Ironically, less than twelve hours after I published my post of My 25 Most Anticipated Films of the Season, in which I ranked David Fincher’s new film as No. 1, Sony Pictures has released a brand new trailer for the thriller.
At three minutes and forty-five seconds, it’s possibly the longest studio-made trailer I’ve ever seen. Perhaps that is a testament of the film, being that they can reveal that much of the film and still have plenty left with which to play with their audience. I won’t lie, this trailer does not raise my heart rate and blow my mind like the effective teaser trailer did. Yet, I have now watched it three times, and I still have a nagging urgency to watch it again. Another testament, perhaps?
One thing’s absolutely for sure. Outside of Fincher’s outstanding crisp, desaturated, gloomy style that he brings to the look and feel of the film, it appears that the reason to see this is going to be Rooney Mara. Her transformation from the sweet, brunette, girl next door in her first big roles like the “Nightmare on Elm Street” remake and “The Social Network” into this devilish, tatted-up, pierced-out heroine with an insane attitude is remarkable. I cannot wait to see her chew up this role.
Enjoy the new trailer, below:
Tis the season. What season is that? It’s kind of hard to say. I suppose it’s a combination of fall and winter. I suppose it’s when the awards season really starts to heat up. More than that, however, it’s the time of year when good movies are released. That’s what it is, primarily. It’s the season of good movies, and I look forward to it all year long.
In honor of that, I thought I’d throw up a little list entailing the movies that you absolutely should not miss. Now, these are not necessarily films that you’re guaranteed to like. I’m not even guaranteed to approve. Neither is this an Oscarish type of list, for its guaranteed that nearly half of these movies will never even see a nomination at the Kodak.
What these films do have in common is that they have not yet been released to the general public and from trailers, stills, stories, festival performances and what some critics have already said about them, they look pretty good to me. These are the movies that I really cannot wait to see. With each title in the countdown, I’ve included a few words about why I find these films so promising. I’ve also posted each film’s trailer (except for the small few that have yet to release one). So without further adieu, enjoy, and remember this list if you plan on seeing at least twenty-five movies in the next few months.
NOTE: Two films most would expect to be on here, are not. “Moneyball” would have made a spot on the list, but I have already caught an advance screening of it (AND LOVED IT). “Drive” would also certainly find its place on here, since I have not yet gotten a chance to see it, but since it has already been released, it excludes itself from the rest of films featured.
September 30th (limited)
WHY IT’S HERE: Pretty weird situation here. The film looks to have an interesting plot, a great cast. However, after being delayed release for six years, you’d think this film’s going to have some severe flaws and issues. The winning flip side is that after that much time of waiting and hoping, the amount of anticipation this film carries with it is more than enough reel me in.
Well, it’s the moment we’ve all been waiting for…well at least I have. Perhaps the Oscar season’s biggest contender has finally shown its face. Now that we have a glimpse, from this point in the game, anyone not putting this film at the head of the pack for practically every single award should take a good long look in the mirror and rethink themselves.
This trailer does not disappoint. It displays absolutely phenomenal performances by DiCaprio, Dench and the man who I have said will be the key to this film all along, Armie Hammer. On top of that, the lavish costumes, production design, cinematography and, surprisingly, the music, if that is in fact the film’s score, appear to all be top notch.
At this state of the race, this is not only the film to beat, but the film to see as well.
Check out the HD trailer below or watch the gorgeous Apple version below that.
In the last few months, this film has been one of the big mysteries of this Oscar season. Up until now, we haven’t really seen anything aside from a few stills. I’m not sure if any film other than “J. Edgar” has been as elusive in terms of how big of a contender it will be. Now, we finally have a trailer for Matt Damon’s project…and I still can’t tell what to think of it.
Most of this indecision can be attributed to the director’s hit or miss track record, especially with the Academy. “Jerry Maguire” was a huge hit with the Oscars. “Almost Famous” had big potential to take home the gold, but somehow missed out on Picture and Director nominations (though Crowe did nab an award for Best Original Screenplay). Then came “Elizabethtown.” Everyone thought it would automatically become a massive contender…and then people saw it, and that notion pretty much went out the window.
Trying to tell if this film is going to be the next “Jerry Maguire” or the next “Elizabethtown” is proving to be quite difficult, even with our first glimpse of it. There are moments that give it an air of striking originality and others so cheesy they made my teeth grit. Will the Academy embrace it? I’m going to go out on a limb and say no. The field is closing up, fast, and with new voting regulations for Best Picture, it’s hard to imagine it making the cut. I would never count out a dark horse Original Screenplay nomination, though. They seem to adore Crowe much more as a writer than director. Also, Matt Damon appears to give an honest and down-to-earth performance so I wouldn’t quite KO him yet from the Best Actor competition.
Check out the trailer, below:
Three down, one to go. After the Sundance and Cannes Film Festival announced their choices for best of the year, Venice has joined in. The 68th Annual Venice Film Festival had a lot on its plate and picked some interesting winners. It’s hard to tell what the frontrunner was in this battle, given the festival’s international diversity. If there was an American favorite, it would probably have been “The Ides of March.” George Clooney’s political thriller did pick up some descent reviews and some steam, but not enough to take down the big one. The festival’s grand prize went to Russian director Aleksandr Sokurov’s “Faust,” an adaptation of the classic German tale of Doctor Faustus. Little is yet known about this film in the states, but several reviews have called it a life-changing experience. I remain a bit speculative.
The award for Best Actor was a bit more interesting. A number of contenders were abound at the start of the festival. However, once it debuted and its’ themes began to sink into audience’s minds, it was clear that Steve McQueen’s “Shame” held the front-running performance. Michael Fassbender has been generating enormous amounts of buzz ever since his breakthrough performance in Steve McQueen’s previous film “Hunger.” Since then, he has delivered electrifying work in films like “Fish Tank,” “X-Men: First Class” and “Inglorious Basterds.” Fassbender also starred in Venice entry “A Dangerous Method,” however, it was his role as a sex addict in “Shame” that won him the Volpi Cup for Best Actor. The young performer even beat out the veteran Gary Oldman for “Tinker, Tailor, Soldier, Spy.” Michael did give props to his idol during his acceptance speech, saying that Oldman has inspired him since he was fifteen years old.
This news of Fassbender comes on the heels of an important announcement concerning Fox Searchlight picking up the distributing rights for “Shame.” This is a very bold stroke by the studio, considering the film will almost assuredly carry an NC-17 rating. Unlike “Blue Valentine’s” absurd and easily overturned brand, this one will most likely stick, considering the apparently graphic sex scenes and more than a little full frontal nudity. It will probably not do very well in box office terms, but this win definitely puts Fassbender into contention for the Oscar. This is good news for him considering that “A Dangerous Method,” while not DOA, is certainly taking a hit from a fairly lackluster response from critics and audiences.
As far as the rest of the victories go, nothing really exciting that will likely transmit into Oscar potential. The under-the-radar British “Wuthering Heights” adaptation won for Cinematography, but will probably fly under the radar in the U.S.. Giorgios Lanthimos’ follow-up to his disturbing Oscar nominee, “Dogtooth,” entitled “Alps” took down Screenplay. Overall, considering how outside the box and, no offense to Giorgios, weird his films seem to be, I’m surprised the AMPAS even embraced his last film. We’ll see how this one turns out.
Here’s the breakdown of the substantial winners:
Golden Lion for Best Film
Faust by Aleksander Sokurov (Russia)
Silver Lion for Best Director
Shangjun CAI for the film Ren Shan Ren Hai (People Mountain People Sea) (China – Hong Kong)
Special Jury Prize
Terraferma by Emanuele Crialese (Italy)
Coppa Volpi for Best Actor
Michael Fassbender in the film Shame by Steve McQueen (United Kingdom)
Coppa Volpi for Best Actress
Deanie Yip in the film Tao jie (A Simple Life) by Ann Hui (China – Hong Kong)
Marcello Mastroianni Award for Best New Young Actor or Actress
Shôta Sometani and Fumi Nikaidô in the film Himizu by Sion Sono (Japan)
Osella for the Best Cinematography
Robbie Ryan for the film Wuthering Heights by Andrea Arnold (United Kingdom)
Osella for Best Screenplay
Yorgos Lanthimos and Efthimis Filippou for the film Alpis (Alps) by Yorgos Lanthimos (Grecia)
Wow. Not gonna lie, I haven’t had a trailer knock me flat and leave my jaw hanging as close to the ground as this one just did in quite some time. This is a red band trailer that truly lives up to that distinction. “The Raid” is an Indonesian film directed by Gareth Evans debuting at the Toronto Film Festival this week. While the film is probably not poised to take home many prizes, it will definitely create a bit of stir.
The plot is sweet and simple. A team of twenty SWAT officers engage in a raid on a building ran by a drug overlord and infested with criminals of every kind. The operation was meant to go smoothly, but the building’s tenants are alerted to the cops’ presence and the officers must choose to risk their lives to complete the mission or attempt escape and survive.
Many insiders are claiming the film is one of the most cut-and-dry action films since John Woo’s “Hard-Boiled”, while echoing the newer styles of movies like “Old Boy.” To me, it looks like a whole lot of unadulterated, shamelessly violent fun. Can’t wait for a US release.
Warning: This movie and its trailer have got some brutality in them.