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Posts Tagged ‘black swan’

Natalie Deserved the Oscar. End of Story.

March 29, 2011 Leave a comment

This story has plagued both publications and the blogosphere alike for the last week, and damn it, it really needs to stop. This is one of the most annoying, ill-founded, and downright inappropriate smear campaigns against a great performer in recent memory. First off, even if Natalie Portman didn’t train for and perform a great deal of dancing in “Black Swan,” that’s not why people do or should win Oscars (unless you’re Jennifer Hudson, who sang her way to an Oscar in ’06 since she sure as hell can’t act worth a damn). People win Oscars for acting, and that’s what Portman did. She acted her ass off.

I mean seriously, people. This is horrible. It’s like saying: “I actually heard a rumor once that Natalie did not do her own makeup for the final scene. Nor did she even design her own costumes. I’m appalled. She didn’t deserve the Oscar.” All of these accusations are nearly as absurd as expecting an actress to somehow cram fifteen to twenty years of dancing experience into one year of film training.

Of course, this all started when Portman’s apparent “dance double,” Sarah Lane, complained that the actress only performed five percent of the dancing in the final cut of the film. I’ve only seen the film once, but running it through my head, something about that figure automatically sounds fishy. Maybe this dancer got a raw deal, simply being credited as a hand double and an extra, but way to go by turning yourself into an international joke by insinuating that Natalie was a fraud in the film.

Meanwhile, director Darren Aronofsky is dancing to a different drumbeat, defending his actress and her career-defining performance to the last stroke. In an interview with the UK Guardian, he claims that Portman did in fact do eighty to ninety percent of her dancing in the film, putting the double to shame. In an excerpt from the piece, he says:

However, Aronofsky has issued a statement claiming Portman performed 80 to 90% of the routines seen in the final cut of his film. “Here is the reality,” he said. “I had my editor count shots. There are 139 dance shots in the film. 111 are Natalie Portman untouched. 28 are her dance double Sarah Lane. If you do the math, that’s 80% Natalie Portman.”

He added: “What about duration? The shots that feature the double are wide shots and rarely play for longer than one second. There are two complicated longer dance sequences that we used face replacement. Even so, if we were judging by time over 90% would be Natalie Portman.”

Aronofsky states that Portman did, in fact, dance on point, a difficult technique which was also said to be played false by Lane. The Guardian article also features costar Mila Kunis defending all of Portman’s performance, as well, stating that she “danced her ass off.”

What it all comes down to is CUT THE S#!T. This plague of defamation must end. I can only hope that in the end, it will only help to bolster the legacy of Portman’s performance when people realize how much she actually worked long and hard for this role. Shame on all who say otherwise.

Check out the opening scene from “Black Swan” below, re-color corrected and cut to a different song. Also, you can view the entire Guardian article, here.

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Darren Aronofsky has moved on from “Wolverine”

March 17, 2011 Leave a comment

I guess that one could react to this news in many different ways. I imagine that having an experienced and talented director taking on a comic book franchise would a refreshing change of pace. Jon Favreau aced the first “Iron Man” movie (though that was a surprise, if anything else). Christopher Nolan obviously knocked Batman completely out of the park. Seeing an edgy and dark personality tackle an X-Men film might be interesting.

Hard to believe I’ve been reading numbskulls on IMDB talking about how happy they are because Darren Aronofsky because he’s not talented enough and would have ruined the series. I shall refrain.

Honestly, I am happy about this news, as well. Yet, I am joyed for a different reason. Quite frankly, Aronofsky is too good for this. “Black Swan” is not my favorite movie of his, but it’s definitely a hell of a breakthrough for him. He has the potential to basically do whatever he wants with his career, at this point, and I’m sure he has some better ideas in his head then the sequel to a prequel of a comic book movie. Aronofsky is a brilliant and original mind and he should helm those qualities with pride and “Wolverine” would seem to put them on hold for a year or so. Quite frankly, I can’t wait that long.

Here’s to what hopefully comes instead.

And there that is….

February 28, 2011 4 comments

Well folks. The night is over. I could say that there really isn’t anything to say, but I won’t lie. There is a lot to say. And I will be saying it, but you will all have to wait until tomorrow. I’m tired, drunk and, not ashamed to say it, just straight up pissed. I’ve got to go to bed and spend some time sulking in my own astonishment and gloom.

Stay tuned tomorrow for a comprehensive and probably expletive-laden commentary on the travesty that was Oscar Night ’11. In the meantime, I’d like to thank you all for sticking with this blog throughout the course of this Oscar season. I couldn’t have done it without my loyal readers.

In case you weren’t watching (?), here is the full list of winners:

BEST PICTURE: “The King’s Speech”

BEST DIRECTOR: Tom Hooper – “The King’s Speech”

BEST ACTOR: Colin Firth – “The King’s Speech”

BEST ACTRESS: Natalie Portman – “Black Swan”

BEST SUPPORTING ACTOR: Christian Bale – “The Fighter”

BEST SUPPORTING ACTRESS: Melissa Leo – “The Fighter”

BEST ORIGINAL SCREENPLAY: “The King’s Speech”

BEST ADAPTED SCREENPLAY: “The Social Network”

BEST FOREIGN LANGUAGE FILM: “In a Better World”

BEST ANIMATED FEATURE: “Toy Story 3”

BEST DOCUMENTARY FEATURE: “Inside Job”

BEST CINEMATOGRAPHY: “Inception”

BEST EDITING: “The Social Network”

BEST ART DIRECTION: “Alice in Wonderland”

BEST COSTUME DESIGN: “Alice in Wonderland”

BEST SOUND MIXING: “Inception”

BEST SOUND EDITING: “Inception”

BEST VISUAL EFFECTS: “Inception”

BEST MAKEUP: “The Wolfman”

BEST ORIGINAL SONG: “We Belong Together” from “Toy Story 3”

BEST ORIGINAL SCORE: “The Social Network”

BEST ANIMATED SHORT: “The Lost Thing”

BEST LIVE-ACTION SHORT: “God of Love”

BEST DOCUMENTARY SHORT: “Strangers No More”

I went 18/24 in my predictions. It would have been 20 for 24 had the Academy……well, you all know. I’ll get into it tomorrow. Good night.

My Final 83rd Oscar Predictions

February 27, 2011 Leave a comment

Well, folks, it’s all come to an end. These will be my final predictions for this year’s Academy Awards. It has been a long year and a tough year, one with one of the biggest tide-turnings in the history of film. It’s hard to see the best, as well as my favorite, movie go from being on top of the world to fighting for its life. I still believe that it will come out victorious in the end, but I will be hanging on to that prediction by my fingernails until the first ballot is called.

This year, some of the races are a foregone conclusion. Both lead acting categories were practically finalized months ago, and the supporting awards are pretty close to sewn up, as well. You can probably take both of the screenplay awards to the bank, as well, along with animated feature. I also feel pretty confident calling both sound categories and visual effects for a single film to capture.

Several awards are thoroughly nagging on me and will be to the very end. One will be the very first ballot called, so we won’t have to wait long. Art Direction is in a very close. “The King’s Speech” is definitely the front runner with both “Inception” and “Alice in Wonderland” biting at its heals. It’s interesting to note that in all the times that a Tim Burton film has been nominated for this particular award, it has never lost. That statistic goes hand in hand with another, in that every time one such movie has been nominated for Best Costume Design, it has never won. I plan to go against that logic tonight, even as it faces a very strong contender in “The King’s Speech.”

Along with Design, both of the music categories have been severely nagging at me, as well. In Original Score, there is a showdown between the two Best Picture frontrunners, the stylish and innovative music in “The Social Network” vs. the quiet, beautiful, but really quite boring tones of “The King’s Speech.” Meanwhile, “Inception” and “How to Train Your Dragon” both have potential as spoilers. In Best Original Song, Randy Newman is looking for his second Oscar with the song “We Belong Together” from “Toy Story 3,” while A.R. Rahman seeks his third (he won two for “Slumdog Millionaire). Either has potential.

Finally, we come to the big one. It’s funny how after everything else, Best Picture ends up being the closest race of all. In one corner, there’s “The King’s Speech,” the heart-warming, generally-appealing historical epic. In its pocket are the PGA, the DGA and the SAG Ensemble. It’s opposition: “The Social Network,” is the original, stylized, cold-shouldered work of art. Behind it is the Golden Globe, the BFCA, the WGA, the ACE and basically every critics award for Best Picture that exists. It will be a fight to the finish. The one question the Academy has to ask themselves now.

Do they want to be smart or do they want to be saps? I still have faith.

My final predictions:

BEST PICTURE
Winner: “The Social Network”
Runner-Up: “The King’s Speech”

BEST DIRECTOR
Winner: David Fincher – “The Social Network”
Runner-Up: Tom Hooper – “The King’s Speech”

BEST ACTOR
Winner: Colin Firth – “The King’s Speech”
Runner-Up: Jesse Eisenberg – “The Social Network”

BEST ACTRESS
Winner: Natalie Portman – “Black Swan”
Runner-Up: Annette Bening – “The Kids Are All Right”

BEST SUPPORTING ACTOR
Winner: Christian Bale – “The Fighter”
Runner-Up: Geoffrey Rush – “The King’s Speech”

BEST SUPPORTING ACTRESS
Winner: Melissa Leo – “The Fighter”
Runner-Up: Hailee Steinfeld – “True Grit”

BEST ORIGINAL SCREENPLAY
Winner: “The King’s Speech”
Runner-Up: “Inception”

BEST ADAPTED SCREENPLAY
Winner: “The Social Network”
Runner-Up: “Toy Story 3”

BEST FOREIGN LANGUAGE FILM
Winner: “In a Better World”
Runner-Up: “Incendies”

BEST ANIMATED FEATURE
Winner: “Toy Story 3”
Runner-Up: “How to Train Your Dragon”

BEST DOCUMENTARY FEATURE
Winner: “Inside Job”
Runner-Up: “Exit Through the Gift Shop”

BEST CINEMATOGRAPHY
Winner: “True Grit”
Runner-Up: “Inception”

BEST EDITING
Winner: “The Social Network”
Runner-Up: “The King’s Speech”

BEST ART DIRECTION
Winner: “The King’s Speech”
Runner-Up: “Inception”

BEST COSTUME DESIGN
Winner: “Alice in Wonderland”
Runner-Up: “The King’s Speech”

BEST SOUND MIXING
Winner: “Inception”
Runner-Up: “The Social Network”

BEST SOUND EDITING
Winner: “Inception”
Runner-Up: “TRON: Legacy”

BEST VISUAL EFFECTS
Winner: “Inception”
Runner-Up: “Alice in Wonderland”

BEST MAKEUP
Winner: “The Wolfman”
Runner-Up: “Barney’s Version”

BEST ORIGINAL SCORE
Winner: “The Social Network”
Runner-Up: “The King’s Speech”

BEST ORIGINAL SONG
Winner: “We Belong Together” from “Toy Story 3”
Runner-Up: “If I Rise” from “127 Hours”

BEST ANIMATED SHORT FILM
Winner: “The Gruffalo”
Runner-Up: “Day and Night”

BEST DOCUMENTARY SHORT FILM
Winner: “Strangers No More”
Runner-Up: “Poster Girl”

BEST LIVE-ACTION FILM
Winner: “Na Wewe”
Runner-Up: “The Confession”

Enjoy the Oscars folks!

The 1st Annual Edgy Award Winners

February 24, 2011 2 comments

Well, Hollywood’s biggest night is this Sunday. However, the biggest night for this particular blog is right here and now. I announced the nominees for this year’s Edgy Awards last week and it’s now time to bestow said honors upon the winners. As the results will show, several films have proven their excellence by taking a high number of awards. However, much of the love has been equally spread out. Interestingly, four films out of my Top Ten List went home empty handed, while a film that I would consider quite a disappointment still propelled itself to a win in one category.

Overall, these awards are a very accurate depiction of my opinion on films this year. Now, if only the Oscars had this type of taste. However, if the Oscars always matched exactly what one person thought the best, where’s the fun in that? That kind of reality would eliminate the fun of having an opinion in the first place. It would do away with genuine discussion and healthy argument over film. And, most importantly, it would take away from making this site it’s own unique vision.

NOTE: I have been awesome enough to include a video selection for each award chosen, either a short documentary describing the category or a clip from the film that best exhibits what it has been awarded. However, I can not guarantee that any of the clips selected do or do not contain spoilers. Therefore, if you haven’t yet seen the chosen film, do not watch the clip. Simple.

Also, a number of the clips do not allow embedment. But don’t give up, so easily. Just click the link and it will take you directly to the video’s Youtube link where you can view it. Once again, simple.

Without further adieu, here are the winners of the 2011 Edgy Awards!

 

 

BEST ORIGINAL SONG

 

“If I Rise” featured in “127 Hours”

Music by A.R. Rahman and Lyrics by Dido and Rollo Armstrong

Runner-Up: “Bred and Buttered” featured in “Winter’s Bone”

Read more…

The 1st Annual Edgy Award Nominations

February 17, 2011 1 comment

I have now been watching the Oscars, consecutively, for the last fourteen years. I love it. Even when I end up screaming at the television and throwing chairs around the room, I love the experience. Oscar night is like the Super Bowl, the World Series and Christmas all rolled into one night. However, if there’s one thing I enjoy more than watching the biggest awards of the year, it’s choosing my own.

I’ve been picking my own personal nominees and winners since before I can remember. Obviously, these particular honors don’t get as much attention as the actual Academy Awards, but they’ve always been amusing to me. Now, my awards not only get a home, but a name, as well. Welcome to the 1st Annual Edgy Award Nominations. They include all of the usual categories that the AMPAS offer. The final presentation will also contain a few other awards that tickle my fancy. Below, the nominees are listed in alphabetical order, not preferential. Expect my decision on the final winners some time next week. Hope that everyone enjoys them.

NOTE: Even though these are the first “published” Edgy Awards, I do have a solid, written record of them going back to 1940. Therefore, I’ve included a feature of noting how many nominations and wins that each individual has received from me in the past. This gives some extra input as to my own tastes in the nominees, how they’ve surprised me or continue to impress me. The connotations refer, however to how many mentions each person has had in each individual category, aside from all the acting categories included together. Once again, enjoy!

BEST ORIGINAL SONG

“Bred and Buttered”
featured in “Winter’s Bone”
Music and Lyrics by John Hawkes (1st Nom)

“If I Rise”
featured in “127 Hours”
Music by A.R. Rahman (3rd Nom)
Lyrics by Dido and Rollo Armstrong (1st Nom)

“Shine”
featured in “Waiting for Superman”
Music and Lyrics by John Legend (1st Nom)

“We Belong Together”
featured in “Toy Story 3”
Music and Lyrics by Randy Newman (3rd Nom)

 

Read more…

“Natalie Portman Cries A Lot”

February 16, 2011 1 comment

A friend of mine, Mike Eisenberg over at Screen Rant, created this tickling montage. Natalie Portman is a great actress, maybe one of the best of her generation, and in “Black Swan,” she displays perhaps the finest work of her career. However, some people may not realize (though after seeing this, it’s impossible to deny) that she cries in probably about ninety percent of her screen appearances. I mean, wow. Those who know here movies will see clips from “Leon: The Professional,” “Where the Heart Is,” Mr. Magorium’s Wonder Emporium,” “Closer,” “Goya’s Ghosts,” “The Other Boleyn Girl,” “Brothers,” “Revenge of the Sith,” “V for Vendetta,” “Heat” and “Cold Mountain.” All Natalie Portman. All crying. All day.

Crying on screen is fantastic talent, but one has to wonder if that line on her resume is bolded, italicized and underlined. I only spent the montage waiting for the line in “Garden State”: “I look forward to a good cry. It feels pretty good.”

Let’s all shed a tear with Natalie Portman and hope that she continues to deliver great work, post-Oscar.