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The 8th Annual Edgy Award Nominations

It’s the most wonderful time of the year. The time when I get to educate everyone on what this year’s Oscar nominations should have looked like.

To review how these work, while there may only be 7 previous editions of the Edgys available online, the awards are cataloged by yours truly going all the way back to 1940. The recipients’ nomination and win counts are grouped according to each category, with the exception of the two music categories and the four acting categories being linked. So while Martin Scorsese may be getting only his 3rd nomination for producing, that certainly does not include the wealth of nominations he’s accumulated for directing.

Without further ado, here are my nominations for the best craftsmanship and talent on display in 2017:

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BEST ORIGINAL SONG

Mighty River
featured in “Mudbound”
Music and Lyrics by Mary J. Blige (3rd nom), Raphael Saadiq (1st nom) and Taura Stinson (1st nom)

“Mystery of Love”
featured in “Call Me By Your Name”
Music and Lyrics by Sufjan Stevens (2nd nom)

“The Pure and the Damned”
featured in “Good Time”
Music by Daniel Lopatin (1st nom), Lyrics by Iggy Pop (1st nom)

“Visions of Gideon”
featured in “Call Me By Your Name”
Music and Lyrics by Sufjan Stevens (2nd nom)

“World Gone Mad”
featured in “Bright”
Music and Lyrics by Dan Smith (1st nom)

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BEST ORIGINAL SCORE

“Blade Runner: 2049”
Benjamin Wallfisch (1st nom) and Hans Zimmer (10th nom, 4 wins – “12 Years a Slave,” “Gladiator,” “The Thin Red Line” and “Rain Man”)

“Phantom Thread”
Jonny Greenwood (4th nom, 2 wins – “The Master” and “Exit Music (for a Film)” from “Romeo and Juliet”

“The Shape of Water”
Alexander Desplat (5th nom)

“Star Wars: The Last Jedi”
John Williams (29th nom, 10 wins – “Munich,” “Amistad,” “Schindler’s List,” “Empire of the Sun,” “Star Wars: Return of the Jedi,” “E.T.: The Extra-Terrestrial,” “Raiders of the Lost Ark,” “Star Wars: The Empire Strikes Back,” “Star Wars: A New Hope,” “Jaws”)

“Three Billboards Outside Ebbing, Missouri”
Carter Burwell (5th nom, 2 wins – “Fargo” and “Barton Fink)

__________

BEST MAKE-UP and HAIRSTYLING

“Bright”
Alessandro Bertolazzi (2nd nom, 1 win – “Suicide Squad”) and Christopher Alan Nelson (2nd nom, 1 win – “Suicide Squad”)

“Darkest Hour”
Kazuhiro Tsuji (1st nom), David Malinowski (1st nom) and Lucy Sibbick (1st nom)

“The Disaster Artist”
Thomas Floutz (1st nom), Andy Clement (1st nom) and Molly Tissavary (1st nom)

“I, Tonya”
Deborah La Mia Denaver (2nd nom) and Adruitha Lee (3rd nom, 1 win – “12 Years a Slave”)

“The Shape of Water”
Jeff Derushie (1st nom), Jordan Samuel (1st nom) and Michael J. Walsh (2nd nom)

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BEST VISUAL EFFECTS

“Alien: Covenant”
Neil Corbould (5th nom, 2 wins – “Gravity” and “Gladiator”), Charley Henley (2nd nom) and Christian Kaestner (2nd nom)

“Blade Runner: 2049”
John Nelson (4th nom, 1 win – “Gladiator”), Gerd Nefzer (1st nom), Paul Lambert (1st nom) and Richard R. Hoover (3rd nom)

“The Shape of Water”
Dennis Berardi (1st nom), Trey Harrell (1st nom), and Atilla Ceylan (1st nom)

“Star Wars: The Last Jedi”
Ben Morris (1st nom), Michael Mulholland (1st nom), Neal Scanlan (3rd nom, 2 wins – “Star Wars: The Force Awakens” and “Babe”) and Chris Corbould (6th nom, 2 wins – “Star Wars: The Force Awakens” and “Inception”)

“War for the Planet of the Apes”
Daniel Barrett (3rd nom, 1 win – “Rise of the Planet of the Apes”), Dan Lemmon (4th nom, 2 wins – “The Jungle Book” and “Rise of the Planet of the Apes”), Joe Letteri (9th nom, 5 wins – “The Hobbit: An Unexpected Journey,” “Rise of the Planet of the Apes,” “Avatar,” “LOTR: The Return of the King,” and “LOTR: The Two Towers”) and Joel Whist (1st nom)

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BEST SOUND EFFECTS EDITING

“Alien: Covenant”
Michael Fentum (1st nom) and Oliver Tarney (4th nom, 1 win – “United 93”)

“Blade Runner: 2049”
Mark Mangini (5th nom) and Theo Green (1st nom)

“Dunkirk”
Richard King (8th nom, 4 wins – “Inception,” “The Dark Knight,” “War of the Worlds” and “Master and Commander: The Far Side of the World”)

“Mother!”
Paula Fairfield (1st nom) and Jill Purdy (1st nom)

“Star Wars: The Last Jedi”
Ren Klyce (6th nom, 1 win “The Social Network”) and Matthew Wood (9th nom, 1 win – “Star Wars: The Last Jedi”)

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BEST SOUND EFFECTS MIXING

“Baby Driver”
Tim Cavagin (1st nom), Mary H. Ellis (1st nom) and Julian Slater (1st nom)

“Blade Runner: 2049”
Ron Bartlett (1st nom), Doug Hemphill (6th nom) and Mac Ruth (1st nom)

“Dunkirk”
Gregg Landaker (8th nom, 4 wins – “Interstellar,” “Twister,” “The Empire Strikes Back” and “Raiders of the Lost Ark”), Gary Rizzo (6th nom, 2 wins – “Interstellar” and “Inception”) and Mark Weingarten (4th nom, 2 wins – “Interstellar” and “The Social Network”)

“Logan”
David Giammarco (4th nom, 1 win – “3:10 to Yuma”), Paul Ledford (1st nom) and Paul Massey (6th nom, 1 win – “3:10 to Yuma”)

“Star Wars: The Last Jedi”
Ren Klyce (6th nom, 1 win “The Social Network”), David Parker (8th nom, 1 win – “The Social Network”), Michael Semanick (9th nom, 2 wins – “The Social Network” and “The Lord of the Rings: The Return of the King”) and Stuart Wilson (4th nom)

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BEST COSTUME DESIGN

“The Beguiled”
Stacy Battat (1st nom)

“I, Tonya”
Jennifer Johnson (1st nom)

“The Lost City of Z”
Sonia Grande (1st nom)

“Phantom Thread”
Mark Bridges (5th nom, 1 win – “The Artist”)

“Victoria and Abdul”
Consolata Boyle
(2nd nom)

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BEST PRODUCTION DESIGN

“Blade Runner: 2049”
Dennis Gassner (5th nom) and Alessandra Querzola (1st nom)

“Mother!”
Larry Dias (2nd nom, 1 win – “Inception”), Martine Kazemirchuk (1st nom) and Philip Messina (1st nom)

“The Post”
Rick Carter (6th nom, 1 win – “Lincoln”) and Rena DeAngelo (1st nom)

“The Shape of Water”
Paul Austerberry (1st nom), Jeffrey Melvin (2nd nom) and Shane Vieau (2nd nom)

“Star Wars: The Last Jedi”
Rick Heinrichs (2nd nom, 1 win – “Sleepy Hollow”) and Richard Roberts (1st nom)

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BEST EDITING

“Dunkirk”
Lee Smith (6th nom, 1 win – “The Dark Knight”)

“Get Out”
Gregory Plotkin (1st nom)

“I, Tonya”
Tatiana Riegel (1st nom)

“Mother!”
Andrew Weisblum (1st nom)

“Three Billboards Outside Ebbing, Missouri”
Jon Gregory (2nd nom)

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BEST CINEMATOGRAPHY

“Blade Runner: 2049”
Roger Deakins (15th nom, 5 wins – “Sicario,” “O Brother, Where Art Thou?,” “Fargo,” “The Shawshank Redemption” and “Barton Fink”)

“Call Me By Your Name”
Sayombhu Mukdeeprom (1st nom)

“Dunkirk”
Hoyt Van Hoytema (2nd nom)

“It Comes at Night”
Drew Daniels (1st nom)

“The Shape of Water”
Dan Laustsen (1st nom)

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BEST DOCUMENTARY FEATURE

“City of Ghosts”
Matthew Heineman (2nd nom)

“Icarus”
Dan Cogan (1st nom) and Bryan Fogel (1st nom)

“One of Us”
Heidi Ewing (2nd nom, 1 win – “Jesus Camp”) and Rachel Grady (2nd nom, 1 win – “Jesus Camp”)

“Strong Island”
Joslyn Barnes (1st nom) and Yance Ford (1st nom)

“Whose Streets?”
Damon Davis (1st nom) and Sabaah Folayan (1st nom)

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BEST ADAPTED SCREENPLAY

“Call Me By Your Name”
James Ivory (1st nom)

“The Disaster Artist”
Scott Neustadter (2nd nom, 1 win – “500 Days of Summer”) and Michael H. Weber (2nd nom, 1 win – “500 Days of Summer”)

“Molly’s Game”
Aaron Sorkin (6th nom, 3 wins – “Moneyball,” “The Social Network” and “A Few Good Men”)

“Mudbound”
Dee Rees (1st nom) and Virgil Williams (1st nom)

“Star Wars: The Last Jedi”
Rian Johnson (3rd nom, 2 wins – “Looper” and “Brick”)

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BEST ORIGINAL SCREENPLAY

“Get Out”
Jordan Peele (1st nom)

“Lady Bird”
Greta Gerwig (1st nom)

“Phantom Thread”
Paul Thomas Anderson (5th nom, 1 win – “Boogie Nights”)

“Three Billboards Outside Ebbing, Missouri”
Martin McDonagh (2nd nom, 1 win – “In Bruge”)

“Wind River”
Taylor Sheridan (3rd nom)

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BEST ENSEMBLE CAST PERFORMANCE

“Call Me By Your Name”
Vanda Capriolo, Amira Casar, Timothee Chalamet, Victoire Du Bois, Esther Garrel, Armie Hammer, Michael Stuhlbarg

“It”
Steven Bogaert, Jack Dylan Grazer, Nicholas Hamilton, Chosen Jacobs, Jaeden Lieberher, Sophia Lillis, Wyatt Oleff, Jackson Robert Scott, Jeremy Ray Taylor, Bill Skarsgaard, Logan Thompson, Finn Wolfhard

“Mudbound”
Jonathan Banks, Mary J. Blige, Kerry Cahill, Jason Clarke, Kelvin Harrison Jr., Garrett Hedlund, Jason Mitchell, Rob Morgan, Carey Mulligan

“The Post”
Alison Brie, Carrie Coon, David Cross, Bruce Greenwood, Tom Hanks, Pat Healy, Tracy Letts, Bob Odenkirk, Sarah Paulson, Jesse Plemons, Matthew Rhys, Meryl Streep, Bradley Whitford, Zach Woods

“Three Billboards Outside Ebbing, Missouri”
Kerry Condon, Abbie Cornish, Peter Dinklage, Woody Harrelson, John Hawkes, Lucas Hedges, Zeljko Ivanek, Caleb Landry Jones, Sandy Martin, Frances McDormand, Kathryn Newton, Sam Rockwell

__________

BEST ACTRESS in a SUPPORTING ROLE

Allison Janney – “I, Tonya”
1st nom

Lesley Manville – “Phantom Thread”
2nd nom, 1 win – “Another Year”

Tatiana Maslany – “Stronger”
1st nom

Laurie Metcalf – “Lady Bird”
1st nom

Michelle Pfeiffer – “Mother!”
3rd nom

__________

BEST ACTOR in a SUPPORTING ROLE

Willem Dafoe – “The Florida Project”
4th nom

Jason Mitchell – “Mudbound”
1st nom

Sam Rockwell – “Three Billboards Outside Ebbing, Missouri”
2nd nom

Patrick Stewart – “Logan”
1st nom

Michael Stuhlbarg – “Call Me By Your Name”
1st nom

__________

BEST ACTRESS in a LEADING ROLE

Sally Hawkins – “The Shape of Water”
3rd nom, 1 win – “Happy Go Lucky”

Jennifer Lawrence – “Mother!”
4th nom

Frances McDormand – “Three Billboards Outside Ebbing, Missouri”
5th nom, 2 wins – “Fargo” and “Mississippi Burning”

Margot Robbie – “I, Tonya”
1st nom

Saoirse Ronan – “Lady Bird”
2nd nom

__________

BEST ACTOR in a LEADING ROLE

Timothee Chalamet – “Call Me By Your Name”
1st nom

Daniel Kaluuya – “Get Out”
1st nom

Gary Oldman – “Darkest Hour”
6th nom, 2 wins – “The Contender” and “Sid and Nancy”

Robert Pattinson – “Good Time”
1st nom

Jeremy Renner – “Wind River”
2nd nom

__________

BEST DIRECTOR

Darren Aronofsky – “Mother!”
2nd nom

Martin McDonagh – “Three Billboards Outside Ebbing, Missouri”
1st nom

Christopher Nolan – “Dunkirk”
5th nom, 1 win – “The Dark Knight”

Trey Edward Schults – “It Comes at Night”
1st nom

Denis Villeneuve – “Blade Runner: 2049”
4th nom, 1 win – “Arrival”

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BEST MOTION PICTURE of the YEAR

 “Blade Runner: 2049”

Broderick Johnson (2nd nom) and Andrew Kosgrove (2nd nom)

“Call Me By Your Name”

Emilie Georges (1st nom), Luca Guadagnino (1st nom), Marco Morabito (1st nom) and Peter Spears (1st nom)

“Dunkirk”

Christopher Nolan (4th nom, 1 win – “The Dark Knight”) and Emma Thomas (4th nom, 1 win – “The Dark Knight”)

“Get Out”

Jason Blum (2nd nom), Edward Hamm Jr. (1st nom), Sean McKittrick (1st nom) and Jordan Peele (1st nom)

“It Comes at Night”

David Kaplan (1st nom) and Andrew Roa (1st nom)

“Phantom Thread”

Paul Thomas Anderson (6th nom, 1 win – “There Will Be Blood”), Megan Ellison (5th nom), Daniel Lupi (4th nom, 1 win – “There Will Be Blood”) and JoAnne Sellar (6th nom, 1 win – “There Will Be Blood”)

“The Shape of Water”

J. Miles Dale (1st nom) and Guillermo Del Toro (2nd nom)

“Star Wars: The Last Jedi”

Ram Bergman (3rd nom) and Kathleen Kennedy (10th nom)

“Three Billboards Outside Ebbing, Missouri”

Graham Broadbent (2nd nom), Peter Czernin (2nd nom) and Martin McDonagh (1st nom)

“Wind River”

Elizabeth A. Bell (1st nom), Peter Berg (1st nom) and Wayne L. Rogers (1st nom)

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NOMINATION TALLY

Films with multiple nominations a piece:

Blade Runner: 2049 – 8
Call Me By Your Name – 8
Three Billboards Outside Ebbing, Missouri – 8
The Shape of Water – 7
Star Wars: The Last Jedi – 7
Dunkirk – 6
Mother! – 6
I, Tonya – 5
Phantom Thread – 5
Get Out – 4
Mudbound – 4
It Comes at Night – 3
Lady Bird – 3
Wind River – 3
Alien: Covenant – 2
Bright – 2
Darkest Hour – 2
The Disaster Artist – 2
Good Time – 2
Logan – 2
The Post – 2

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“The Dark Knight Rises” – New Photos and Promos

November 28, 2011 Leave a comment

Even with the buzz of the Oscar season overwhelming every second of my life and so many promising films hitting theaters left and right, it is difficult to deny that in my mind, and probably everyone else’s, one movie continues to dominate the sense of anticipation. That film is obviously “The Dark Knight Rises.” Even though I’m still a little bent out of shape over the fact that Pittsburgh was chosen to replace Chicago as the Gotham City backdrop (I mean really, who are they kidding?), the excitement towards the closing chapter of one of the most extraordinary and game-changing franchises in movie history is undeniable.

Therefore, I find it necessary to report some of this extraordinarily exciting news reported in the new issue of Empire Magazine. The periodical contains the first actual stills from the film reel itself as well as some revealing interviews with both Christopher Nolan and Tom Hardy. The two of them discuss some interesting facets of the film which could perhaps give an inkling to a few plot details.

Thanks to Hardy, we now have a clearer image of what kind of villain Bane will serve in the film. The answer is a pretty damn harsh one:

“He’s brutal, brutal. He’s expedient delivery of brutality. And you know, he’s a big dude. He’s a big dude who’s incredibly clinical, in the fact that he has a result-based and orientated fighting style…Everything is thought out way before. He’s hit you, he’s already hit somebody else. It’s not about fighting. It’s just about carnage with Bane. He’s a smashing machine. He’s a wrecking ball. The style is heavy-handed, heavy-footed, it’s nasty. Anything from small joint manipulation to crushing skulls, crushing rib cages, stamping on shins and knees and necks and collarbones and snapping heads off and tearing his fists through chests, ripping out spinal columns. It’s anything he can get away with. He is a terrorist in his mentality as well as brutal action. So he’s horrible. A really horrible piece of work.”

Wow. Well it will be interesting if Nolan (or the MPAA) actually allows the removal of spinal columns in the next Batman film or if Hardy was just being sarcastic and caught up in the moment. As far as Christopher Nolan is concerned, he had this to say about Bane and what we can expect Batman to be facing in this new episode:

“With Bane, we are looking to give Batman a physical challenge that he hasn’t had before. With our choice of villain and with our choice of story we’re testing Batman both physically as well as mentally. Also, in terms of finishing our story and increasing its scope, we were trying to craft an epic, so the physicality of the film became very important. Bane’s a very different kind of villain than Batman has faced before in our films. He’s a great sort of movie monster, but with an incredible brain, and that was a side of him that hadn’t been tapped before.”

Along with this, the director also offered an interesting tidbit of information concerning the time of the film. Unlike most sequels, this one will not be picking up exactly from where the previous chapter left off:

“It’s really all about finishing Batman and Bruce Wayne’s story. We left him in a very precarious place. Perhaps surprisingly for some people, our story picks up quite a bit later, eight years after The Dark Knight. So he’s an older Bruce Wayne — he’s not in a great state.”

You put all of this together, and one question bares very strongly in my mind: just how dark is Nolan going to take this film? Everything that we’ve seen and heard points to a possibility that the film’s predecessor, widely acclaimed for its realism and unsentimentality, could seem like a Disney movie compared to this one. There’s one quite cataclysmic event that some journalists and enthusiasts are contemplating. Between Bruce Wayne’s older state, the brutality of Bane and Nolan’s description of Batman being tested both physically and mentally like never before, one has to wonder if Bane will, in fact, break Batman’s back. Those who have read or have a decent knowledge of the comics know that this event does occur in Knightfall. Perhaps this will be Nolan’s way of closing out the Batman series, and to be even more speculative, maybe bringing Catwoman in to take on the mantel. She has already been seen in photos riding the Batpod.

The internet is like a sewing circle of gossip and rumors and all we can do is wait for the next dollop of news. Supposedly, we will not have to wait that long. As Nolan did with “The Dark Knight” a prologue is being planned for theatrical release. The first six minutes of the film are going to be shown as a complete short before IMAX screenings of “Mission Impossible: Ghost Protocol.” I personally wish they could have attached it to a film that I actually planned on seeing, but I’m sure it will pop up on the internet sooner or later. The prologue featured the Joker’s bank heist. Who knows exactly what this one will feature. Though, it’s been made clear that Bane’s mask and antecedent injury is explained in the early scenes of the film so perhaps we’ll see something along those lines.

Below are the rest of the photos released in Empire, as well as their cover series:

Batman: “Begins, Falls, Rises” Triptych Poster

July 19, 2011 2 comments

Okay. I understand that lately this site has been going a little nutty over anything to do with Christopher Nolan’s new film, although how can anyone really hold it against me? Yet, I promise that after this I will try to cool it for a while. Meanwhile, this gag was just too eye-catching to pass up. I found this over at Sasha Stone’s Awardsdaily, who apparently dug it up at Modernismism.

This is a fantastic effort made towards finding a true thematic harmony for this soon-to-be trilogy. I really appreciate the fluidity created between the three different color schemes, balancing the changing tones cast by the films’ director. It certainly gives a clue into what we can expect from this final chapter for they seem to get bleaker and more sinister as the trilogy progresses.

I would love to have this poster on my wall. Kudos to whoever’s behind this impressive piece of film art.

“The Dark Knight Rises” Teaser Trailer Released

Well, folks, here it is. Warner Brothers actually took the social networking route and debuted it on both Facebook and Twitter, rather than on an official website or iTunes. I must say that the trailer does display a bit more footage than I thought (even though people are already bitching about a lack of visuals). One thing’s for sure, Christopher Nolan has not before, nor will he (apparently) leave behind the gritty elements of realism that have made his franchise so immensely popular. This chapter looks about as cut and dry as anything I’ve ever seen. It appears that Nolan really knows what he’s doing in this final installment and I’m not expecting any disappointment.

As far as the footage goes: stellar. Gary Oldman on the hospital bed was probably the last thing that anyone was expecting to see, but it works. And the final shot of Bane approaching a beleaguered Batman in some kind of seedy industrial setting was chilling. Nothing on Catwoman, yet, but we’ve still got plenty of time. If this film follows the same publicity pattern as the last film, we can probably expect a second trailer with more footage by January, followed by a final piece by perhaps March or April.

One more thing. Before seeing this trailer, I had little to no respect for the film’s title. However, after getting a very loose glimpse of the film’s plot and tone, maybe the “Rises” actually works for it.

Check out the HD trailer below. Embedding has been disabled, therefore just play the video and follow the link to youtube.

“The Dark Knight Rises” Joke Poster

There’s not much to this. I just think that, what with all of the guessing and analysis over the poster and upcoming teaser, that this is just downright hilarious. Enjoy spending a few minutes looking this over.

Check out the actual poster, free of red ink, here: “The Dark Knight Rises” Poster

“The Dark Knight Rises” Publicity Weekend

July 12, 2011 3 comments

Even though this was only released within the last few hours, it is already practically old news. Still it’s worth reporting on this mad publicity blitz for the highly anticipated film. This poster is only the first step. Accompanying the release of Warner Bros’ final installment of “Harry Potter” this weekend (thank God, by the way, that it is finally the last), there will be a featured first teaser trailer for Nolan’s flick.

To be quite honest, Batman fans shouldn’t get their hopes up. Their production has barely begun so I wouldn’t expect a whole lot of footage. I’m expecting something similar to the first teaser of “The Dark Knight,” a fancy, blue visual effects show with some voiceovers. Not that that preview didn’t give chills, but most of those came from hearing the first syllables spoken by an infinitely more anticipated antagonist. They might be generous and throw in a shot of Bane to wet appetites.

The poster, released today, granted is an early promotional tool, is honestly pretty boring to me. The design is cool, but the detail on the buildings is fairly sloppy. I understand that it’s just a poster and I shouldn’t take it too seriously, but take a look at the buildings again. That has got to be one of the most claustrophobic city blocks I’ve ever seen. Where does the street go?

I don’t know. Maybe I’m still just annoyed that it’s not a Chicago city street we’re looking at. I’m not sure if that grievance will ever be resolved in my mind, but we’ll save that round of bellyaching for a different article. I will post the new teaser as soon as it becomes available online, probably within a day of it’s release in theaters. In the meantime, I’ve attached the first “Dark Knight” teaser, below, to show what we can probably expect.

BREAKING NEWS: Amy Adams is Lois Lane in “Superman” Reboot

March 27, 2011 Leave a comment

I can’t say that the new “Superman” franchise is something that I’m looking forward to with beaming eyes. Even with Christopher Nolan’s attachment, Zack Snyder at the helm of anything makes me kind of want to purge a little. However, this seems like a pretty cool casting choice. Adams is a phenomenal actress, and extremely attractive, and I like it when Hollywood casts meaty roles with actresses who hold both of those qualities rather than just the latter.

Here’s an excerpt from the LA Times article:

The 36-year-old star got the news on Sunday from director Zack Snyder, who phoned her from Paris, where he was promoting his just-opened film, “Sucker Punch.” There had been a crush of Hollywood interest in the lead female role in the Warner Bros. project but Snyder said that after meeting with Adams, she was the clear choice to take on a character that dates back to 1938 and has long represented the strong, professional woman who can hold her own against any man – even if he can leap tall buildings in a single bound.

It’s kind of strange that of the two leading lady roles available for superhero movies floating around, Adams gets the part of the woman who isn’t famous for her blazing red hair as opposed to the one who is. Who knows? Since Mary Jane supposedly will not even be a part of “The Amazing Spider-Man,” (which I still can’t believe), Adams will have to dye down that mop settle for being in the more boring of the two comic book films. I am, however, looking forward to having at least some of “Man of Steel” being shot here in the Chicago area ever since Christopher Nolan turned his back on the second city with the only superhero movie that really matters…