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2nd Annual Edgy Award Winners

February 25, 2012 2 comments

At last, the moment you’ve all been waiting for. After a lot of work and, actually, a lot more deliberation than I had originally imagined, it’s now time to announce the winners of the 2nd Annual Edgy Awards. If you missed the original nominations, you can find the full list here. These winners encompass what I believe to be the best work put forth in each respective category. Now, I’m sure there’s a few that people are sure to disagree with, so, in addition to posting video clips that showcase the work, I’ll also provide a bit of commentary that will help to defend my decisions.

This year shows a very different distribution than the 1st Edgy Awards. Last year, nearly fifty percent of the awards were collected by only two films (“The Social Network” – 7 and “Inception” – 4). This year has seemed to take on a more “spread the wealth” fashion. For example, last year, there were only six films taking home one award apiece (and that was with an extra category). This year, there are thirteen. This might also be the first time in my history of giving awards that a different film has won each of the eight technical categories (Cinematography, Editing, Art Direction, Costume Design, Sound Mixing, Sound Editing, Visual Effects, and Makeup). I guess that shows the diversity of filmmaking that this year brought to the table.

It’s time to sit back and enjoy. Here are your Edgy winners:

BEST ORIGINAL SONG

“Think You Can Wait”

Music and Lyrics by “The National

RUNNER-UP: “Shelter” from “Take Shelter”

Aside from just being a straight-up beautiful and enjoyable song to listen to, over and over, “Think You Can Wait” is a phenomenal companion piece to Thomas McCarthy’s “Win Win.” The longing melody and wistfully fluid lyrics encompass both the woes and lingering hopes of the suburban life experienced by the film’s characters. This winner was never a question in my mind. A fantastic song.

Read more…

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My 2011 Top Ten List

February 16, 2012 2 comments

My favorite time of the year has finally come. It’s the time when I can finally take a break from reporting on other individuals and groups choices for best of the year and actually focus on my own. If any of you missed last year’s, here’s a link to last year’s big list. Over the next week, leading up to the Oscars, I’ll be writing a series of posts that will encompass my feelings on the 2011 year in films. I’ll start things out with my Top Ten List, featured here, followed by two posts chronicling the nominations and winners of the 2nd Annual Edgy Awards. Hopefully, I can maintain concentration and get all of this done before the entire awards season comes to a head.

To be quite honest, this is probably my least favored year of films in terms of quality in at least a decade. I’m not sure what exactly went wrong or rubbed me the wrong way, but there was something lacking in the overall caliber of releases. Disappointing to say the least. Perhaps, it’s not even the overall batch of films, but rather some favorites of the film critic and connoisseur community just did not register in my book. Yet, even with the diminished standard, I still feel compelled to give a shout out of recognition to the films that were more than respectable. The following seven films, listed alphabetically, are some examples of damn fine filmmaking, but had just a few too many flaws that kept them out the final ten.

Here we go. The runners-up are as follows:

“The Artist”

Written and Directed by
Michel Hazanavicius

A delightful and sometimes intriguing romp into the throwback world of silent filmmaking, highlighted by some great design qualities and a stellar lead performance by Jean Dujardin. Yet, the film really suffers from having…well…nothing really important to say or leave us with.

Read more…

2012 Oscars Winner Predictions – Round One

January 29, 2012 2 comments

Well, there’s no turning back now. There’s no more debating to be done on the Academy Award nominees. No more discussion of who’s too young or too old, too white or too black, too new or two powerful, and no more weighing out each person’s clout within their particular groups of peers. The nominations are in, and it’s a whole new ballgame. Some frontrunners have fallen and others still sit at the top. Yet, I fully believe that barely a single category is the same as it was three days ago.

Instead of just highlighting a few select categories and offering my thoughts, I’m going to go through each award, one by one, and discuss how things have shaped up.

See the full list after the jump:

BEST PICTURE

Despite a couple shifts in the power balance a few days ago, this is an award whose frontrunner hasn’t shifted at all. “Hugo” may have beat it out by one to become the nomination leader (and thus the only competition for the award), but “The Artist” has a massive lead. It will take a whole lot to knock it from the top of the ladder. “The Help,” once considered a possible underdog upset, showed up little support, including a lack of the crucial Best Editing nomination. Meanwhile, “The Descendants” has lost this battle in the guilds. “Hugo” is the only film that really holds any kind of chance, but only in theory.
MY PREDICTION: “The Artist”
SPOILER: “Hugo” Read more…

2012 Academy Award Nominations!

January 24, 2012 Leave a comment

And away we go…

BEST PICTURE
“The Artist”
“The Descendants”
“Extremely Loud and Incredibly Close”
“The Help”
“Hugo”
“Midnight in Paris”
“Moneyball”
“The Tree of Life”
“War Horse”

BEST DIRECTOR
Woody Allen – “Midnight in Paris”
Michael Hazanavicius – “The Artist”
Terrence Malick – “The Tree of Life”
Alexander Payne – “The Descendants”
Martin Scorsese – “Hugo”

BEST ACTOR in a LEADING ROLE
Demien Bechir – “A Better Life”
George Clooney – “The Descendants”
Jean Dujardin – “The Artist”
Gary Oldman – “Tinker, Tailor, Soldier, Spy”
Brad Pitt – “Moneyball”

BEST ACTRESS in a LEADING ROLE
Glenn Close – “Albert Nobbs”
Viola Davis – “The Help”
Rooney Mara – “The Girl with the Dragon Tattoo”
Meryl Streep – “The Iron Lady”
Michelle Williams – “My Week with Marilyn”

BEST ACTOR in a SUPPORTING ROLE
Kenneth Branagh – “My Week with Marilyn”
Jonah Hill – “Moneyball”
Nick Nolte – “Warrior”
Christopher Plummer – “Beginners”
Max von Sydow – “Extremely Loud & Incredibly Close”

BEST ACTRESS in a SUPPORTING ROLE
Bérénice Bejo – “The Artist”
Jessica Chastain – “The Help”
Melissa McCarthy – “Bridesmaids”
Janet McTeer – “Albert Nobbs”
Octavia Spencer – “The Help”

BEST ORIGINAL SCREENPLAY
“The Artist” by Michel Hazanavicius
“Bridesmaids” by Annie Mumolo & Kristen Wiig
“Margin Call” by J.C. Chandor
“Midnight in Paris” by Woody Allen
“A Separation” by Asghar Farhadi

BEST ADAPTED SCREENPLAY
“The Descendants” by Alexander Payne and Nat Faxon & Jim Rash
“Hugo” by John Logan
“The Ides of March” by George Clooney & Grant Heslov and Beau Willimon
“Moneyball” by Steven Zaillian and Aaron Sorkin Story by Stan Chervin
“Tinker Tailor Soldier Spy” by Bridget O’Connor & Peter Straughan

BEST ANIMATED FEATURE
“A Cat in Paris”
“Chico & Rita”
“Kung Fu Panda 2”
“Puss in Boots”
“Rango”

BEST FOREIGN LANGUAGE FILM
“Bullhead” Belgium
“Footnote” Israel
“In Darkness” Poland
“Monsieur Lazhar” Canada
“A Separation” Iran

BEST DOCUMENTARY FEATURE
“Hell and Back Again”
“If a Tree Falls: A Story of the Earth Liberation Front”
“Paradise Lost 3: Purgatory”
“Pina”
“Undefeated”

BEST CINEMATOGRAPHY
“The Artist” – Guillaume Schiffman
“The Girl with the Dragon Tattoo” – Jeff Cronenweth
“Hugo” – Robert Richardson
“The Tree of Life” – Emmanuel Lubezki
“War Horse” – Janusz Kaminski

BEST EDITING
“The Artist” – Anne-Sophie Bion and Michel Hazanavicius
“The Descendants” – Kevin Tent
“The Girl with the Dragon Tattoo” – Kirk Baxter and Angus Wall
“Hugo” – Thelma Schoonmaker
“Moneyball” – Christopher Tellefsen

BEST ART DIRECTION
“The Artist” – Production Design: Laurence Bennett; Set Decoration: Robert Gould
“Harry Potter and the Deathly Hallows Part 2” – Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
“Hugo” – Production Design: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
“Midnight in Paris” – Production Design: Anne Seibel; Set Decoration: Hélène Dubreuil
“War Horse” – Production Design: Rick Carter; Set Decoration: Lee Sandales

BEST COSTUME DESIGN
“Anonymous” – Lisy Christl
“The Artist” – Mark Bridges
“Hugo” – Sandy Powell
“Jane Eyre” – Michael O’Connor
“W.E.” – Arianne Phillips

BEST SOUND MIXING
“The Girl with the Dragon Tattoo” – David Parker, Michael Semanick, Ren Klyce and Bo Persson
“Hugo” – Tom Fleischman and John Midgley
“Moneyball” – Deb Adair, Ron Bochar, Dave Giammarco and Ed Novick
“Transformers: Dark of the Moon” – Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Peter J. Devlin
“War Horse” – Gary Rydstrom, Andy Nelson, Tom Johnson and Stuart Wilson

BEST SOUND EDITING
“Drive” – Lon Bender and Victor Ray Ennis
“The Girl with the Dragon Tattoo” – Ren Klyce
“Hugo” – Philip Stockton and Eugene Gearty
“Transformers: Dark of the Moon” – Ethan Van der Ryn and Erik Aadahl
“War Horse” – Richard Hymns and Gary Rydstrom

BEST VISUAL EFFECTS
“Harry Potter and the Deathly Hallows Part 2” – Tim Burke, David Vickery, Greg Butler and John Richardson
“Hugo” – Rob Legato, Joss Williams, Ben Grossman and Alex Henning
“Real Steel” – Erik Nash, John Rosengrant, Dan Taylor and Swen Gillberg
“Rise of the Planet of the Apes” – Joe Letteri, Dan Lemmon, R. Christopher White and Daniel Barrett
“Transformers: Dark of the Moon” – Scott Farrar, Scott Benza, Matthew Butler and John Frazier

BEST MAKEUP
“Albert Nobbs” – Martial Corneville, Lynn Johnston and Matthew W. Mungle
“Harry Potter and the Deathly Hallows Part 2” – Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
“The Iron Lady” – Mark Coulier and J. Roy Helland

BEST ORIGINAL SCORE
“The Adventures of Tintin” – John Williams
“The Artist” – Ludovic Bource
“Hugo” – Howard Shore
“Tinker Tailor Soldier Spy” – Alberto Iglesias
“War Horse” – John Williams

BEST ORIGINAL SONG
“Man or Muppet” from “The Muppets” – Music and Lyric by Bret McKenzie
“Real in Rio” from “Rio” – Music by Sergio Mendes and Carlinhos Brown Lyric by Siedah Garrett

BEST SHORT FILM, LIVE ACTION
“Pentecost” – Peter McDonald and Eimear O’Kane
“Raju” – Max Zähle and Stefan Gieren
“The Shore” – Terry George and Oorlagh George
“Time Freak” – Andrew Bowler and Gigi Causey
“Tuba Atlantic” – Hallvar Witzø

BEST SHORT FILM, ANIMATION
“Dimanche/Sunday” – Patrick Doyon
“The Fantastic Flying Books of Mr. Morris Lessmore” – William Joyce and Brandon Oldenburg
“La Luna” – Enrico Casarosa
“A Morning Stroll” – Grant Orchard and Sue Goffe
“Wild Life” – Amanda Forbis and Wendy Tilby

BEST DOCUMENTARY, SHORT SUBJECT
“The Barber of Birmingham: Foot Soldier of the Civil Rights Movement” – Robin Fryday and Gail Dolgin
“God Is the Bigger Elvis” – Rebecca Cammisa and Julie Anderson
“Incident in New Baghdad” – James Spione
“Saving Face” – Daniel Junge and Sharmeen Obaid-Chinoy
“The Tsunami and the Cherry Blossom” – Lucy Walker and Kira Carstensen

There you have it, folks. My fiery reactions to come shortly, after I blow off some steam.

Academy Narrows Foreign Language Finalists to 9

January 18, 2012 Leave a comment

The good news is that “A Separation” has advanced to the next round. I guess that it’s a little strange that I’m saying that since I won’t have a chance to see it for another week. Yet, when a film receives the kind of unanimous praise that Asghar Farhadi’s feature has, it’s difficult to not just jump the gun and onto the bandwagon.

Yet, even if the AMPAS’ Foreign Language Film branch does one thing right, they always find a way to piss a lot of other people off in doing something wrong. Left off of the Academy’s shortlist are some of the more acclaimed films of the year. “Le Havre” managed to take the FIPRESCI prize at last year’s Cannes Film Festival, but does not manage a spot here. Nor does France’s domestic drama of young love “Declaration of War,” which has been stirring the minds of critics on both sides of the Atlantic. I’m also not sure any foreign film aside from “A Separation” has garnered more buzz than Mexico’s “Miss Bala,” a tale of beauty pageants and organized crime. All of these films I was predicting among the nominees next week, but no more.

So what does that leave us with. Well, “A Separation,” should go without saying, yet, I wouldn’t doubt for a moment the Academy’s likeliness of screwing that one up. Poland’s entry “In Darkness” has also been turning a lot of heads. I would definitely expect “Footnote,” from Israel to get mentioned, having taken the Best Screenplay prize at Cannes. Wim Wenders certainly profits from name recognition when it comes to his dance documentary “Pina.” I have a feeling it will show up either here or in Best Documentary, but not both, as happened with “Waltz with Bashir, a few years back. Which category…I’m not yet certain.

Here are the nine shortlisted films:

“Bullhead” – Belgium
“Footnote” – Israel
“In Darkness” – Poland
“Monsieur Lazhar” – Canada
“Omar Killed Me” – Morocco
“Pina” – Germany
“A Separation” – Iran
“Superclasico” – Denmark
“Warriors of the Rainbow: Seediq Bale” – Taiwan

The nominees will be announced alongside the rest of them in 6 days.

69th Annual Golden Globe Winners

January 15, 2012 Leave a comment

Listed below are the winners of this year’s Golden Globe Awards.

Enjoy:

FILM

BEST PICTURE: DRAMA: “The Descendants”

BEST PICTURE: MUSICAL or COMEDY: “The Artist”

BEST DIRECTOR: Martin Scorsese – “Hugo”

BEST ACTOR in a DRAMA: George Clooney – “The Descendants”

BEST ACTRESS in a DRAMA: Meryl Streep – “The Help”

BEST ACTOR in a MUSICAL or COMEDY: Jean Dujardin – “The Artist”

BEST ACTRESS in a MUSICAL or COMEDY: Michelle Williams – “My Week with Marilyn”

BEST SUPPORTING ACTOR: Christopher Plummer – “Beginners”

BEST SUPPORTING ACTRESS: Octavia Spencer – “The Help”

BEST SCREENPLAY: Woody Allen – “Midnight in Paris”

BEST FOREIGN LANGUAGE FILM: “A Separation”

BEST ANIMATED FEATURE FILM: “The Adventures of Tintin”

BEST ORIGINAL SCORE: Ludovic Bource – “The Artist”

BEST ORIGINAL SONG: “Masterpiece” by Madonna – “W.E.”

TELEVISION

BEST TV DRAMA SERIES: “Homeland”

BEST TV ACTOR in a DRAMA SERIES: Kelsey Grammer – “Boss”

BEST TV ACTRESS in a DRAMA SERIES: Claire Danes – “Homeland”

BEST TV MINI-SERIES or MOVIE: “Downton Abbey”

BEST TV ACTOR in a MINI-SERIES or MOVIE: Idris Elba – “Luther”

BEST TV ACTRESS in a MINI-SERIES or MOVIE: Kate Winslet – “Mildred Pierce”

BEST TV COMEDY SERIES: “Modern Family”

BEST TV ACTOR in a COMEDY SERIES: Matt LeBlanc – “Episodes”

BEST TV ACTRESS in a COMEDY SERIES: Laura Dern – “Enlightened”

BEST SUPPORTING ACTOR in TELEVISION: Peter Dinklage – “Game of Thrones”

BEST SUPPORTING ACTRESS in TELEVISION: Jessica Lange – “American Horror Story”

National Board of Review Crowns “Hugo”

December 1, 2011 Leave a comment

This is quite a disturbing bit of news this afternoon, at least in my mind. While I’m glad that “The Artist” didn’t take this down and assert itself not only as the critical darling of the year, but also the frontrunner for Best Picture. There’s just way too many more qualified films to give this to.

Plenty of other things to talk about here, including the disturbing snubbage in all categories of “Moneyball,” but I’ll get into all of that in an all-encompassing post of the entire week later.

Here’s the full list of winners, including their Top Ten Lists:

Best Picture: “Hugo”

Best Director: Martin Scorsese – “Hugo”

Best Actor: George Clooney – “The Descendants”

Best Actress: Tilda Swinton – “We Need to Talk About Kevin”

Best Supporting Actor: Christopher Plummer – “Beginners”

Best Supporting Actress: Shailene Woodley – “The Descendants”

Best Original Screenplay: Will Reiser – “50/50”

Best Adapted Screenplay: Alexander Payne and Nat Faxon & Jim Rash – “The Descendants”

Best Animated Feature: “Rango”

Breakthrough Performance: Felicity Jones – “Like Crazy”

Breakthrough Performance: Rooney Mara – “The Girl with the Dragon Tattoo”

Debut Director: J.C. Chandor – “Margin Call”

Best Ensemble: “The Help”

Spotlight Award: Michael Fassbender (“A Dangerous Method,” “Jane Eyre,” “Shame,” “X-Men: First Class”)

NBR Freedom of Expression: “Crime After Crime”

NBR Freedom of Expression: “Pariah”

Best Foreign Language Film: “A Separation”

Best Documentary: “Paradise Lost 3: Purgatory”

Special Achievement in Filmmaking: The Harry Potter Franchise – A Distinguished Translation from Book to Film

Top Films (in alphabetical order)
“The Artist”
“The Descendants”
“Drive”
“The Girl with the Dragon Tattoo”
“Harry Potter and the Deathly Hallows: Part 2”
“The Ides of March”
“J. Edgar”
“The Tree of Life”
“War Horse”

Top 5 Foreign Language Films (in alphabetical order)
“13 Assassins”
“Elite Squad: The Enemy Within”
“Footnote”
“Le Havre”
“Point Blank”

Top 5 Documentaries (in alphabetical order) 
“Born to be Wild”
“Buck”
“George Harrison: Living in the Material World”
“Project Nim”
“Senna”

Top 10 Independent Films (in alphabetical order)
“50/50”
“Another Earth”
“Beginners”
“A Better Life”
“Cedar Rapids”
“Margin Call”
“Shame”
“Take Shelter”
“We Need To Talk About Kevin”
“Win Win”