Archive

Posts Tagged ‘hugo’

2012 American Cinema Editors Nominees

January 16, 2012 Leave a comment

You know how when watching the credits of a movie and the editor’s name is usually followed by the acronym “A.C.E.”? Why is that? I remember when I was a kid, I used to think it was some sort of self-designated achievement. Once they’ve been around in the industry long enough, they earn the right to call themselves an “ACE.” Well, the truth of what A.C.E. stands for isn’t far from that logic, though it isn’t exactly the same as what WWII fighter pilots saw it as.

The American Cinema Editors is the guild belonging to motion picture editors. While not to be confused with a dues-paying union, the ACE serves more as a society, inducting new members via a voting process based on their experience and skill. Each year, for the last fifty years, the guild has been hosting the Eddie Awards, awarding the best achievements in film editing for each year. While probably not its primary purpose, this award is very influential in each year’s Oscar race.

One of the most interesting facts about the Academy Awards involves feature film editing. In the last thirty years, no film has earned a victory for Best Picture of the Year without also gaining at least a nomination for Best Editing. Since the ACE’s nominations usually line up with it’s equivalent Oscar at least 4/5, this is as good of indicator of the what nominations will look like next week as you can get. In the case of these nominations, not a lot of surprises, being that all of the projected frontrunners have happened to show up here.

The nominees are:

BEST EDITED FEATURE FILM (DRAMATIC)
“The Descendants” – Kevin Tent
“The Girl with the Dragon Tattoo” – Kirk Baxter and Angus Wall
“Hugo” – Thelma Schoonmaker
“Moneyball” – Christopher Tellefsen
“War Horse” – Michael Kahn

BEST EDITED FEATURE FILM (MUSICAL or COMEDIC)
“The Artist” – Anne-Sophie Bion and Michel Hazanavicius
“Bridesmaids” William Kerr and Michael L. Sale
“Midnight in Paris” – Alisa Lepselter
“My Week with Marilyn” Michael Recht
“Young Adult” – Dana Glauberman

BEST EDITED FEATURE FILM (ANIMATED)
“The Adventures of Tintin” – Michael Kahn
“Puss in Boots” – Eric Dapkewicz
“Rango” – Craig Wood

BEST EDITED FEATURE FILM (DOCUMENTARY)
“Cave of Forgotten Dreams” – Joe Bini and Maya Hawk
“Freedom Riders” – Lewis Erskine and Aljernon Tunsil
“George Harrison: Living in the Material World” – David Tedeschi

The Dramatic category is all but exactly what we’d expected it to be. With the kind of bad guild luck that “War Horse” has been experiencing as of late, it’s a little more surprising that it has been able to achieve recognition, however, it’s really difficult to snub Michael Kahn for anything, these days. He really is a master craftsmen, having just received the ACE’s Lifetime Achievement Award the previous year.

As far as Musical/Comedy is concerned, “The Artist,” “Midnight in Paris” and “Bridesmaids” were all likely contenders in this category. One surprise is the absence of such popular comedies as “50/50” and “Win Win” which seem to have been doing well with both critics and industry types up to this point. If only the folks at the top could get their heads screwed on straight and realize that “My Week with Marilyn” is about as comedic as it is musical. It honestly shouldn’t be on either one of these lists, but should at least get it’s classification right.

What does this mean for Oscar? At this point, I would consider “The Artist” and “Hugo” to be locks for a Best Editing nomination. “The Artist” is simply a juggernaut at this point and respect and admiration for Thelma Schoonmaker’s craft is beyond reproach. Following these two would be “The Girl with the Dragon Tattoo,” who’s editors took home the gold last year for “The Social Network,” and “Moneyball,” which is here perhaps completely off of quality and merit. A perfectly edited film.

For the fifth slot, odds are on either “War Horse” or “The Descendants.” The first definitely has the chops, but has lost an immense amount of steam in the last month. At the Golden Globes, the film was treated almost as an afterthought in the awards race. “The Descendants” is far from having anything that resembles showy or standout editing. Yet, probably well-aware of the thirty-year curse, Fox Searchlight has been trying desperately hard to campaign for the film’s editors in a last ditch effort not to fall victim to Oscar voodoo. In the end, there’s always the chance that an unforeseen contender might sneak in. “Tinker, Tailor, Soldier, Spy,” “The Ides of March” and “Drive” are superbly edited features and could easily find their way in much like “Blood Diamond,” “Children of Men” and “Cinderella Man” (none of which received ACE nominations) did in past years.

Only three primary guilds are left to release their nominations (the Costume Designers Guild, the Cinema Audio Society, and the Motion Picture Sound Editors). However, those organizations have not indicated as to when said announcements will take place. Stay up to date when they do at The Edge of the Frame.

Advertisements

My Golden Globe Predictions 2012

January 15, 2012 Leave a comment

Same deal as Thursday. I’ll give my winner predictions as well as an alternate. Some of these are going to be pretty predictable. Others Just seem like they’re predictable. There’s bound to be one or two surprises, here. I would expect a very close dogfight in Best Director, with Hazanavicius, Scorsese and Allen all with decent shot at the gold. I also believe that the award for Best Actress (Drama) will largely determine the trajectory of that category for the rest of the year. If Viola Davis is able to overtake Meryl Streep on the veteran’s home turf, expect things to go in her favor from here on out.

It will be interesting to see how much the HFPA’s star-fucking tendencies will be in check, tonight. I think everyone, this year, is expecting them to keep a grip on themselves, for the most part. However, one big question looms: will they snub “A Separation” (a film that has pretty much unanimously been labeled the year’s finest film, foreign or otherwise) for the sole chance of giving a statue to Angelina Jolie. How can they possibly resist?

It shouldn’t be a big secret that I despise the Globes. True that they did do all right by me last year by giving four awards to “The Social Network.” Yet, in that same year, all ninety members of the Hollywood Foreign Press accepted bribes to be flown to Vegas for a live performance by Cher, in exchange for voting “Burlesque” in for a Best Picture nomination. Therefore, I expect plenty of whoring to happen this year, as well.

Or, who knows? Maybe awarding such an outstanding film, last year, caused them to turn over a new leaf. On the whole, their slate of nominees has shown a bit more class and taste than in years’ previous.

The best thing about tonight’s awards is not the HFPA’s winners, but NBC’s coverage of it. One must give credit to NBC for going against the celebrity-loving critics’ wishes and bringing back Ricky Gervais to host the ceremony. I mean come on. If we’re going to watch a three hour event of how cool they are, the least celebrities can do for us is take a little kick in the ass for our amusement. Hopefully, Gervais will be wearing a steel-toed boot. Should be a hoot.

And now, The Edge of the Frame’s picks. My winner predictions are highlighted in bold, while my runners-up are underlined.

BEST PICTURE: DRAMA
“The Descendants”
“The Help”
Hugo
“The Ides of March”
“Moneyball”
“War Horse”

BEST PICTURE: MUSICAL/COMEDY
“The Artist”
“Bridesmaids”
“50/50″
Midnight in Paris
“My Week With Marilyn”

BEST DIRECTOR
Woody Allen – “Midnight in Paris”
Michel Hazanavicius – “The Artist”
Alexander Payne – “The Descendants”
Martin Scorsese – “Hugo”
George Clooney – “The Ides of March”

BEST ACTOR: DRAMA
George Clooney – “The Descendants”
Leonardo DiCaprio – “J. Edgar”
Michael Fassbender – “Shame”
Ryan Gosling – “The Ides of March”
Brad Pitt – “Moneyball”

BEST ACTOR: MUSICAL/COMEDY
Jean Dujardin – “The Artist”
Brendan Gleeson – “The Guard”
Joseph Gordon-Levitt – “50/50″
Ryan Gosling – “Crazy, Stupid, Love.”
Owen Wilson – “Midnight in Paris”

BEST ACTRESS: DRAMA
Glenn Close – “Albert Nobbs”
Viola Davis – “The Help”
Rooney Mara – “The Girl With the Dragon Tattoo”
Meryl Streep – “The Iron Lady”
Tilda Swinton – “We Need to Talk About Kevin”

BEST ACTRESS: MUSICAL/COMEDY
Jodie Foster – “Carnage”
Kristen Wiig – “Bridesmaids”
Charlize Theron – “Young Adult”
Michelle Williams – “My Week With Marilyn”
Kate Winslet – “Carnage”

BEST SUPPORTING ACTOR
Kenneth Branagh – “My Week With Marilyn”
Albert Brooks – “Drive”
Jonah Hill – “Moneyball”
Viggo Mortensen – “A Dangerous Method”
Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS
Berenice Bejo – “The Artist”
Jessica Chastain – “The Help”
Janet McTeer – “Albert Nobbs”
Octavia Spencer – “The Help”
Shailene Woodley – “The Descendants”

BEST SCREENPLAY
Michel Hazanavicius – “The Artist”
Alexander Payne, Nat Faxon and Jim Rash – “The Descendants”
George Clooney – Grant Heslov and Beau Willimon, “The Ides of March”
Woody Allen – “Midnight in Paris”
Aaron Sorkin and Steven Zaillian – “Moneyball”

BEST FOREIGN-LANGUAGE FILM
“The Flowers of War”
“In the Land of Blood and Honey”
“The Kid With a Bike”
“A Separation”
“The Skin I Live In”

BEST ANIMATED FEATURE
“The Adventures of Tintin”
“Arthur Christmas”
“Cars 2″
“Puss in Boots”
“Rango”

BEST ORIGINAL SCORE
Ludovic Bource – “The Artist”

Trent Reznor and Attivus Ross – “The Girl With the Dragon Tattoo”
Howard Shore – “Hugo”
John Williams – “War Horse”
Abel Korzeniowski – “W.E.”

BEST ORIGINAL SONG
“Lay Your Head Down” – “Albert Nobbs”
“Hello Hello” – “Gnomeo and Juliet”
“The Living Proof” – “The Help”
“The Keeper” – “Machine Gun Preacher”
“Masterpiece” – “W.E.”

17th Annual Critics Choice Winners

January 12, 2012 Leave a comment

I’ll be posting the awards as they’re announced live. The technical awards and, you know, others that don’t include stars, will be announced prior to the show starting, so they will be showing up first.

Here are the winners:

BEST PICTURE
“The Artist”

BEST DIRECTOR
Michael Hazanavicius – “The Artist”

BEST ACTOR
George Clooney – “The Descendants”

BEST ACTRESS
Viola Davis – “The Help”

BEST SUPPORTING ACTOR
Christopher Plummer – “The Beginners”

BEST SUPPORTING ACTRESS
Octavia Spencer – “The Help”

BEST ENSEMBLE CAST
“The Help”

BEST YOUNG ACTOR/ACTRESS
Thomas Horn – “Extremely Loud and Incredibly Close”

BEST ADAPTED SCREENPLAY
“MONEYBALL”!!!!!!!!!!

BEST ORIGINAL SCREENPLAY
“Midnight in Paris”

BEST CINEMATOGRAPHY
(TIE) “War Horse” – Janusz Kaminski and “The Tree of Life” – Emmanuel Lubezki

BEST EDITING
“The Girl with the Dragon Tattoo”

BEST ART DIRECTION
“Hugo”

BEST COSTUME DESIGN
“The Artist”

BEST SOUND
“Harry Potter and the Deathly Hollows: Part II”

BEST VISUAL EFFECTS
“Rise of the Planet of the Apes”

BEST MAKEUP
“Harry Potter and the Deathly Hollows: Part II”

BEST ORIGINAL SCORE
“The Artist”

BEST ORIGINAL SONG
“Life is a Happy Song” – “The Muppets”

BEST DOCUMENTARY
“George Harrison: Living in a Material World”

BEST FOREIGN LANGUAGE FILM
“A Separation”

BEST ANIMATED FILM
“Rango”

BEST COMEDY
“Bridesmaids”

BEST ACTION MOVIE
“Drive”

My BFCA Critics Choice Awards Predictions

January 12, 2012 2 comments

 I’m not going to spend any time discussing these but just let my predictions speak for themselves. But, if I could make one wish to the Awards Gods, please let “Moneyball” win for Best Adapted Screenplay. We all know it deserves it.

For the record, as much as I’d like to, I’m really not trying very hard on these. Feel free to use these as a useful guide, but honestly, who the hell knows what these crazy-ass critics are going to do here? Are they going to follow their hearts? Are they going to vote for what people want them to vote for? Or are they going to do what they love most: predict the Oscars?

Who cares? Don’t put any money on these.

Moving on:

BEST PICTURE
“The Artist”
r/u: “Hugo”

BEST ACTOR
George Clooney – “The Descendants”
r/u: Brad Pitt – “Moneyball”

BEST ACTRESS
Meryl Streep – “The Iron Lady”
r/u: Michelle Williams – “My Week With Marilyn”

BEST SUPPORTING ACTOR
Albert Brooks – “Drive”
r/u: Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS
Octavia Spencer – “The Help”
r/u: Melissa McCarthy – “Bridesmaids”

BEST YOUNG ACTOR/ACTRESS
Shailene Woodley – “The Descendants”
r/u: Asa Butterfield – “Hugo”

BEST ACTING ENSEMBLE
“The Help”
r/u: “The Artist”

BEST DIRECTOR
Martin Scorsese – “Hugo”
r/u: Michel Hazanavicius – “The Artist”

BEST ORIGINAL SCREENPLAY
“The Artist” – Michel Hazanavicius
r/u: “Midnight in Paris” – Woody Allen

BEST ADAPTED SCREENPLAY
“The Descendants” – Alexander Payne and Nat Faxon & Jim Rash
r/u: “Moneyball” – Steven Zaillian and Aaron Sorkin, Story by Stan Chervin

BEST CINEMATOGRAPHY
“The Tree of Life” – Emmanuel Lubezki
r/u: “Hugo” – Robert Richardson

BEST ART DIRECTION
“Hugo” – Production Designer: Dante Ferretti, Set Decorator: Francesca Lo Schiavo
r/u: “Harry Potter and the Deathly Hallows: Part 2” – Production Designer: Stuart Craig, Set Decorator: Stephenie McMillan

BEST EDITING
“Hugo” – Thelma Schoonmaker
r/u: “The Artist” – Michel Hazanavicius and Anne-Sophie Bion

BEST COSTUME DESIGN
“The Artist” – Mark Bridges
r/u: “Hugo” – Sandy Powell

BEST MAKEUP
“The Iron Lady”
r/u: “Harry Potter and the Deathly Hallows: Part 2”

BEST VISUAL EFFECTS
“Rise of the Planet of the Apes”
r/u: “Harry Potter and the Deathly Hollows: Part II”

BEST SOUND
“Hugo”
r/u: “War Horse”

BEST FOREIGN LANGUAGE FILM
“A Separation”
r/u: “The Skin I Live In”

BEST DOCUMENTARY FEATURE
“Project Nim”
r/u: “Cave of Forgotten Dreams”

BEST SONG
“Pictures in My Head” – performed by Kermit and the Muppets/written by Jeannie Lurie, Aris Archontis and Chen Neeman – “The Muppets”
r/u: “The Living Proof” – performed by Mary J. Blige/written by Mary J. Blige, Thomas Newman and Harvey Mason, Jr. – “The Help”

BEST SCORE
“War Horse” – John Williams
r/u: “The Artist”

BEST ANIMATED FEATURE
“Rango”
r/u: “The Adventures of Tintin”

BEST ACTION MOVIE
“Drive”
r/u: “Rise of the Planet of the Apes”

BEST COMEDY
“Bridesmaids”
r/u: “Midnight in Paris”

ASC Announces, Snubs Janusz Kaminski

January 11, 2012 Leave a comment

The American Society of Cinematographers had actually scheduled to unveil yesterday, but announced that they needed an extra day. I had hoped that that additional time would have provided a bit of clarity to help them make some intelligent choices. My logic was both rewarded and ignored.

The nominees are:

Guillaume Schiffman – “The Artist”
Jeff Cronenweth – “The Girl with the Dragon Tattoo”
Robert Richardson – “Hugo”
Hoyte van Hoytema – “Tinker, Tailor, Soldier, Spy”
Emmanuel Lubezki – “The Tree of Life”

The big story in the awards community, as of late, has been the repeated snubbage of Steven Spielberg’s WWI epic, “War Horse.” A diehard Steven Spielberg fan, like myself, hasn’t really seen this as a problem for a few reasons. For one thing, the film was never really intended for grandiose awards intentions, but to me more of a family-friendly experience. Secondly, it’s quite simply not an example of Spielberg’s best work. I’m ready to sit back and wait for next year’s release of “Lincoln,” which I’ve been waiting six years for.

However, if there was one guild that “War Horse” did not deserve to be left out in the cold from, it was the ASC. This is a true slap in the face to some brilliant labor done by maybe the world’s greatest working cinematographer. I’d argue that Janusz Kaminski deserves to be on this list more than any of these other names. I know that there were some complaints about some of the daylight exteriors looking artificial and obviously lit, but that was kind of the point. Spielberg wanted this film to stand as an ode to 1940’s and 50s epics and westerns. He wanted it to reflect the work of guys like John Ford and Victor Garber. He didn’t want it to look like a documentary, but rather an oil painting, and he succeeded. Not to mention that the moving shots of the horse running displays some of the finest camerawork I’ve ever seen.

Another disappointing, yet a little more expected, snub was Wally Pfister’s low key, yet brilliant, work on Bennett Miller’s “Moneyball.” In this feature, Pfister goes back to his earlier work on film’s like “Memento” to shoot some beautifully drab and dismal environments. He also uses a technique that he has mastered (though first perfected by the above-mentioned Kaminski) of finding a wonderful medium between smooth and handheld camera movements. The baseball-playing scenes, in particular, are gorgeous.

As far as the actual nominees go, one would be crazy not to applaud and, eventually, put their money behind “The Tree of Life.” I certainly have some reservations about this film, but one has to give credit where credit is due. Emmanuel Lubezki’s poetic control over the camera, operating with such minimal available light, is absolutely awe-inspiring. The man is one hell of a cinematographer, having performed awards-worthy work in “Children of Men” and “Sleepy Hollow,” and will finally received his first, long-deserved Oscar in February. Put that in the books.

I certainly can’t complain too much about the nomination of “The Artist.” The blending of 1930s constraints with the imagination of the 21st Century is truly phenomenal at times. And unlike other films, they’re able to utilize the black and white rather than let it be a detriment to them. I was hooked by one of the first shots of Dujardin and his dog looking up at themselves on the big screen. The shot is magnificent and reflects the best kind of Orson Welles-fare.

I don’t really have many comments for “Tinker, Tailor, Soldier, Spy” due to my still having put off seeing it. Meanwhile, I cannot bring myself to hide my disdain for Robert Richardson’s work in “Hugo.” The cinematography is epic, grandiose, and absolutely uninspiring. Obviously, my lackluster response to the film, itself, influences my opinion here, but I felt the camerawork to be boring and impersonal. It really makes me miss the gritty and poetic collaborations between Scorsese and his former DPs, Michael Chapman and Michael Ballhaus. Return to your roots, Marty.

Wow, I nearly forgot to shine my praise down on Jeff Cronenweth’s masterful crafting of “The Girl with the Dragon Tattoo.” He and David Fincher are constantly proving why digital cinematography is the way of the future and taking it to new artistic depths. The cold and fierce look that the two collaborators put to use, here, is masterfully befitting the source material. I think it’s worth mentioning that the POV shot during the climax, seen from behind a sheet of plastic, is maybe one of the most terrifying I’ve seen in cinema.

The ASC announces its winners on Sunday, February 12th. Expect nothing short of an unstoppable “Artist” sweep to keep this award out of Lubezki’s hands.

The Visual Effects Society Nominates…

January 9, 2012 Leave a comment

I won’t spend a lot of time on this, being that we already have the Academy’s shortlist down to ten names. In case you missed the news, the following films are still in the running for the Best Visual Effects Oscar.

“Captain America: The First Avenger”

“Harry Potter and the Deathly Hallows Part 2″

“Hugo”

“Mission: Impossible – Ghost Protocol”

“Pirates of the Caribbean: On Stranger Tides”

“Real Steel”

“Rise of the Planet of the Apes”

“Transformers: Dark of the Moon”

“The Tree of Life”

“X-Men: First Class”

This list of nominees from the VES, doesn’t really change or sway much. The frontrunners all managed to pick up a slew of nominations. “Transformers” and “Harry Potter” led the way with five apiece. “Rise of the Planet of the Apes” wasn’t far behind with four and “Hugo” picked up the rear with three. One unusual facet of these noms is the complete exclusion of “The Tree of Life,” which many believed to be that fifth slot with the Oscars. Also snubbed were “X-Men: First Class” and “Real Steel,” while “Captain America” and “Thor,” while already kicked off the Academy’s list, managed multiple nominations.

Perhaps the most notable detail that I can see is the complete snubbage of J.J. Abrams’ “Super 8”. Now I know that the film is not on the Academy’s shortlist for this award, but I can remember back to a time when many thought that this film would clean up in the tech categories. Here it doesn’t even merit a single mention. We’ll have to wait for the MPSE and the CAS, but now I’m wondering if the film might be banned from the Kodak entirely.

See the full list of nominees after the cut:

Outstanding Visual Effects in a Visual Effects-Driven Feature
“Captain America: The First Avenger”
“Harry Potter and the Deathly Hallows: Part 2”
“Pirates of the Caribbean: On Stranger Tides”
“Rise of the Planet of the Apes”
“Transformers: Dark of the Moon”

Updated Oscar Predictions – 1/6

January 6, 2012 Leave a comment

These might be my final set of predictions before last call on January 23rd. There’s still a mess-load of guilds on their way and a box office that could still declare certain films winners (or losers), but I still feel pretty confident about these choices. Feel free to comment whether you agree or think I’m crazy.

One note: I have spent the entire year not predicting “Extremely Loud and Incredibly Close,” while everyone else was jumping on the bandwagon. Now that the film has all but completely fallen off the radar (thanks to the utter panning of critics), I can’t help but feel a sense of unadulterated joy. Maybe I’ll be eating my words, later on, but for now…huzzah.

One more note: The Academy’s new method of having and indiscriminate amount of Best Picture nominees has made predicting that category nearly impossible. Therefore, I will still guess on the full ten and you can go ahead and judge by the numbers I provide as to what will make it if there are nine or eight, etc…

BEST PICTURE

1. “The Artist”
2. “Hugo”
3. “The Descendants”
4. “The Help”
5. “War Horse”
6. “Midnight in Paris”
7. “Moneyball”
8. “The Girl with the Dragon Tattoo”
9. “Bridesmaids”
10. “The Tree of Life”

Alt 1: “Drive”
Alt 2: “My Week with Marilyn”

Read more…