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The 3rd Annual Edgy Award Winners

March 17, 2013 Leave a comment

The 3rd Annual Edgy Nominations

These are undoubtedly a little late, but better late than never. After some deliberation, here are the winners of this year’s Edgy Awards, along with the runners-up in each category. If you missed the nomination announcement, you can check all of them out here.

Enjoy:

____________

BEST ORIGINAL SONG

“Skyfall” featured in “Skyfall”

Music and Lyrics by Adele

Runner-Up: “Song of the Lonely Mountain” featured in “The Hobbit: An Unexpected Journey”

____________

BEST ORIGINAL SCORE

“The Master”

Jonny Greenwood

Runner-Up: “Life of Pi”

____________

BEST MAKEUP EFFECTS

“Les Miserables”

Lisa Westcott and Julie Dartnell 

Runner-Up: “Lincoln”

____________

BEST VISUAL EFFECTS

“The Hobbit: An Unexpected Journey”

David Clayton, Joe Letteri, Eric Saindon and R. Christopher White

Runner-Up: “Life of Pi”

____________

BEST SOUND EFFECTS EDITING

“Looper”

Jeremy Peirson and Thomas Jones

Runner-Up: “The Dark Knight Rises”

____________

BEST SOUND EFFECTS MIXING

“Les Miserables”

Simon Hayes, Andy Nelson and Mark Paterson

Runner-Up: “The Dark Knight Rises”

____________

BEST COSTUME DESIGN

“Mirror Mirror”

Eiko Ishioka

Runner-Up: “Les Miserables”

____________

BEST PRODUCTION DESIGN

“Lincoln”

Rick Carter and Jim Erickson

Runner-Up: “Les Miserables”

____________

BEST EDITING

“Zero Dark Thirty”

William Goldenberg and Dylan Tichenor

Runner-Up: “Argo”

____________

BEST CINEMATOGRAPHY

“The Master”

Mihai Malaimare Jr.

Runner-Up: “Skyfall”

____________

BEST DOCUMENTARY FEATURE

“The Imposter”

Bart Layton

Runner-Up: “The Invisible War”

____________

BEST ADAPTED SCREENPLAY

“Lincoln”

Tony Kushner

Runner-Up: “Silver-Linings Playbook”

____________

BEST ORIGINAL SCREENPLAY

“Looper”

Rian Johnson

Runner-Up: “The Master”

____________

BEST ENSEMBLE CAST PERFORMANCE

“Lincoln”

Daniel Day-Lewis, Sally Field, Joseph Gordon-Levitt, Jackie Earle Haley, John Hawkes, Hal Holbrook, Tommy Lee Jones, Bruce McGill, Tim Blake Nelson, Gloria Reuben, James Spader, David Strathairn, Michael Stuhlberg

Runner-Up: “Silver Linings Playbook”

____________

BEST ACTRESS in a SUPPORTING ROLE

Anne Hathaway – “Les Miserables”

Runner-Up: Sally Field – “Lincoln”

____________

BEST ACTOR in a SUPPORTING ROLE

Tommy Lee Jones – “Lincoln”

Runner-Up: Philip Seymour Hoffman – “The Master”

____________

BEST ACTRESS in a LEADING ROLE

Jennifer Lawrence – “Silver Linings Playbook”

Runner-Up: Emmanuelle Riva – “Amour”

____________

BEST ACTOR in a LEADING ROLE

Joaquin Phoenix – “The Master”

Runner-Up: Daniel Day-Lewis – “Lincoln”

____________

BEST DIRECTOR

Kathryn Bigelow – “Zero Dark Thirty”

Runner-Up: Steven Spielberg – “Lincoln”

____________

BEST PICTURE

“Lincoln”

Runner-Up: “Zero Dark Thirty”

____________

Well, that’s all for 2012, folks. I felt as though I could not focus on the the current year without first putting the finishing touches on the year before. We’ll see what comes of it. Stay tuned…

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The 85th Academy Awards Nominations

January 10, 2013 Leave a comment

BEST PICTURE
“Amour”
“Argo”
“Beasts of the Southern Wild”
“Django Unchained”
“Les Miserables”
“Life of Pi”
“Lincoln”
“Silver Linings Playbook”
“Zero Dark Thirty”

BEST DIRECTOR
Michael Haneke – “Amour”
Ang Lee – “Life of Pi”
David O’Russell – “Silver Linings Playbook”
Steven Spielberg – “Lincoln”
Behn Zeitlin – “Beasts of the Southern Wild”

BEST ACTOR IN A LEADING ROLE
Bradley Cooper – “Silver Linings Playbook”
Daniel Day-Lewis – “Lincoln”
Hugh Jackman – “Les Miserables”
Joaquin Phoenix – “The Master”
Denzel Washington – “Flight”

BEST ACTRESS IN A LEADING ROLE
Jessica Chastain – “Zero Dark Thirty”
Jennifer Lawrence – “Silver Linings Playbook”
Emmanuelle Riva – “Amour”
Quvenzhane Wallis – “Beasts of the Southern Wild”
Naomi Watts – “The Impossible”

BEST ACTOR IN A SUPPORTING ROLE
Alan Arkin – “Argo”
Robert De Niro – “Silver Linings Playbook”
Philip Seymour Hoffman – “The Master”
Tommy Lee Jones – “Lincoln”
Christoph Waltz – “Django Unchained”

BEST ACTRESS IN A SUPPORTING ROLE
Amy Adams – “The Master”
Sally Field – “Lincoln”
Anne Hathaway – “Les Misérables”
Helen Hunt – “The Sessions”
Jacki Weaver – “Silver Linings Playbook”

BEST ADAPTED SCREENPLAY
“Argo”
“Beasts of the Southern Wild”
“Life of Pi”
“Lincoln”
“Silver Linings Playbook”

BEST ORIGINAL SCREENPLAY
“Amour”
“Django Unchained”
“Flight”
“Moonrise Kingdom”
“Zero Dark Thirty”

BEST FOREIGN LANGUAGE FILM
“Amour” – Austria
“Kon-Tiki” – Norway
“No” – Chile
“A Royal Affair” – Denmark
“War Witch” – Canada

BEST DOCUMENTARY FEATURE
“5 Broken Cameras”
“The Gatekeepers”
“How to Survive a Plague”
“The Invisible War”
“Searching for Sugar Man”

BEST ANIMATED FEATURE
“Brave”
“Frankenweenie”
“ParaNorman”
“The Pirates! Band of Misfits”
“Wreck-It Ralph”

BEST CINEMATOGRAPHY
“Anna Karenina”
“Django Unchained”
“Life of Pi”
“Lincoln”
“Skyfall”

BEST EDITING
“Argo”
“Life of Pi”
“Lincoln”
“Silver Linings Playbook”
“Zero Dark Thirty”

BEST PRODUCTION DESIGN
“Anna Karenina”
“The Hobbit: An Unexpected Journey”
“Les Misérables”
“Life of Pi”
“Lincoln”

BEST COSTUME DESIGN
“Anna Karenina”
“Les Misérables”
“Lincoln”
“Mirror Mirror”
“Snow White and the Huntsman”

BEST SOUND MIXING
“Argo”
“Les Misérables”
“Life of Pi”
“Lincoln”
“Skyfall”

BEST SOUND EDITING
“Argo”
“Django Unchained”
“Life of Pi”
“Skyfall”
“Zero Dark Thirty”

BEST VISUAL EFFECTS
“The Hobbit: An Unexpected Journey”
“Life of Pi”
“Marvel’s The Avengers”
“Prometheus”
“Snow White and the Huntsman”

BEST MAKE-UP AND HAIRSTYLING
“Hitchcock”
“The Hobbit: An Unexpected Journey”
“Les Misérables”

BEST ORIGINAL SONG
“Before My Time” from “Chasing Ice”
“Everybody Needs A Best Friend” from “Ted”
“Pi’s Lullaby” from “Life of Pi”
“Skyfall” from “Skyfall”
“Suddenly” from “Les Misérables”

BEST ORIGINAL SCORE
“Anna Karenina”
“Argo”
“Life of Pi”
“Lincoln”
“Skyfall”

Guilds, Guilds, Guilds Galore!

January 8, 2013 Leave a comment

sally_field_guild_awards_norma_rae

In the last several weeks, we’ve seen the top dogs of Hollywood’s guilds announce their nominations for best of the year. Nowadays, the precedent for any of these awards-giving bodies lining up with their equivalent Academy Award is virtually non-existant. However, they have always been the closest predictors of any precursor on the table. The Screen Actor’s Guild was the first to arrive with disappointments and surprises abound.

Undoubtedly, the guild elevated Nicole Kidman to a place of prominence in the Supporting field (simply a Golden Globe nomination could have been dismissible). Everything is pointing towards a nod, but I’m sticking with her just missing the cut for a surprise indy favorite in Ann Dowd from “Compliance”.

kinopoisk.ru

While the SAGs gave a boost to Kidman, they tied a cinderblock to perhaps my personal favorite performance of the year, none other than Joaquin Phoenix in “The Master”, in an attempt to drown it in the deep end of the pool. No doubt this miss of a nomination is due to Phoenix’ lack (or even disdain) of a campaign. He still managed the Globe and BFCA noms, however, and I doubt that Bradley Cooper will be able to garner as many No 1. votes on the ballots to squeeze him past such a die hard performance. Either you love it or hate it, but ask Terrence Malick how that methodology worked out for him last year.

Here’s the list of SAG nomination, color-coated with whom I think will advance:

Outstanding Performance by a Male Actor in a Leading Role 
Bradley Cooper – “Silver Linings Playbook”
Daniel Day-Lewis – “Lincoln”
John Hawkes – “The Sessions”
Denzel Washington – “Flight”
Hugh Jackman – “Les Miserables”

Outstanding Performance by a Female Actor in a Leading Role 
Jessica Chastain – “Zero Dark Thirty”
Jennifer Lawrence – “Silver Linings Playbook”
Helen Mirren – “Hitchcock”
Naomi Watts – “The Impossible”
Marion Cotillard – “Rust and Bone”

Outstanding Performance by a Male Actor in a Supporting Role 
Alan Arkin – “Argo”
Robert De Niro – “Silver Linings Playbook”
Philip Seymour Hoffman – “The Master”
Tommy Lee Jones – “Lincoln”
Javier Bardem – “Skyfall”

Outstanding Performance by a Female Actor in a Supporting Role 
Sally Field – “Lincoln”
Anne Hathaway – “Les Misérables”
Helen Hunt – “The Sessions”
Nicole Kidman – “The Paperboy”
Maggie Smith – “The Best Exotic Marigold Hotel”

As far as the Producer’s Guild is concerned, things couldn’t have gone more predictably. Generally, this field has a penchant for box office fair, with the Hollywood big whigs patting each other on the back over who managed to secure the best profit even when making decent cinema. Therefore, “Beasts of the Southern Wild,” with its minuscule budget and purebred independent production, showing up here is a bit surprising and more than a little admirable.

Daniel Craig

Meanwhile, I doubt that the mammoth monetary returns of the latest James Bond entry are the only reason for it’s appearance. “Skyfall” has been steadily gathering momentum since its release and a Best Picture nomination to follow would not be at all unexpected at this point. Given that it’s become a near lock for 4 nominations and a safe bet for 3 more, it may already be in the top tier in its total tally, so why not?

It’s really difficult to translate the PGA to Best Picture, given that one has a set amount of nominees, while the Oscars will be an unpredictable number between 5 and 10. Therefore, I’ve highlighted the definite locks and noted which films are surely on the bubble:

Outstanding Producer of Theatrical Motion Pictures
“Argo”
“Beasts of the Southern Wild”
“Django Unchained”
“Les Misérables”
“Life of Pi”
“Lincoln”
“Moonrise Kingdom”
“Silver Linings Playbook”
“Skyfall”
“Zero Dark Thirty”

As usual, the Writers Guild of America continued its inclusive, snobbish routine of listing all of the films that would not receive nominations based on the rules and regulations of the union and its membership. Some of the most prominent ineligibles include “”Django Unchained,” “Amour,” “Brave,” “Seven Psychopaths” and “The Intouchables” in in the original field, along with “Les Miserables,” “Beasts of the Southern Wild,” “The Best Exotic Marigold Hotel and “Anna Karenina” absent from adapted.

Given that it actually did make the cut of qualifying films, “The Sessions” not showing up here is a major blow. It will have a hard time eking in a nod competing against a wider field on Thursday. “The Master” finally scored an important guild mention here after being largely shut out everywhere else. Will it be booted by QT’s “Django” in a few days. I severely pray not.

Joseph Gordon-Levitt; Bruce Willis

A joy to see on this list is definitely Rian Johnson’s mind-blowing sci fi action film “Looper,” which has risen from a financially unappreciated flop to a legitimate awards contender. Hopefully, it hold its ground for Oscar.

Here’s the two categories and my perspective:

Best Adapted Screenplay:
“Argo”
“Life of Pi”
“Lincoln”
“The Perks of Being a Wallflower”
“Silver Linings Playbook”

Best Original Screenplay:
“Flight”
“Looper”
“The Master”
“Moonrise Kingdom”
“Zero Dark Thirty”

Finally, we come to the newly announced Directors Guild nominations, which, for the first time, were released after the close of Oscar balloting. Whether this proves a massive difference from other years will surely determine how much of an influence these nominations have on the hearts and minds of Oscar voters.

life_of_pi_directors_guild

Not a lot of surprises abound in this group of five. There were some who believed (and maybe a few who hoped, myself included) that “Life of Pi” had gone quiet in the final stretch of campaigning, leaving the coveted final spot for “Silver Linings Playbook” helmer David O’Russell. However, with nods from the PGA, WGA and now the DGA, it’s full steam ahead for this cartoonish storybook epic. Ang Lee is such a legend in this day and age that there might never have been a question about it.

I’m predicting a five-for-five line-up here, but would be thrilled to see either P.T. Anderson (“The Master”) or Michael Haneke (“Amour”) make surprise coups.

Outstanding Directorial Achievement in Feature Film:
Ben Affleck, “Argo
Tom Hooper, “Les Misérables”
Ang Lee, “Life of Pi”
Steven Spielberg, “Lincoln”
Kathryn Bigelow, “Zero Dark Thirty”

Stay tuned for my final Oscar predictions tomorrow evening. At this state in the race, it’s every man for himself until curtain call. Don’t be surprised if even what I’ve said above changes in the next 24 hours.

Los Angeles Film Critics Association Announces…

December 9, 2012 Leave a comment

the_master_lafca

Well, after a week of “Zero Dark Thirty” dominating the east coast critics hearts and minds, Los Angeles finally breaks up the party and shakes things up a bit. Without a doubt, the big winner of the night was “The Master.” Despite narrowly missing Best Picture to Cannes winner “Amour,” the Anderson’s controversial drama earned four awards, including a supremely deserving Best Actor prize for Joaquin Phoenix. I’ve still got a lot of performances yet to see this year, but so far, none has topped this actor’s brilliant comeback turn.

Anderson himself garnered Best Director over Kathryn Bigelow, while Amy Adams confirms her candidacy in Best Supporting Actress for her stellar performance. Dwight Henry pulls out a massive underdog victory for “Beasts of the Southern Wild” and Jennifer Lawrence tightens up the Best Actress race, tying with Emmanualle Riva, who had a hell of a day on the other side of the country.

(Quvenzhane? Wallis), (Dwight Henry)

Here’s the full list of winners, below, and stay tuned for an update from the Boston and New York Film Critics Online who announced simultaneously this afternoon:

2012 LAFCA WINNERS

BEST PICTURE: “Amour”
runner-up: “The Master”

BEST DIRECTOR: Paul Thomas Anderson – “The Master”
runner-up: Kathryn Bigelow – “Zero Dark Thirty”

BEST LEADING ACTOR: Joaquin Phoenix – “The Master”
runner-up: Denis Lavant – “Holy Motors”

BEST LEADING ACTRESS: (TIE) Jennifer Lawrence – “Silver Linings Playbook” and Emmanuelle Riva – “Amour”

BEST SUPPORTING ACTOR: Amy Adams – “The Master”
runner-up: Anne Hathaway – “Les Miserables”

BEST SUPPORTING ACTOR: Dwight Henry – “Beasts of the Southern Wild”
runner-up: Christoph Waltz – “Django Unchained”

BEST SCREENPLAY: “Argo”
runner-up: “Silver Linings Playbook”

BEST FOREIGN LANGUAGE FILM: “Holy Motors”
runner-up: “Footnote”

BEST DOCUMENTARY: “The Gatekeepers”
runner-up: “Searching for Sugar Man”

BEST ANIMATED FILM: “Frankenweenie”
runner-up: “It’s Such a Beautiful Day”

BEST CINEMATOGRAPHY: “Skyfall”
runner-up: “The Master”

BEST EDITING: “Zero Dark Thirty”
runner-up: “Argo”

BEST PRODUCTION DESIGN: “The Master”,
runner-up: “Moonrise Kingdom”

BEST ORIGINAL SCORE: “Beasts of the Southern Wild”
runner-up: “The Master”

NEW GENERATION AWARD: Benh Zeitlin – “Beasts of the Southern Wild”

2013 Oscar Predictions: “Just when I thought I was out…”

November 26, 2012 Leave a comment

“…they pull me back in.”  That’s right folks. It has now been nearly nine months since my last official post on The Edge of the Frame and I am severely out of practice. The close of last year’s Oscar season ironically coincided with my being hired into full time employment. Spending nine hours a day composing upwards of seventy-five emails and compiling online data have made coming home and getting behind a computer screen a not-so-welcoming scenario. A couple of hours of  “The X-Files” on Netflix or “The Sopranos” on DVD have become a much more viable way to close out an evening. All of this partnered with a summer of fantasy baseball and my engagement to the woman I love have left comparably little time for my beloved little website.

However, as it turns out, old habits die hard. I’ve been watching the Oscars religiously for fifteen years and been dipping my toe into prognostication for the last seven. There’s no way I can sit this one out. There’s a lot of work to be done. Working full time has more or less hindered my rate of viewing new releases. I’ve got a schedule of about 36 films to see, both on Netflix and in theaters, over the next three months. However, with the first of the critics’ awards just around the corner, things are about to get very busy. Even before everything is seen and done, it’s about time that I offer a bit of perspective on how this year’s race is going to play out.

Some of the year’s biggest contenders have retained their position at the head of the race (“Les Miserables,” “Lincoln,”), practically since they were originally announced. Others have taken a hefty fall from grace (“The Master,” “The Dark Knight Rises”). A few projects have sprung up from out of the blue to become bonafide Best Picture threats (“The Silver Linings Playbook,” “Beasts of the Southern Wild,”), while a couple that have barely been seen at all remain a mystery to many (“Zero Dark Thirty,” “Django Unchained”).

However, it’s never too early (or too late, in my case) to start putting the pieces together and assembling a picture of how the board will look almost exactly three months to the date. Listed below are my predictions for the 85th Annual Academy Award nominations. They’re ranked by the chances of each film (or individual) getting nominated. Winning does not come into play here. As complicated as it is, sometimes a person could have a lot easier a path getting nominated for an Oscar, then they ever would of winning. Ask Peter O’Toole if you need more info…

Enjoy, and remember that this whole chalkboard might be completely erased and scribbled down again, a month from now:

BEST PICTURE

1. “Argo”
2. “Lincoln”
3. “Les Miserables”
4. “Silver Linings Playbook”
5. “Zero Dark Thirty”
6. “The Master”
7. “Beasts of the Southern Wild”
8. “Moonrise Kingdom”
9. “Life of Pi”
10. “The Sessions”

Alt 1: “Django Unchained”
Alt 2: “Amour”
Alt 3: “Flight”

Read more…

Video of Werner Herzog Shot a While Back

January 6, 2011 Leave a comment

I know this is such a random post. Yet, for some reason, I was re-watching this video tonight and it is honestly one of the funniest and most ridiculous videos that I’ve ever seen. Is there any filmmaker, celebrity or otherwise who leads a crazier life…no not life…existence than Werner Herzog.

Those who don’t know the filmography, he is responsible for making the classic German film about insanity in the Amazon titled “Aguirre, The Wrath of God.” Most recently, Herzog has moved more into the area of documentary filmmaking, and is perhaps most famous for directing my single favorite documentary of all time, “Grizzly Man.”

My favorite story about this crazy and lovable man is one in which Joaquin Phoenix got into a car accident when his car flipped on a California hillside road. He was disoriented and in shock. As he recalls it, Joaquin then saw none other than Werner Herzog running up to the car window. He told Joaquin to stay calm before helping out of his seatbelt and the car, itself. Herzog made sure that Joaquin was all right. Then, before the authorities arrived, Herzog disappeared from the scene. You really can’t make up a story that good.

Anyway, here is the video of when Herzog was shot during a BBC interview and laughs it off. Amazing.