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“Moonrise Kingdom” Trailer
I suppose it’s never too early to start getting excited for next year. In my case, with my feelings of malaise and relative fatigue from this relatively underwhelming 2011 season, I honestly can’t wait to get on with it. Right now, I’m trying to be patient with these final months before I can get to my Top 25 Most Anticipated List. Granted it won’t be released until two months into the new year, but let’s be real. Not much of value is going to be coming out before March that will be missed from said list.
One film that will definitely make its way into my schedule is Wes Anderson’s latest quirky, operatic tale, “Moonrise Kingdom” It’s a simple story of puppy love that drives a small town into pure insanity. The film’s cast includes a few of the writer/director’s regulars, including Bill Murray and Jason Schwartzman, as well as some exciting newcomers like Edward Norton, Bill Murray, Tilda Swinton and Frances McDormand.
I’m not gonna lie. Wes Anderson is a great filmmaker, though I do not hold him up to the same auteuristic pedestal that so many of his devoted fans do. I believe that “The Royal Tenenbaums” is a near comedic masterpiece and “Fantastic Mr. Fox” is one of the most inventive and entertaining animated films of the last decade. The rest of his work, I can take or leave. This project, on the other hand, has me strangely intrigued. Perhaps its the notion of Anderson taking on the theme of adolescent romance as a primary topic. Seems like a match made in heaven.
I could also listen to Bill Murray say that final line of the trailer, over and over.
Without further adieu, here’s the new trailer:
Ricky Gervais’ Funniest Moments from the Globes
As I stated earlier in my postgame analysis for this year’s Golden Globe awards, one of the absolute highlights had to be Ricky Gervais’ cringingly brutal assault on Hollywood’s elite through his stand-up. There were certain moments when the audience and bloggers believed that he had been fired midway through the show for his humor just got too out-of-hand. It’s my fervent prayer that the powers-that-be realize that for much of the viewing public, his performances was absolutely gold. And whether he hosts or not, the stars are still going to show up…so have him host it anyway!!!
Well, I was just put on to a video compilation of some of his best bits of the night. So if you missed the Globes, or just want to experience some of the comic’s no-holds-barred routine all over again, check out the video below:
Golden Globes – Postgame
Okay. I will admit that the HFPA really did do all right by me, last night. Overall they made some pretty good decisions, especially in officially solidifying “The Social Network” as the frontrunner for the Best Picture Oscar. If “The King’s Speech” can’t win here, I really can’t imagine it winning anywhere.
However, even if the Golden Globes released a list of their Top 100 favorite films, and their list happened to match mine movie per movie, I would still not take up with them. An organization that will accept bribery and star-fucking as good reasons to nominate “Burlesque” or “Alice in Wonderland” as Best Picture of the Year is no friend of mine.
Here is the full list of winners from last night:
BEST PICTURE, DRAMA
“Black Swan”
“The Fighter”
“Inception”
“The King’s Speech”
“The Social Network”
Best Picture (Musical/Comedy)
“Alice in Wonderland”
“Burlesque”
“The Kids Are All Right”
“Red”
“The Tourist”
Best Director
Darren Aronofsky, “Black Swan”
David O. Russell, “The Fighter”
Christopher Nolan, “Inception”
Tom Hooper, “The King’s Speech”
David Fincher, “The Social Network”
Best Actor (Drama)
Jesse Eisenberg, “The Social Network”
Colin Firth, “The King’s Speech”
James Franco, “127 Hours”
Ryan Gosling, “Blue Valentine”
Mark Wahlberg, “The Fighter”
Best Actress (Drama)
Halle Berry, “Frankie and Alice”
Nicole Kidman, “Rabbit Hole”
Jennifer Lawrence, “Winter’s Bone”
Natalie Portman, “Black Swan”
Michelle Williams, “Blue Valentine”
Best Actor (Musical/Comedy)
Johnny Depp, “Alice in Wonderland”
Johnny Depp, “The Tourist”
Paul Giamatti, “Barney’s Version”
Jake Gyllenhaal, “Love and Other Drugs”
Kevin Spacey, “Casino Jack”
Best Actress (Musical/Comedy)
Annette Bening, “The Kids Are All Right”
Anne Hathaway, “Love and Other Drugs”
Angelina Jolie, “The Tourist”
Julianne Moore, “The Kids Are All Right”
Emma Stone, “Easy A”
Best Supporting Actor
Christian Bale, “The Fighter”
Michael Douglas, “Wall Street: Money Never Sleeps”
Andrew Garfield, “The Social Network”
Jeremy Renner, “The Town”
Geoffrey Rush, “The King’s Speech”
Best Supporting Actress
Amy Adams, “The Fighter”
Helena Bonham Carter, “The King’s Speech”
Mila Kunis, “Black Swan”
Melissa Leo, “The Fighter”
Jacki Weaver, “Animal Kingdom”
Best Screenplay
Christopher Nolan, “Inception”
Lisa Cholodenko and Stuart Blumberg, “The Kids Are All Right”
David Seidler, “The King’s Speech”
Danny Boyle and Simon Beaufoy, “127 Hours”
Aaron Sorkin, “The Social Network”
Best Foreign Language Film
“Biutiful”
“The Concert”
“The Edge”
“I Am Love”
“In a Better World”
Best Animated Feature
“Despicable Me”
“How to Train Your Dragon”
“The Illusionist”
“Tangled”
“Toy Story 3”
Best Original Score
Danny Elfman, “Alice in Wonderland”
Hans Zimmer, “Inception”
Alexandre Desplat, “The King’s Speech”
A.R. Rahman, “127 Hours”
Trent Reznor and Atticus Ross, “The Social Network”
Best Original Song
“Bound to You” from “Burlesque”
“You Haven’t Seen the Last of Me” from “Burlesque”
“There’s a Place for Us” from “The Chronicles of Narnia: The Voyage of the Dawn Treader”
“Coming Home” from “Country Strong”
“I See the Light” from “Tangled”
Cecil B. De Mille Award
Robert De Niro
As far as my predictions go, I had a very good night. Some of these weren’t the most difficult awards to predict, but I still amassed a record of 12 out of 14, or 85 percent. That might be the best record that I’ve ever had on this particular award show. If it hadn’t have been Johnny Depp getting screwed by two nomination vote-splitting or an absolute upset like no other in Best Foreign Language Film, I would have had a perfect score.
If you had been within one hundred feet of my apartment at one o’clock in the morning (I had to DVR the show since I was working on set during the airtime), you would have heard a chorus of whoops and hollers at every “Social Network” victory. I was particularly ecstatic upon hearing Trent Reznor and Atticus Ross’ names being called, for not only was that one of the film’s most difficult nominations to win, but that moment pretty much sealed its Best Picture victory.
The acting victories were literally identical to the BFCA wins, with Firth, Portman, Bale and Leo all going home with awards. In the Musical/Comedy section, Annette Bening made her last stand at putting up a fight against Natalie for the Oscar, but I really don’t think it will be enough (despite Bening getting a full ovation and Portman only a few random stands). Paul Giamatti pulled out a not-so-surprising but really cool win over Johnny Depp and Jake Gyllenhaal.
Obviously, the talk of the night was Ricky Gervais’ absolutely no-holds-barred hosting job which bordered on a Comedy Central Roast. I’ve heard things such as network executives swearing that it will be the end of the comic’s career, but for me, the best part of the show was waiting for what he was going to say next. I mean, come on. When you’re that rich and that famous, there is absolutely no reason not to verbally macerated on national television. I haven’t laughed as hard in a long time as when Ricky referred to Bruce Willis as Ashton Kutcher’s dad.
The best part of the night, and ironic for me, since I really don’t care much about the television portion of the awards, was Chris Colfer’s win for “Glee.” Sometimes you see a performer put on their phony “I never would have imagined” face. You could tell that this kid had expected hell to freeze over and then thaw again before he would win this award. The shock, awe and pure joy in his face was just a memorable sight. And while I really don’t enjoy “Glee” so much, both Colfer and Jane Lynch’s performances are far and away the only things that keep it afloat in my attention span. Congrats to both of them.
Well, the critics have officially had their say. All that’s left are those in the industry, and I can only hope that they greet “The Social Network” with as much warmth and gratitude as their judges have. And since it has now received nominations, at least, from every single Hollywood guild, the horizon is looking pretty damned bright.
The Edge of the Frame 