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“Paranormal Activity 2″ Review

November 4, 2010 Leave a comment

When “The Blair Witch Project” was first released at the Sundance Film Festival in 1999, it was predicted to become a classic. Critics across the country were united in its praise. Village Voice critic Michael Atikinson (then still known as Mr. Showbiz) said that it “…might be the scariest movie of all time.” How could anything go wrong?

Well, the answer is that the audiences saw it, and thus, the film met its backlash. Don’t get me wrong. Movies are made for the audiences, and if they don’t like it, that’s obviously saying something. However, the audience’s reaction was a bit too cold and unreasonable for my taste. Once it was released, the only quotes about the film everyone heard anymore were that it was “boring,” “shaky” and “a waste of money.” And that became it’s legacy.

Now, over a decade later, many people’s opinion has not changed, and yet the film’s impact on the world of cinema is unquestionable. Movies like “Open Water,” “Rec,” “Diary of the Dead,” “Cloverfield,” and even “District 9” and “United 93” have all been heavily influenced by this landmark film. Perhaps the most recent and prominent of all of these descendants is, of course, the “Paranormal Activity” features.

I was not so eager to jump on the bandwagon of those who fell in love with the first film. I thought that the characters were as flat as could be. You don’t really care so much whether they live or die, based on their unintelligence and carelessness of their decisions. The story is incredibly repetitive and 80% of the scares simply don’t have the desired effect that a movie like this should deliver.

“Paranormal Activity 2” is a bit of a puzzle, for while it corrects certain mistakes of the original, it goes about creating whole new ones. For sure, the biggest improvement is that the film completely ups the the ante from the first, in character, story and thrills. The story sets its eye on a family of four, including an infant child, automatically creating a bit more sympathy than for a couple of bumbling twenty-somethings. The film also reveals the reasons as to why this demon keeps haunting this particular family. However, this could either be an improvement or a flaw, depending on how you look at it, for it’s exactly the reason that no one knows just what this thing is or what it wants that makes it all the more scary.

One thing is for sure: anyone who felt that the first film did not pack a scary enough punch, rest easy. This film has at least three times the scares and jolts that were found in the previous “Paranormal Activity.” Furniture is thrown, people are tossed and the amount of startling moments is more than satisfying. One such shot, near the midpoint of the film, caused every member of the audience to instantly shit their pants. I lost feeling in my face for a short time after it happened.

Also, in this film, there is a much stronger air regarding a constant fear of death hovering around all of the characters throughout the film, and this is accelerated, especially, when the infant’s life hangs in the balance. And what’s more, instead of just one camera in the bedroom (which actually has become pretty iconic, I have to admit), there are a half dozen littered around the house recording all that happens, not to mention the usual handheld which helps pull together the personal side of the story.

However, just as a stronger following and additional cashflow have helped this movie, they also represent the drop of the second shoe. The film has quite simply become to “Hollywoodized.” The amount of horror film cliches has doubled, and for as many jolts and scares there are, now matter how effective they may be, half of them are pretty cheap. This theory is pretty much defined in a scene I recall when the teenage daughter, left alone with the baby, hears a strange noise outside and must go outside to investigate. With that, the ghost slams the door behind her and locks her out of the house! A-HA!

So, do I recommend this film? Yeah, I guess so. Even if it doesn’t strive for that much, it accomplishes what it’s meant to (scare people) and it does it better than the first one. So if you’re looking forward to an opportunity to lose feeling in your face, this movie is waiting for you, and don’t forget to thank “The Blair Witch Project,” for the experience.

GRADES:           B-           * * * / * * * * *           6.0 / 10.0

 

My Top Ten Movie Monsters

October 28, 2010 1 comment

Everyone knows that I do love my lists. Therefore, along with the usual reviews and banter that I post, I will also be featuring the occasional list, either of an individual facet of films, the best work by a filmmaker, the best performances, films by genre, or whatever else I think up. It should be a pretty good time.

So I thought hard about what my first of these additions would be, and I figured it fitting that with the upcoming release of Gareth Edwards’ extremely low-budget flick, the aptly titled “Monsters,” I shall make a list of the greatest monsters that I’ve ever seen displayed on the big screen. Obviously, as with any list that I might compose, I have not seen all of the potential candidates for ranking. Yet, hopefully, I will be able to put together a competent showing.

Some guidelines for this list. Animals, unless outrageously oversized, are not counted as monsters by me. I can’t stand it when people refer to the birds in Alfred Hitchcock’s “The Birds” or the shark in Steven Spielberg’s “Jaws” as monsters. It’s just the reality that those creatures are not monsters, but rather normal animals, that add to the terror that those films present. Also, there shall be no metaphorical monsters. Neither global warming rearing its head in “An Inconvenient Truth” or the evil, psychotic forces driving Anton Chigurh in “No Country for Old Men” will make the cut.

Also, no vampires, no ghosts and no zombies. Mostly because I consider them to still be human, living or dead, and portraying humans as monsters kind of negates the point.

Before we get to the finalists, here are the five runners-up after the jump:

 

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