It’s time, folks. The time is come. No more second-guessing. No more procrastinating. This is it. I think I’ve provided enough commentary over the last few months (and I’ve got to start helping my girlfriend get our place ready for our Oscar party), so I’ll just let my predictions speak for themselves.
Here goes nothing:
WINNER: “The Artist”
WINNER: Michel Hazanavicius – “The Artist
(runner-up: “Martin Scorsese – “Hugo”)
BEST ACTOR in a LEADING ROLE
WINNER: George Clooney – “The Descendants”
(runner-up: Jean Dujardin – “The Artist”)
BEST ACTRESS in a LEADING ROLE
WINNER: Viola Davis – “The Help”
(runner-up: Meryl Streep – “The Iron Lady”)
BEST ACTOR in a SUPPORTING ROLE
WINNER: Christopher Plummer – “Beginners”
(runner-up: Max von Sydow – “Extremely Loud and Incredibly Close”)
BEST ACTRESS in a SUPPORTING ROLE
WINNER: Octavia Spencer – “The Help”
(runner-up: Berenice Bejo – “The Artist”)
BEST ADAPTED SCREENPLAY
WINNER: “The Descendants”
BEST ORIGINAL SCREENPLAY
WINNER: “Midnight in Paris”
(runner-up: “The Artist”)
BEST ANIMATED FEATURE
(runner-up: “Puss in Boots”)
BEST DOCUMENTARY FEATURE
WINNER: “Paradise Lost 3: Purgatory”
BEST FOREIGN LANGUAGE FILM
WINNER: “A Separation”
(runner-up: “In Darkness”)
BEST ART DIRECTION
(runner-up: “The Artist”)
WINNER: “The Tree of Life”
(runner-up: “The Artist”)
BEST COSTUME DESIGN
WINNER: “The Artist”
WINNER: “The Artist”
BEST SOUND MIXING
(runner-up: “War Horse”)
BEST SOUND EDITING
WINNER: “War Horse”
BEST VISUAL EFFECTS
WINNER: “Rise of the Planet of the Apes”
WINNER: “The Iron Lady”
(runner-up: “Harry Potter and the Deathly Hollows: Part 2”)
BEST ORIGINAL SCORE
WINNER: “The Artist”
BEST ORIGINAL SONG
WINNER: “Man or Muppet” from “The Muppets”
(runner-up: “Real in Rio” from “Rio”)
BEST LIVE ACTION SHORT FILM
WINNER: “Tuba Atlantic”
(runner-up: “The Shore”)
BEST ANIMATED SHORT FILM
WINNER: “The Fantastic Flying Books of Mr. Morris Lessmore”
(runner-up: “A Morning Stroll”)
BEST DOCUMENTARY SHORT FILM
WINNER: “The Tsunami and the Cherry Blossom”
(runner-up: “Saving Face”)
Well there you have it. I’m gonna go make some dip. I’ll try not to get my hair in it, since pulling it out will be all I do for the next two hours.
Have fun everyone, and remember that there will be live updates on The Edge of the Frame for each win. Also, follow me on Twitter (@edgeoftheframe) for some good old snarkyness.
Happy Oscar morning, everyone! It’s obviously a pretty busy day. I’ve got to finalize my predictions, prepare for my night of live-blogging and tweeting, and help my girlfriend get our place ready for our Oscar party. Therefore, I’ll keep this brief. Needless to say, anyone not predicting “The Artist” for a Best Picture win, tonight…you know what, I’m not even going to go there. It may be just another one of the Academy’s heart-warming, middle-of-the-road, de facto winners. However, after a nearly unprecedented sweep of the Indy Sprits, last night, following victories in almost everything else, there’s no reason not to bet everything you have on tonight to follow suit.
Interestingly enough, as much as both last night’s and tonight’s victories have been expected, “The Artist” will break a long-standing curse. In the twenty-six year existence of the Indy Spirits, it’s been twenty-five since the last time their Best Picture choice lined up with Oscar (“Platoon”). The last films to come close were “Pulp Fiction,” “Brokeback Mountain” and “Little Miss Sunshine.” Yet, alas, “The Artist” will be the one to finally bust down that barrier.
The highlights of the night? “Margin Call” picking up two awards for Best First Feature and the Robert Altman Award was a nice touch. Meanwhile, I am thrilled to see Steve James’ “The Interrupters” win Best Documentary. The Academy not even adding that film to its shortlist was a grievous mistake. Thank you to the Spirits for helping to rectify that wrong.
On one more note, following Jean Dujardin’s victory last night, it’s become too difficult to continue predicting George Clooney for the Best Actor win. I’d always hoped that if someone were to upset the longtime frontrunner, it would have been Brad Pitt. But with three straight victories with the SAG, the BAFTA and now the Spirit, Dujardin has ultimately transformed himself into the frontrunner. Granted these were some weird awards, with both Clooney and Michael Shannon failing to pick up nominations, despite their films getting Best Picture noms. Boy, I tell ya, if Clooney still wins after I’ve waited this long to change my mind, I will not be a happy camper. But, as Aaron Sorkin would say, that’s life in the NFL…
Here are the winners of the 2012 Independent Spirit Awards:
BEST PICTURE: “The Artist”
BEST DIRECTOR: Michel Hazanavicius – “The Artist”
BEST MALE LEAD: Jean Dujardin – “The Artist”
BEST FEMALE LEAD: Michelle Williams – “My Week with Marilyn”
BEST SUPPORTING MALE: Christopher Plummer – “Beginners”
BEST SUPPORTING FEMALE: Shailene Woodley – “The Descendants”
BEST SCREENPLAY: “The Descendants”
BEST FIRST SCREENPLAY: “50/50”
BEST FIRST FEATURE: “Margin Call”
BEST CINEMATOGRAPHY: “The Artist”
BEST DOCUMENTARY: “The Interrupters”
ROBERT ALTMAN AWARD: “Margin Call”
JOHN CASSAVETES AWARD: “Pariah”
Stay tuned for my last minute Oscar predictions sometime this evening. It should be an interesting night…
At last, the moment you’ve all been waiting for. After a lot of work and, actually, a lot more deliberation than I had originally imagined, it’s now time to announce the winners of the 2nd Annual Edgy Awards. If you missed the original nominations, you can find the full list here. These winners encompass what I believe to be the best work put forth in each respective category. Now, I’m sure there’s a few that people are sure to disagree with, so, in addition to posting video clips that showcase the work, I’ll also provide a bit of commentary that will help to defend my decisions.
This year shows a very different distribution than the 1st Edgy Awards. Last year, nearly fifty percent of the awards were collected by only two films (“The Social Network” – 7 and “Inception” – 4). This year has seemed to take on a more “spread the wealth” fashion. For example, last year, there were only six films taking home one award apiece (and that was with an extra category). This year, there are thirteen. This might also be the first time in my history of giving awards that a different film has won each of the eight technical categories (Cinematography, Editing, Art Direction, Costume Design, Sound Mixing, Sound Editing, Visual Effects, and Makeup). I guess that shows the diversity of filmmaking that this year brought to the table.
It’s time to sit back and enjoy. Here are your Edgy winners:
BEST ORIGINAL SONG
“Think You Can Wait”
Music and Lyrics by “The National
RUNNER-UP: “Shelter” from “Take Shelter”
Aside from just being a straight-up beautiful and enjoyable song to listen to, over and over, “Think You Can Wait” is a phenomenal companion piece to Thomas McCarthy’s “Win Win.” The longing melody and wistfully fluid lyrics encompass both the woes and lingering hopes of the suburban life experienced by the film’s characters. This winner was never a question in my mind. A fantastic song.
It’s the Screen Actors Guild Awards! Here, we find out who, in all probability, will win the Academy Awards in the acting categories. I’m hoping “The Help” has as good of night as it can, because seriously, it deserves it. Follow along as the winners are announced, live, on The Edge of the Frame.
Here are the winners:
OUTSTANDING ENSEMBLE in a MOTION PICTURE: “The Help”
OUTSTANDING ACTOR in a LEADING ROLE: Jean Dujardin – “The Artist”
OUTSTANDING ACTRESS in a LEADING ROLE: Viola Davis – “The Help”
OUTSTANDING ACTOR in a SUPPORTING ROLE: Christopher Plummer – “Beginners”
OUTSTANDING ACTRESS in a SUPPORTING ROLE: Octavia Spencer – “The Help”
OUTSTANDING ENSEMBLE in a DRAMA SERIES: “Boardwalk Empire”
OUTSTANDING ACTOR in a DRAMA SERIES: Steve Buscemi – “Boardwalk Empire”
OUTSTANDING ACTRESS in a DRAMA SERIES: Jessica Lange – “American Horror Story”
OUTSTANDING ENSEMBLE in a COMEDY SERIES: “Modern Family”
OUTSTANDING ACTOR in a COMEDY SERIES: Alec Bladwin – “30 Rock”
OUTSTANDING ACTRESS in a COMEDY SERIES: Betty White – “Hot in Cleveland”
OUTSTANDING ACTOR in a TV MINISERIES or MOVIE: Paul Giamatti – “Too Big to Fail”
OUTSTANDING ACTRESS in a TV MINISERIES or MOVIE: Kate Winslet – “Mildred Pierce”
Well, there’s no turning back now. There’s no more debating to be done on the Academy Award nominees. No more discussion of who’s too young or too old, too white or too black, too new or two powerful, and no more weighing out each person’s clout within their particular groups of peers. The nominations are in, and it’s a whole new ballgame. Some frontrunners have fallen and others still sit at the top. Yet, I fully believe that barely a single category is the same as it was three days ago.
Instead of just highlighting a few select categories and offering my thoughts, I’m going to go through each award, one by one, and discuss how things have shaped up.
See the full list after the jump:
Despite a couple shifts in the power balance a few days ago, this is an award whose frontrunner hasn’t shifted at all. “Hugo” may have beat it out by one to become the nomination leader (and thus the only competition for the award), but “The Artist” has a massive lead. It will take a whole lot to knock it from the top of the ladder. “The Help,” once considered a possible underdog upset, showed up little support, including a lack of the crucial Best Editing nomination. Meanwhile, “The Descendants” has lost this battle in the guilds. “Hugo” is the only film that really holds any kind of chance, but only in theory.
MY PREDICTION: “The Artist”
SPOILER: “Hugo” Read more…
Listed below are the winners of this year’s Golden Globe Awards.
BEST PICTURE: DRAMA: “The Descendants”
BEST PICTURE: MUSICAL or COMEDY: “The Artist”
BEST DIRECTOR: Martin Scorsese – “Hugo”
BEST ACTOR in a DRAMA: George Clooney – “The Descendants”
BEST ACTRESS in a DRAMA: Meryl Streep – “The Help”
BEST ACTOR in a MUSICAL or COMEDY: Jean Dujardin – “The Artist”
BEST ACTRESS in a MUSICAL or COMEDY: Michelle Williams – “My Week with Marilyn”
BEST SUPPORTING ACTOR: Christopher Plummer – “Beginners”
BEST SUPPORTING ACTRESS: Octavia Spencer – “The Help”
BEST SCREENPLAY: Woody Allen – “Midnight in Paris”
BEST FOREIGN LANGUAGE FILM: “A Separation”
BEST ANIMATED FEATURE FILM: “The Adventures of Tintin”
BEST ORIGINAL SCORE: Ludovic Bource – “The Artist”
BEST ORIGINAL SONG: “Masterpiece” by Madonna – “W.E.”
BEST TV DRAMA SERIES: “Homeland”
BEST TV ACTOR in a DRAMA SERIES: Kelsey Grammer – “Boss”
BEST TV ACTRESS in a DRAMA SERIES: Claire Danes – “Homeland”
BEST TV MINI-SERIES or MOVIE: “Downton Abbey”
BEST TV ACTOR in a MINI-SERIES or MOVIE: Idris Elba – “Luther”
BEST TV ACTRESS in a MINI-SERIES or MOVIE: Kate Winslet – “Mildred Pierce”
BEST TV COMEDY SERIES: “Modern Family”
BEST TV ACTOR in a COMEDY SERIES: Matt LeBlanc – “Episodes”
BEST TV ACTRESS in a COMEDY SERIES: Laura Dern – “Enlightened”
BEST SUPPORTING ACTOR in TELEVISION: Peter Dinklage – “Game of Thrones”
BEST SUPPORTING ACTRESS in TELEVISION: Jessica Lange – “American Horror Story”
Okay. Take a second. Deep breath…there we go. It’s been a bit of a big week with a lot to take in. However, this is just the opening salvo, and some much heavier ones are soon to come. However, in the last several days, we’ve had two extremely influential critics groups weigh in along with nominations announced by one of the more prestigious awards bodies in the country. So, while the jigsaw puzzle is far from complete, we’re getting a glimpse of the outline through the forming edges.
Let’s start with the antsiest of the lot, who just couldn’t wait their turn in line. The New York Film Critics Circle, being about as bigheaded as a group of big apple critics could be, pushed their awards announcement up by about two weeks. This was in an attempt to better influence the Oscars and separate themselves from the other critics. In case there was a critical darling such as “The Social Network” of yesteryear, they at least wanted to make it seem as though it were their idea. This has, honestly, put a rotten taste in the mouth of the whole awards season. The circle defied convention and tradition, forced movies to hurry their final touches in order to be screened in time, didn’t care to take a moment’s pause to reflect on their decisions and in the end made some really safe and traditional decisions from a group that usually champions the edgy and bold. I really must say…for shame.
For their high honors, the NYFCC went with “The Artist,” the silent film with a heart of gold. I definitely am looking forward to catching this one, though not quite as much as others. Director Michael Hazanavicius also took home high honors. By the time that Best Picture rolled in, I was hoping that “Moneyball” would pull through, after it had already won Best Actor for Brad Pitt and Best Screenplay for Aaron Sorkin and Steven Zallian. “Tree of Life” also had a pretty big day, winning Best Cinematography, sharing in Brad Pitt’s Best Actor award and Best Supporting Actress for Jessica Chastain (who also won for “Take Shelter” and “The Help”).
The other two acting awards were picked up by Albert Brooks for “Drive” and Meryl Streep for “The Iron Lady.” I’m straight-up not wild about Brooks who gives a couple of great scenes in only a good performance. Not worthy of any high accolades. As far as Meryl Streep is concerned, I’m on the fence. Whenever La Streep is once again up for her third Oscar, I just can’t decide whether I want it or not. As weird as it sounds, she is more due for an Oscar than practically any other actress, being that she is widely considered to be the greatest living performer and yet hasn’t won gold in nearly thirty years. However, when it comes to critics, Meryl is the safest choice that can be made. It’d be nicer to see some hutzpah with a choice like Tilda Swinton or Olivia Colman.
“The Descendants” turned out to be S.O.L., a surprise considering that Alexander Payne’s previous film, “Sideways,” swept this particular group, taking awards for Best Picture, Actor, Supporting Actress and Screenplay. George Clooney especially had a bad day, even missing out on a Best Actor nomination from the Spirits. However, he and the film lucked out that the National Board of Review voted differently, so much that it would seem they from a different planet (when really they’re centered out of the same city).
Here, Payne’s festival favorite came up big, taking down the awards for Best Actor (Clooney), Best Supporting Actress (Shailene Woodley) and Best Adapted Screenplay. Sadly, the prizes for Picture and Director went to “Hugo.” While it’s nice to see a wrench thrown in the works, this choice baffles me based on merit. Personally, the immensity of critical love for this film, in general, blows my mind. Pretty and heartwarming, but low on entertainment, conflict and drama. Christopher Plummer received Best Supporting Actor for his career-best performance in “Beginners,” hopefully asserting himself as the man to beat. And where NYFCC dropped the ball, the usually straight-as-an-arrow NBR chose the dicey performance of Tilda Swinton in “We Need to Talk About Kevin” for their Best Lead Actress. God, I can’t wait to see that film.
Quite strangely, the three big winners from the NYFCC went home almost completely empty-handed. “The Tree of Life” and “The Artist” only received spots on the NBR’s top ten, while “Moneyball” disturbingly did not even make that cut. However, they weren’t the unluckiest films of the day. “Tinker, Tailor, Soldier, Spy” failed to receive even a single nomination from anyone. If it continues to fly under the radar with critics, it will need a massive push from the guilds to stay alive.
Also, there’s “Martha Marcy May Marlene.” The big hit at Sundance failed to even make the NBR’s top ten independent films and received only a pair of acting nominations from the Independent Spirits, an organization many would have thought the film would have championed. It has a giant hole to climb out of if it wants to stay in any kind of Oscar contention. Personally, I’m not too bummed. A great concept that failed to achieve an emotional surge and tries so hard for subtlety, but often comes off as light-handed. I do hope that Elizabeth Olsen is able to pick up some steam for her deeply nuanced performance.
So, barring any surprise announcements from critics, we’re being given a bit of a lull for the next eight days. However, starting on Sunday, December 11th, it’s going to be difficult to find a busier week. Kicking off with honors from the Los Angeles and Boston Film Critics, we’ll then be receiving nominations from the Screen Actors Guild, the Broadcast Film Critics and Golden Globes, one day after another. Until then, I’ll be reporting anything I can and probably re-evaluating my current Oscar predictions. Stay tuned.