Archive

Posts Tagged ‘melissa mccarthy’

2nd Annual Edgy Award Winners

February 25, 2012 2 comments

At last, the moment you’ve all been waiting for. After a lot of work and, actually, a lot more deliberation than I had originally imagined, it’s now time to announce the winners of the 2nd Annual Edgy Awards. If you missed the original nominations, you can find the full list here. These winners encompass what I believe to be the best work put forth in each respective category. Now, I’m sure there’s a few that people are sure to disagree with, so, in addition to posting video clips that showcase the work, I’ll also provide a bit of commentary that will help to defend my decisions.

This year shows a very different distribution than the 1st Edgy Awards. Last year, nearly fifty percent of the awards were collected by only two films (“The Social Network” – 7 and “Inception” – 4). This year has seemed to take on a more “spread the wealth” fashion. For example, last year, there were only six films taking home one award apiece (and that was with an extra category). This year, there are thirteen. This might also be the first time in my history of giving awards that a different film has won each of the eight technical categories (Cinematography, Editing, Art Direction, Costume Design, Sound Mixing, Sound Editing, Visual Effects, and Makeup). I guess that shows the diversity of filmmaking that this year brought to the table.

It’s time to sit back and enjoy. Here are your Edgy winners:

BEST ORIGINAL SONG

“Think You Can Wait”

Music and Lyrics by “The National

RUNNER-UP: “Shelter” from “Take Shelter”

Aside from just being a straight-up beautiful and enjoyable song to listen to, over and over, “Think You Can Wait” is a phenomenal companion piece to Thomas McCarthy’s “Win Win.” The longing melody and wistfully fluid lyrics encompass both the woes and lingering hopes of the suburban life experienced by the film’s characters. This winner was never a question in my mind. A fantastic song.

Read more…

Advertisements

The 2nd Annual Edgy Award Nominations

February 21, 2012 2 comments

One of the primary focuses of this site is to analyze and report on each year’s film awards race, and many of you know this to be my true passion in life. However, if there’s one thing I enjoy more than following the Oscars, it’s making my own. Therefore, it has become a tradition of mine to gather up all my favorite aspects of the year’s filmmaking, break them down into nominations and then award what I believe to be the best of the year. And while I’ve been doing this for a long time, The Edge of the Frame gave me a chance to name them. Therefore, I present to you fine readers the 2nd Annual Edgy Award Nominations.

This year has certainly delivered a mixed bag of finalists. A total of 39 films received nominations, although 19 of those only garnered a single nomination apiece. While some categories may have some resemblance to the Academy’s choices (sometimes, they do actually make wise decisions), there are some striking differences. Thank goodness for that, for as a film critic, if my picks matched up with the Oscars, I wouldn’t be able to respect myself in the morning. Many of you have already seen my choices for Best Picture, what with my Top Ten List being released earlier in the week, and you’ll have noticed that only three films also find themselves in Oscar’s top nine ballot. Also, for the first time in my long history of doing this, not a single one of my Best Director nominees overlaps with the Academy’s.

A few notes to cover before we get started. I’ve used a similar format as last year’s nominations, listing out each nominee by name, instead of just the films themselves. Now, some of you will be bound to wonder how, if these are only the 2ND Annual Edgy Nominations, some individuals will have more than 2 mentions under their belts. The answer is because I have a slate of personal awards for each year going back over seven decades. I’ve got endless spreadsheets cataloging my choices for film winners from long before I was even born, I just don’t have the means (yet) to make those available to the public. The annotations refer to the amount of past nominations each individual has had in their respective category, except for performers who’s mentions overlap with all the other acting categories.

Now, for any readers who need more info, don’t understand or just think I’m full of it, I’ve provided a link to a separate document which holds a complete list of every single one of this year’s nominees, coupled with a complete record of their Edgy nominations and wins. Have I gone overboard with these things? Absolutely, but I have an anal retentive need to be comprehensive, not to mention that I have a devotion to all things statistical. Hope at least one person gives it a look.

One other thing to point out is that, this year, I have refrained from creating categories for both Best Foreign Language Film and Best Animated Film. To be honest, I just haven’t seen enough foreign fare to make up an accurate barometer of the year’s best. As far as animation goes, I honestly just avoided this year, practically, all together. Just a weak field that I didn’t bother focusing my income towards. I did, however, add a full category for Best Ensemble Cast. I do believe that when a film pulls off an effective ensemble performance, it’s worth taking note of because it help’s define the film and its quality. If only the Oscars shared this opinion.

So, without further ado, here are the 2011 nominations:

 

BEST ORIGINAL SONG

“The Living Proof”
featured in “The Help”
Music and Lyrics by Mary J. Blige (2nd Nom)

“Marcy’s Song”
featured in “Martha Marcy May Marlene”
Music and Lyrics by Jackson C. Frank (1st nom)

“Never Be Daunted”
featured in “Happythankyoumoreplease”
Music and Lyrics by Jaymay (1st nom)

“Shelter”
featured in “Take Shelter”
Music and Lyrics by Ben Nichols (1 nom)

“Think You Can Wait”
featured in “Win Win”
Music and Lyrics by The National (1st nom)

Read more…

My Reaction: The Good, the Meh and the Ugly, Part 1

January 24, 2012 Leave a comment

All right. Here we go. I’ve been awake for the last six hours, and as if that didn’t put me in a cranky enough mood, the Academy of Motion Picture Arts and Sciences always manages to take care of that for me. There were some good things. I won’t lie. The voters always find a way of sneaking in a few items that even I can respect and say thank you for. However, if you look at this reaction on the whole, “Thank you” is not going to be the word you’d use to sum it up.

Note, I’m not going to go through and talk about every one of the 104 nominations. I’m sorry, but that would be madness. Instead I will simply focus on the true standouts of the morning, mostly the surprises and the hard-fought battles. If you’re curious about a nomination that I don’t mention, ask me, or simply wait for the 2nd Annual Edgy Awards. The nominations should be ready within the next two weeks.

Let’s do this in chapters, shall we? Starting with the facets I enjoyed:

THE GOOD

 

The ultimate highlight of the morning, and the thing that will probably be most remembered from this year’s Oscars as a whole, is Gary Oldman’s nomination for Best Actor. I think you would be hard-pressed to find an actor who has taken his licks, paid his dues, delivered some absolutely fantastic and groundbreaking work, and gone so long without being being honored with so much as a single Oscar nomination. Maybe Donald Sutherland, but I would easily say that Oldman’s talent surpasses his in so many ways. For all of its faults, this morning was made great because of this irrefutable fact: we now live in a world where Gary Oldman is an Oscar nominee. The world just got a whole lot better.

While this year’s Best Picture lineup may set a record for lowest coinciding with my own choices (I think only 3 films will end up overlapping), there is one movie that I am infinitely proud of the Academy’s rally of support around it. Earning a total of six nominations, tied for third highest amount, that film is Bennett Miller’s sophomore effort and absolute stunner of a film, “Moneyball.” When it came to searching for a film that raised my heart rate and got my blood flowing as much as last year’s masterpiece, “The Social Network,” this was the only film that came close (ironically co-penned by the Shakespeare of our time, Aaron Sorkin). Not only is it arguably the greatest sports movie ever made (barring “Raging Bull,” if you consider that a movie about sports), it is a touching character study of what we’re worth as human beings and what we come to expect of ourselves. This movie will forever hold a place of high honor in my mind and heart and I could not be happier that the Academy agrees with me.

As far as the female categories are concerned, there’s two nominations that really made me smile. The first is Melissa McCarthy’s well-deserved mention for “Bridesmaids.” The film, itself, was funny and decent enough, but without McCarthy’s absolutely hilarious and fearless performance, it would have been a fraction of what it turned out to be. This woman is fantastic and I am so happy for her and the year she’s having. Secondly, I am not only shocked, but overjoyed at the Best Actress nomination for Rooney Mara. This is a talented young actress who came out of nowhere, took on a highly anticipated role that has already been portrayed by another actress not less than three years ago, and against all expectations from many skeptics, knocked it completely out of the park. Her embodiment of Lisbeth Salander will forever live in infamy and now she has an Oscar nomination to show for it. Congrats.

There’s a few other nominations that tickled my fancy, here and there. An outstanding surprise in the writing categories was J.C. Chandor’s Best Original Screenplay nomination for his debut film, “Margin Call.” And I could kick myself square in the face for not predicting it. This film was a current of pure energy and intelligence that is more relevant than perhaps any of the nominated films. I cannot wait to see what this gentleman does in the future. Speaking of relevance, I also had a brief moment of joy over the nominated documentary “If a Tree Falls: A Story of the Earth Liberation Front.” It has flown largely under the radar throughout the year, but is a valuable lesson on the damage we’ve done to our world, as well as how far we are willing to go to reverse that. Finally, even though it might be to many others’ chagrin, I’m pleased to see Janusz Kaminski score his fifth nomination for Best Cinematography through “War Horse.” It may not be his best work, but there are some shots in that film that are indisputably among the best of the year. Bravo my favorite working DP.

Well, that about wraps it up for my moments of elation, obviously few and far between. Perhaps after a while, I might be able to look back on this day and acknowledge a little more as being positive. For now, I brood.

I’ll be back later today with parts two and three, so stay tuned to The Edge of the Frame.

It Hath Come: My Final 2012 Oscar Nomination Predictions

January 23, 2012 Leave a comment

The time is here. Unbelievable. I woke up this morning with such a sense of elation, pride and sheer terror. As I believe I had stated at this point, last January, I find this point in the race to be more nerve-racking and exciting than that fateful day in February. This is when, in my mind, the true winners are announced. I know it’s a savage cliche in this industry, but to be real, I truly believe that it is an honor just to be nominated. Especially when people like Harvey Weinstein exist in the world. If you are able to squeeze out a nomination without that “The Weinstein Company” in your opening credits, then I say “Bravo” to you, sir or madam. Besides, when you look at history, ninety percent of the time, it’s the films that don’t win that get remembered so much more. I’d say that those films are far better company to keep.

Well, I’ll take this time, beforehand, to address any sudden change or surge that has occurred since my last batch of nominations. The big one, indeed came after the announcement of the BAFTA nominations and “Tinker, Tailor, Soldier, Spy,” suddenly became a legitimate contender. Granted, I do not believe (though some seem to) that it will receive the same level of recognition (11 nominations. Whew.), but I am fully expecting it to pop up in a few categories. In fact, perhaps my biggest “out-on-a-limb” prediction is Gary Oldman snagging his first career mention. I mean in reality, who cares what the Globes say and the SAG nominations are from a random sampling, so who knows how many of them have even heard of Oldman or understand his plight. I believe that, at this point, members of the Academy’s acting branch know that it’s about damn time to give this legendary actor his due. Plus, the British contingent of the Academy may help push him over the edge.

If you had asked any prognosticator two months ago if they believed that, on the day before nominations, “War Horse” would be on the bubble, they’d have said the chances were slim. Yet, here we are. If it hadn’t been for that Producers Guild nomination, which at this point, almost seems strange, this film would be considered completely out of contention. Lacking any kind of mention from the DGA, the SAG, the WGA or the ASC, the film’s chances have dropped through the floor. Many believe that “Bridesmaids” has a better chance, at this point.

Speaking of “Bridesmaids,” I’ll address its status along with a few other “on-the-bubble” films. Many are hoping and believing that this will be the first Judd Apatow production to make the shortlist. Yet, despite all of its guild nominations, I think it will fail to make the cut. The Academy’s balloting procedures, which require a large number of #1 votes, will prevent it. Now it seems that “The Tree of Life” should be able to excel by those standards, due to the fervent passion of its followers, However, I believe that this film has seen its day with the critics, but will not register as well with the industry. The fate of “Drive” will follow along a similar path, despite a push from the BAFTAs. In a world where there was still an assured number of ten nominees, one or all of these might sneak in, but not this year.

Well, on to those nomination predictions. Won’t be able to say that again until, well, the day after this year’s Oscars. Once again, these are ranked by chance of getting nominated. If I put a film or individual at the number one spot, that does not necessarily mean I think it will win. That’s a whole different ballpark.

Here comes the part that’s hardest: double crossing my fingers. For someone in my position who has two loves, predicting the Oscars and loving films, this day is a double-edged sword. As much as I want my own favorites to somehow work their way into the categories, in many cases, I’m predicting against them. Therefore, no matter what happens, I’ll be feeling a twinge of sadness. But as Sasha Stone, one of the best analysts of the Oscar race and my personal idol says, “The trick is not minding.”

Here goes nothing:

BEST PICTURE

1. “The Artist”
2. “Hugo”
3. “The Descendants”
4. “The Help”
5. “Midnight in Paris”
6. “The Girl with the Dragon Tattoo”
7. “Moneyball

8. “War Horse” (if there are eight)
9. “Bridesmaids” (if there are nine)
10. “The Tree of Life” (if there are ten)

Alt 1: “Tinker, Tailor, Soldier, Spy”
Alt 2: “Drive”

Read more…

The 69th Annual Golden Globe Nominations

December 15, 2011 3 comments

Once again, I’ll have a full opinion piece out in a few hours. In the meantime, I’ll leave you with the nominees (including a tally of how many I correctly predicted). Also, there’s one jarring thought that’s kind of occupying my mind right now?

WHERE THE HELL IS MELISSA McCARTHY!?!?!?!?!?! HFPA, just what were you thinking?

…and the nominees are…

BEST PICTURE: DRAMA  (4/5 + 1 alternate)
“The Descendants”
“The Help”
“Hugo”
“The Ides of March”
“Moneyball”
“War Horse”

BEST PICTURE: MUSICAL/COMEDY (5/5!!!)
“The Artist”
“Bridesmaids”
“50/50”
“Midnight in Paris”
“My Week With Marilyn”

BEST DIRECTOR (4/5 + 1 alternate)
Woody Allen – “Midnight in Paris”
Michel Hazanavicius, “The Artist”
Alexander Payne, “The Descendants”
Martin Scorsese, “Hugo”
George Clooney, “The Ides of March”

BEST ACTOR: DRAMA (4/5 +1 alternate)
George Clooney, “The Descendants”
Leonardo DiCaprio, “J. Edgar”
Michael Fassbender, “Shame”
Ryan Gosling, “The Ides of March”
Brad Pitt, “Moneyball”

BEST ACTOR: MUSICAL/COMEDY (3/5)
Jean Dujardin, “The Artist”
Brendan Gleeson, “The Guard”
Joseph Gordon-Levitt, “50/50”
Ryan Gosling, “Crazy, Stupid, Love.”
Owen Wilson, “Midnight in Paris”

BEST ACTRESS: DRAMA (4/5)
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl With the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Tilda Swinton, “We Need to Talk About Kevin”

BEST ACTRESS: MUSICAL/COMEDY (4/5 + 1 alternate)
Jodie Foster, “Carnage”
Kristen Wiig, “Bridesmaids”
Charlize Theron, “Young Adult”
Michelle Williams, “My Week With Marilyn”
Kate Winslet, “Carnage”

BEST SUPPORTING ACTOR (3/5 + 1 alternate)
Kenneth Branagh, “My Week With Marilyn”
Albert Brooks, “Drive”
Jonah Hill, “Moneyball”
Viggo Mortensen, “A Dangerous Method”
Christopher Plummer, “Beginners”

BEST SUPPORTING ACTRESS (3/5 + 1 alternate)
Berenice Bejo, “The Artist”
Jessica Chastain, “The Help”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”
Shailene Woodley, “The Descendants”

BEST SCREENPLAY (4/5)
Michel Hazanavicius, “The Artist”
Alexander Payne, Nat Faxon and Jim Rash, “The Descendants”
George Clooney, Grant Heslov and Beau Willimon, “The Ides of March”
Woody Allen, “Midnight in Paris”
Aaron Sorkin and Steven Zaillian, “Moneyball”

BEST FOREIGN-LANGUAGE FILM (N/A)
“The Flowers of War”
“In the Land of Blood and Honey”
“The Kid With a Bike”
“A Separation”
“The Skin I Live In”

BEST ANIMATED FEATURE (5/5!!!)
“The Adventures of Tintin”
“Arthur Christmas”
“Cars 2”
“Puss in Boots”
“Rango”

BEST ORIGINAL SCORE (3/5)
Ludovic Bource, “The Artist”
Trent Reznor and Attivus Ross, “The Girl With the Dragon Tattoo”
Howard Shore, “Hugo”
John Williams, “War Horse”
Abel Korzeniowski, “W.E.”

BEST ORIGINAL SONG (N/A)
“Lay Your Head Down,” “Albert Nobbs”
“Hello Hello,” “Gnomeo and Juliet”
“The Living Proof,” “The Help”
“The Keeper,” “Machine Gun Preacher”
“Masterpiece,” “W.E.”

Washington D.C. Film Critics Announce Nominees

December 3, 2011 Leave a comment

I had a feeling that these guys were going to stick their heads up this week. They have a tendency of announcing early and without warning. While the results of their voting is apparently still being tallied and the winners will be announced on Monday, we can take a look at the nominees right now.

Well, there’s not much question as far as what film will likely go all the way here, and that is the emerging critical darling “The Artist.” The film received eight nominations, practically in every category that it was eligible. “Hugo” comes in second with six nominations, continuing to baffle me. I’m sure that I’m going to be saying that a lot this awards season.

The overrated, but still exceptionally cool, “Drive” picked up four nominations, including one for it’s phenomenal director Nicholas Wending Refn. “The Descendants” also continued its string of love with five nominations. Octavia Spencer receives her first of what I’m sure will be a long string of nominations for her work in “The Help,” likewise for Viola Davis. I personally wouldn’t mind seeing both of those ladies with gold in their hands come Oscar night.

A surprisingly absent film from these nods is a little title about a war and a horse. Not sure if you’ve heard of it. For a critics group that largely trends towards the Oscars, it’s highly unusual to find Mr. Spielberg’s latest largely vacant from these nominations. True it picked up a few tech nods, yet this film is believed by many to potentially be the nomination leader next month. One can’t say that the group has a beef with the director, either, for they were the first and one of the only to award “Munich” Best Picture back in 2005.

The big story here is Tom McCarthy’s “Win Win” picking up a nomination for Best Picture, beating out the above mentioned “War Horse” and a number of others. Quite a coup for this little delight of a film. Yet, as intriguing as this nomination is, I doubt it will pan out much for the rest of the year, at least in terms of Best Picture. However, a screenplay nomination for McCarthy is becoming more and more likely.

Some underdog victories abound here that are worth mentioning. Michael Shannon asserts himself as a certifiable contender, getting a nod for his fantastic work in “Take Shelter.” It’s also very refreshing to see Andy Serkis get his first and hopefully not last nomination as a motion captured ape in “Rise of the Planet of the Apes.” His is certainly the most interesting campaign of the season, and if it succeeds, it will make Oscar history. While I despise the precedent that it will set, I admit that I can’t help feeling proud of Andy Serkis. If it’s going to happen, it should happen to him. From Gollum, to Kong, and now Ceasar, the man has truly put his heart and soul into his work and has ultimately changed the face of cinema in a lot of ways.

Hands down, my favorite pick of the evening has got to be Melissa McCarthy for “Bridesmaids.” A good movie that this lady really took to another level with her incredible comedic skills. Her performance, if it continues down this track, could end up being one of the funnest nominations since Robert Downey Jr. in “Tropic Thunder.” Kudos to the WAFCA for getting the ball rolling, there.

Check out the full list of nominations after the cut:

Best Film
“The Artist”
“The Descendants”
“Drive”
“Hugo”
“Win Win”

Read more…