, C.J. Wilson

Moonlight
Mahershala Ali, Patrick Decile, Naomie Harris, Alex R. Hibbert, Andre Holland, Jharrel Jerome, Janelle Monae, Jaden Piner, Trevonte Rhodes, Ashton Sanders

The Witch
Kate Dickie, Lucas Dawson, Bathsheba Garnett, Ellie Grainger, Ralph Ineson, Harvey Scrimshaw, Anya Taylor-Joy

__________

 BEST ACTRESS in a SUPPORTING ROLE

viola-davis-fences

Viola Davis – “Fences”
3rd nom

greta-gerwig-20th-century-women-copy

Greta Gerwig – “20th Century Women”
1st nom

naomie-harris-moonlight

Naomie Harris – “Moonlight”
1st nom

riley-keough-american-honey

Riley Keough – “American Honey”
1st nom

michelle-williams-manchester-by-the

Michelle Williams – “Manchester by the Sea”
3rd nom, 1 win – “Brokeback Mountain”

__________

BEST ACTOR in a SUPPORTING ROLE

mahershala-ali-moonlight

Mahershala Ali – “Moonlight”
1st nom

tadanobu-asano-silence

Tadanobu Asano – “Silence”
1st nom

ralph-fiennes-bigger-splash

Ralph Fiennes – “A Bigger Splash”
3rd nom, 1 win – “Schindler’s List”

shia-labeouf-american-honey

Shia LaBeouf – “American Honey”
1st nom

michael-shannon-nocturnal-animals

Michael Shannon – “Nocturnal Animals”
4th nom

__________

BEST ACTRESS in a LEADING ROLE

amy-adams-arrival

Amy Adams – “Arrival”
6th nom

annette-bening-20th-century-women

Annette Bening – “20th Century Women”
4th nom, 1 win – “American Beauty”

rebecca-hall-christine

Rebecca Hall – “Christine”
1st nom

ruth-negga-loving

Ruth Negga – “Loving”
1st nom

natalie-portman-jackie

Natalie Portman – “Jackie”
(4th nom, 2 wins – “Black Swan” and “Closer”)

__________

BEST ACTOR in a LEADING ROLE

casey-affleck-manchester-by-the

Casey Affleck – “Manchester by the Sea”
2nd nom

joel-edgerton-loving

Joel Edgerton – “Loving”
1st nom

andrew-garfield-silence

Andrew Garfield – “Silence”
2nd nom

jake-gyllenhaal-nocturnal-animals

Jake Gyllenhaal – “Nocturnal Animals”
4th nom, 1 win – “Brokeback Mountain”

viggo-mortensen-captain-fantastic

Viggo Mortensen – “Captain Fantastic”
1st nom

__________

BEST DIRECTOR

andrea-arnold-american-honey

Andrea Arnold – “American Honey”
1st nom

robert-eggers-witch

Robert Eggers – “The Witch”
1st nom

barry-jenkins-moonlight

Barry Jenkins – “Moonlight”
1st nom

pablo-larrain-jackie

Pablo Larrain – “Jackie”
1st nom

denis-villeneuve-arrival

Denis Villeneuve – “Arrival”
3rd nom

__________

BEST MOTION PICTURE of the YEAR

13th

Spencer Averick (1st nom), Howard Barish (1st nom) and Ava DuVernay (1st nom)

American Honey

Lars Knudsen (2nd nom), Pouya Shahbazian (1st nom) and Jay Van Hoy (2nd nom)

Arrival

Shawn Levy (1st nom), Dan Levine (1st nom), David Linde (1st nom) and Aaron Ryder (1st nom)

Jackie

Darren Aronofsky (2nd nom), Paul Franklin (2nd nom), Ari Handel (1st nom) and Mickey Liddell (1st nom)

Manchester by the Sea

Matt Damon (1st nom), Chris Moore (1st nom) and Kevin J. Walsh (1st nom)

Moonlight

Dede Gardner (2nd nom, 1 win – “12 Years a Slave”), Jeremy Kleiner (2nd nom, 1 win – “12 Years a Slave”) and Adele Romanski (1st nom)

Paterson

Joshua Astrachan (2nd nom) and Carter Logan (1st nom)

Silence

Barbara De Fina (2nd nom), Randall Emmett (1st nom), Martin Scorsese (3rd nom) and Irwin Winkler (6th nom, 2 wins – “Goodfellas” and “Raging Bull”)

Tower

Megan Gilbride (1st nom), Keith Maitland (1st nom) and Susan P. Thomson (1st nom)

The Witch

Daniel Bekerman (1st nom), Lars Knudsen (2nd nom), Rodrigo Teixeira (1st nom) and Jan Van Hoy (2nd nom)

__________

NOMINATION TALLY

Films with more than 2 nominations a piece:

Arrival – 11
Moonlight – 9
Jackie – 8
The Witch – 8
American Honey – 6
Manchester by the Sea – 5
Silence – 5
La La Land – 4
Midnight Special – 4
13th – 3
Loving – 3
Nocturnal Animals – 3
Rogue One: A Star Wars Story – 3
20th Century Women – 2
Everybody Wants Some! – 2
Green Room – 2
Hell or High Water – 2
Paterson – 2
Suicide Squad – 2
Tower – 2

2012 Independent Spirit Award Winners

February 26, 2012 Leave a comment

Happy Oscar morning, everyone! It’s obviously a pretty busy day. I’ve got to finalize my predictions, prepare for my night of live-blogging and tweeting, and help my girlfriend get our place ready for our Oscar party. Therefore, I’ll keep this brief. Needless to say, anyone not predicting “The Artist” for a Best Picture win, tonight…you know what, I’m not even going to go there. It may be just another one of the Academy’s heart-warming, middle-of-the-road, de facto winners. However, after a nearly unprecedented sweep of the Indy Sprits, last night, following victories in almost everything else, there’s no reason not to bet everything you have on tonight to follow suit.

Interestingly enough, as much as both last night’s and tonight’s victories have been expected, “The Artist” will break a long-standing curse. In the twenty-six year existence of the Indy Spirits, it’s been twenty-five since the last time their Best Picture choice lined up with Oscar (“Platoon”). The last films to come close were “Pulp Fiction,” “Brokeback Mountain” and “Little Miss Sunshine.” Yet, alas, “The Artist” will be the one to finally bust down that barrier.

The highlights of the night? “Margin Call” picking up two awards for Best First Feature and the Robert Altman Award was a nice touch. Meanwhile, I am thrilled to see Steve James’ “The Interrupters” win Best Documentary. The Academy not even adding that film to its shortlist was a grievous mistake. Thank you to the Spirits for helping to rectify that wrong.

On one more note, following Jean Dujardin’s victory last night, it’s become too difficult to continue predicting George Clooney for the Best Actor win. I’d always hoped that if someone were to upset the longtime frontrunner, it would have been Brad Pitt. But with three straight victories with the SAG, the BAFTA and now the Spirit, Dujardin has ultimately transformed himself into the frontrunner. Granted these were some weird awards, with both Clooney and Michael Shannon failing to pick up nominations, despite their films getting Best Picture noms. Boy, I tell ya, if Clooney still wins after I’ve waited this long to change my mind, I will not be a happy camper. But, as Aaron Sorkin would say, that’s life in the NFL…

Here are the winners of the 2012 Independent Spirit Awards:

BEST PICTURE: “The Artist”

BEST DIRECTOR: Michel Hazanavicius – “The Artist”

BEST MALE LEAD: Jean Dujardin – “The Artist”

BEST FEMALE LEAD: Michelle Williams – “My Week with Marilyn”

BEST SUPPORTING MALE: Christopher Plummer – “Beginners”

BEST SUPPORTING FEMALE: Shailene Woodley – “The Descendants”

BEST SCREENPLAY: “The Descendants”

BEST FIRST SCREENPLAY: “50/50”

BEST FIRST FEATURE: “Margin Call”

BEST CINEMATOGRAPHY: “The Artist”

BEST DOCUMENTARY: “The Interrupters”

ROBERT ALTMAN AWARD: “Margin Call”

JOHN CASSAVETES AWARD: “Pariah”

Stay tuned for my last minute Oscar predictions sometime this evening. It should be an interesting night…

69th Annual Golden Globe Winners

January 15, 2012 Leave a comment

Listed below are the winners of this year’s Golden Globe Awards.

Enjoy:

FILM

BEST PICTURE: DRAMA: “The Descendants”

BEST PICTURE: MUSICAL or COMEDY: “The Artist”

BEST DIRECTOR: Martin Scorsese – “Hugo”

BEST ACTOR in a DRAMA: George Clooney – “The Descendants”

BEST ACTRESS in a DRAMA: Meryl Streep – “The Help”

BEST ACTOR in a MUSICAL or COMEDY: Jean Dujardin – “The Artist”

BEST ACTRESS in a MUSICAL or COMEDY: Michelle Williams – “My Week with Marilyn”

BEST SUPPORTING ACTOR: Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS: Octavia Spencer – “The Help”

BEST SCREENPLAY: Woody Allen – “Midnight in Paris”

BEST FOREIGN LANGUAGE FILM: “A Separation”

BEST ANIMATED FEATURE FILM: “The Adventures of Tintin”

BEST ORIGINAL SCORE: Ludovic Bource – “The Artist”

BEST ORIGINAL SONG: “Masterpiece” by Madonna – “W.E.”

TELEVISION

BEST TV DRAMA SERIES: “Homeland”

BEST TV ACTOR in a DRAMA SERIES: Kelsey Grammer – “Boss”

BEST TV ACTRESS in a DRAMA SERIES: Claire Danes – “Homeland”

BEST TV MINI-SERIES or MOVIE: “Downton Abbey”

BEST TV ACTOR in a MINI-SERIES or MOVIE: Idris Elba – “Luther”

BEST TV ACTRESS in a MINI-SERIES or MOVIE: Kate Winslet – “Mildred Pierce”

BEST TV COMEDY SERIES: “Modern Family”

BEST TV ACTOR in a COMEDY SERIES: Matt LeBlanc – “Episodes”

BEST TV ACTRESS in a COMEDY SERIES: Laura Dern – “Enlightened”

BEST SUPPORTING ACTOR in TELEVISION: Peter Dinklage – “Game of Thrones”

BEST SUPPORTING ACTRESS in TELEVISION: Jessica Lange – “American Horror Story”

My Golden Globe Predictions 2012

January 15, 2012 Leave a comment

Same deal as Thursday. I’ll give my winner predictions as well as an alternate. Some of these are going to be pretty predictable. Others Just seem like they’re predictable. There’s bound to be one or two surprises, here. I would expect a very close dogfight in Best Director, with Hazanavicius, Scorsese and Allen all with decent shot at the gold. I also believe that the award for Best Actress (Drama) will largely determine the trajectory of that category for the rest of the year. If Viola Davis is able to overtake Meryl Streep on the veteran’s home turf, expect things to go in her favor from here on out.

It will be interesting to see how much the HFPA’s star-fucking tendencies will be in check, tonight. I think everyone, this year, is expecting them to keep a grip on themselves, for the most part. However, one big question looms: will they snub “A Separation” (a film that has pretty much unanimously been labeled the year’s finest film, foreign or otherwise) for the sole chance of giving a statue to Angelina Jolie. How can they possibly resist?

It shouldn’t be a big secret that I despise the Globes. True that they did do all right by me last year by giving four awards to “The Social Network.” Yet, in that same year, all ninety members of the Hollywood Foreign Press accepted bribes to be flown to Vegas for a live performance by Cher, in exchange for voting “Burlesque” in for a Best Picture nomination. Therefore, I expect plenty of whoring to happen this year, as well.

Or, who knows? Maybe awarding such an outstanding film, last year, caused them to turn over a new leaf. On the whole, their slate of nominees has shown a bit more class and taste than in years’ previous.

The best thing about tonight’s awards is not the HFPA’s winners, but NBC’s coverage of it. One must give credit to NBC for going against the celebrity-loving critics’ wishes and bringing back Ricky Gervais to host the ceremony. I mean come on. If we’re going to watch a three hour event of how cool they are, the least celebrities can do for us is take a little kick in the ass for our amusement. Hopefully, Gervais will be wearing a steel-toed boot. Should be a hoot.

And now, The Edge of the Frame’s picks. My winner predictions are highlighted in bold, while my runners-up are underlined.

BEST PICTURE: DRAMA
“The Descendants”
“The Help”
Hugo
“The Ides of March”
“Moneyball”
“War Horse”

BEST PICTURE: MUSICAL/COMEDY
“The Artist”
“Bridesmaids”
“50/50″
Midnight in Paris
“My Week With Marilyn”

BEST DIRECTOR
Woody Allen – “Midnight in Paris”
Michel Hazanavicius – “The Artist”
Alexander Payne – “The Descendants”
Martin Scorsese – “Hugo”
George Clooney – “The Ides of March”

BEST ACTOR: DRAMA
George Clooney – “The Descendants”
Leonardo DiCaprio – “J. Edgar”
Michael Fassbender – “Shame”
Ryan Gosling – “The Ides of March”
Brad Pitt – “Moneyball”

BEST ACTOR: MUSICAL/COMEDY
Jean Dujardin – “The Artist”
Brendan Gleeson – “The Guard”
Joseph Gordon-Levitt – “50/50″
Ryan Gosling – “Crazy, Stupid, Love.”
Owen Wilson – “Midnight in Paris”

BEST ACTRESS: DRAMA
Glenn Close – “Albert Nobbs”
Viola Davis – “The Help”
Rooney Mara – “The Girl With the Dragon Tattoo”
Meryl Streep – “The Iron Lady”
Tilda Swinton – “We Need to Talk About Kevin”

BEST ACTRESS: MUSICAL/COMEDY
Jodie Foster – “Carnage”
Kristen Wiig – “Bridesmaids”
Charlize Theron – “Young Adult”
Michelle Williams – “My Week With Marilyn”
Kate Winslet – “Carnage”

BEST SUPPORTING ACTOR
Kenneth Branagh – “My Week With Marilyn”
Albert Brooks – “Drive”
Jonah Hill – “Moneyball”
Viggo Mortensen – “A Dangerous Method”
Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS
Berenice Bejo – “The Artist”
Jessica Chastain – “The Help”
Janet McTeer – “Albert Nobbs”
Octavia Spencer – “The Help”
Shailene Woodley – “The Descendants”

BEST SCREENPLAY
Michel Hazanavicius – “The Artist”
Alexander Payne, Nat Faxon and Jim Rash – “The Descendants”
George Clooney – Grant Heslov and Beau Willimon, “The Ides of March”
Woody Allen – “Midnight in Paris”
Aaron Sorkin and Steven Zaillian – “Moneyball”

BEST FOREIGN-LANGUAGE FILM
“The Flowers of War”
“In the Land of Blood and Honey”
“The Kid With a Bike”
“A Separation”
“The Skin I Live In”

BEST ANIMATED FEATURE
“The Adventures of Tintin”
“Arthur Christmas”
“Cars 2″
“Puss in Boots”
“Rango”

BEST ORIGINAL SCORE
Ludovic Bource – “The Artist”

Trent Reznor and Attivus Ross – “The Girl With the Dragon Tattoo”
Howard Shore – “Hugo”
John Williams – “War Horse”
Abel Korzeniowski – “W.E.”

BEST ORIGINAL SONG
“Lay Your Head Down” – “Albert Nobbs”
“Hello Hello” – “Gnomeo and Juliet”
“The Living Proof” – “The Help”
“The Keeper” – “Machine Gun Preacher”
“Masterpiece” – “W.E.”

Washington D.C. Film Critics Winners

December 5, 2011 Leave a comment

Like I said, before: early and without warning. Well, the winners were a bit more dispersed and shared than I had imagined. “The Artist” and “The Descendants” were the leaders with two wins apiece, with the former taking down Best Picture. Scorsese made a somewhat surprising takedown of Best Director. I must say that this is the first time in my prognosticating career that I’m disappointed about my fourth favorite director receiving accolades.

George Clooney and Albert Brooks each earn their second wins of the season, respectively. Meanwhile, Michelle Williams and Octavia Spencer each grab the first of probably many, especially for the latter. Spencer’s performance is the very definition of a standout and I hope those honors keep rolling in for her.

The most notable mention here, I have to say, is “50/50” taking down another Best Original Screenplay award. At first, I thought it was just the NBR being the NBR. But for the film to keep beating out such heavy competition as “The Artist” and “Midnight in Paris” (I mean we’re talking about Woody Allen, here, for probably his most popular film since “Crimes and Misdemeanors”), it might be moving up in the field. It’s enough for it to slide into my current predictions and make me regret not catching it in theaters. We’ll see. The proverbial night is young.

Here’s the full list of winners:

Best Picture: “The Artist”

Best Director: Martin Scorsese – “Hugo”

Best Actor: George Clooney – “The Descendants”

Best Actress: Michelle Williams – “My Week with Marilyn”

Best Supporting Actor: Albert Brooks – “Drive”

Best Supporting Actress: Octavia Spencer – “The Help”

Best Adapted Screenplay: “The Descendants”

Best Original Screenplay: “50/50”

Best Art Direction: “Hugo”

Best Cinematography: “The Tree of Life”

Best Score: “The Artist”

Best Animated Feature: “Rango”

Best Documentary Feature: “Cave of Forgotten Dreams”

Best Foreign Language Film: “The Skin I Live In”

The End of Oscar Season and What’s on the Horizon

So, the Oscar season is officially over. As saddening as the result was, I am fully ready to move on and focus on other things. While I do consider this site to be a year-long awards information center, let’s face it, there’s really not going to be a lot to say about it for quite some time now. Therefore I will be offering a few Awards Updates now and again until the season really kicks in.

However, for the majority of the time, The Edge of the Frame will be focused on movies themselves. I plan on focusing more on reviews, trailers, and news updates. I also plan on continuing with certain features, such as the New Additions to the Mitchell List, my assorted lists, as well as a new feature I’ve been planning that ties in with AFI’s own Top 100 List.

On top of all that, I plan on posting more information and updates on my own productions. While it’s my goal to become a professional critic and pundit, I still do spend a lot of time working on films, themselves. When I started this blog, I had originally planned on including a lot of features having to do with my own work, but never really got around to it. I intend to reverse that by posting everything from production stills (including the one above from a short film, “The Mystique” which I recently key gripped for), screenshots and even short films that I’ve edited either for class or my spare time. It should be a blast.

To kick this off, I’ve posted a trailer for a film that I am undoubtedly looking forward to in the coming year. Anyone who played the computer game “Oregon Trail” as a kid has to be excited for what is practically the film adaptation, “Meek’s Cutoff.” While looking a lot more dry and dark than the children’s game, this film really looks to be something of great, unorthodox adventure film. I highly doubt that the film will be up for any awards and you’ll probably have to search hard to find it in theaters. Yet this unusual-looking western starring Michelle Williams, Paul Dano, Will Patton and Bruce Greenwood looks like a 2011 film I will be sure not to miss.

According to IMDB the film will have a limited release on April 8th, but I wouldn’t hold any breath to see this get out of LA and NY by that point.

Or check out the full HD version from Apple Trailers.

My Top Ten List – 2010

February 15, 2011 1 comment

Last year, I can remember the huge uproar against the AMPAS extending the amount of Best Picture nominees to ten. I can also remember, that through it all, I was one of this notion’s strongest supporters. I recognize the faults in the logic. It allows for lesser films that have no business being considered one of the year’s best to fight their way in due to endless campaigning and the votes of stupid people. This flaw took shape last year in the form of “The Blind Side” getting nominated for Best Picture.

However, the upsides of the expansion are far greater. It gives the field a more diverse look, for one. It’s nice to see films from a wide range of directors and collaborators. If allows also a mix of both intelligent box office hits and scrappy indy favorites. More than anything else, however, is that five films is just two few to sum up a year in cinema. Had the Academy enacted this ruling ten years ago, one would look back on certain films and think it a crime had they not been nominated, which they haven’t. Imagine a world if films like “The Wrestler,” “The Dark Knight,” “WALL-E,” “Into the Wild,” “Once,” “The Diving Bell and the Butterfly,” “United 93,” “Little Children,” “Children of Men” and “Pan’s Labyrinth” could have been Best Picture nominees, and that’s only the last five years.

It must be for that reason that critics, for over fifty years, have been issuing top ten lists of their favorite films, rather than top five lists. It’s about that time, therefore, for The Edge of the Frame to release its own list for the 2010 year. I have now seen sixty films from 2010, which is low for me and not quite an respectable amount. Over the years, I’m sure that this list will change a spot or two as I see more, but for now, I believe that I’ve seen an acceptable sum to create an adequate list.

This has been a good year for film, but not really a great one. Out of sixty films, I gave only two films “A” grades. The year has had its high points and low points. For instance, it has been a great year for lead acting performances, but a rotten year for cinematography. For sure, I will always remember 2010 as the year that the Oscars snubbed its nose at great film and went home to their comfort zones. More than anything else, however, 2010 has been the year of the documentary. Never have I seen a year in cinema in which so many documentaries have captured my interest, let alone made it into my top ten.

As always there are a few stragglers that, even though they don’t qualify for my top ten, they still deserve an honorable mention. Therefore, this next selection of films are all very good, but just not good enough. They may be packed with amazing moments, but there’s also one too many flaws that have kept them down. So without further adieu, here are the films that just didn’t quite make it:

THE RUNNERS-UP


“127 Hours”

Directed by Danny Boyle
Written by Danny Boyle and Simon Beaufoy

Click HERE to see the rest of the list

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