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And there that is….

February 28, 2011 4 comments

Well folks. The night is over. I could say that there really isn’t anything to say, but I won’t lie. There is a lot to say. And I will be saying it, but you will all have to wait until tomorrow. I’m tired, drunk and, not ashamed to say it, just straight up pissed. I’ve got to go to bed and spend some time sulking in my own astonishment and gloom.

Stay tuned tomorrow for a comprehensive and probably expletive-laden commentary on the travesty that was Oscar Night ’11. In the meantime, I’d like to thank you all for sticking with this blog throughout the course of this Oscar season. I couldn’t have done it without my loyal readers.

In case you weren’t watching (?), here is the full list of winners:

BEST PICTURE: “The King’s Speech”

BEST DIRECTOR: Tom Hooper – “The King’s Speech”

BEST ACTOR: Colin Firth – “The King’s Speech”

BEST ACTRESS: Natalie Portman – “Black Swan”

BEST SUPPORTING ACTOR: Christian Bale – “The Fighter”

BEST SUPPORTING ACTRESS: Melissa Leo – “The Fighter”

BEST ORIGINAL SCREENPLAY: “The King’s Speech”

BEST ADAPTED SCREENPLAY: “The Social Network”

BEST FOREIGN LANGUAGE FILM: “In a Better World”

BEST ANIMATED FEATURE: “Toy Story 3”

BEST DOCUMENTARY FEATURE: “Inside Job”

BEST CINEMATOGRAPHY: “Inception”

BEST EDITING: “The Social Network”

BEST ART DIRECTION: “Alice in Wonderland”

BEST COSTUME DESIGN: “Alice in Wonderland”

BEST SOUND MIXING: “Inception”

BEST SOUND EDITING: “Inception”

BEST VISUAL EFFECTS: “Inception”

BEST MAKEUP: “The Wolfman”

BEST ORIGINAL SONG: “We Belong Together” from “Toy Story 3”

BEST ORIGINAL SCORE: “The Social Network”

BEST ANIMATED SHORT: “The Lost Thing”

BEST LIVE-ACTION SHORT: “God of Love”

BEST DOCUMENTARY SHORT: “Strangers No More”

I went 18/24 in my predictions. It would have been 20 for 24 had the Academy……well, you all know. I’ll get into it tomorrow. Good night.

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My Final 83rd Oscar Predictions

February 27, 2011 Leave a comment

Well, folks, it’s all come to an end. These will be my final predictions for this year’s Academy Awards. It has been a long year and a tough year, one with one of the biggest tide-turnings in the history of film. It’s hard to see the best, as well as my favorite, movie go from being on top of the world to fighting for its life. I still believe that it will come out victorious in the end, but I will be hanging on to that prediction by my fingernails until the first ballot is called.

This year, some of the races are a foregone conclusion. Both lead acting categories were practically finalized months ago, and the supporting awards are pretty close to sewn up, as well. You can probably take both of the screenplay awards to the bank, as well, along with animated feature. I also feel pretty confident calling both sound categories and visual effects for a single film to capture.

Several awards are thoroughly nagging on me and will be to the very end. One will be the very first ballot called, so we won’t have to wait long. Art Direction is in a very close. “The King’s Speech” is definitely the front runner with both “Inception” and “Alice in Wonderland” biting at its heals. It’s interesting to note that in all the times that a Tim Burton film has been nominated for this particular award, it has never lost. That statistic goes hand in hand with another, in that every time one such movie has been nominated for Best Costume Design, it has never won. I plan to go against that logic tonight, even as it faces a very strong contender in “The King’s Speech.”

Along with Design, both of the music categories have been severely nagging at me, as well. In Original Score, there is a showdown between the two Best Picture frontrunners, the stylish and innovative music in “The Social Network” vs. the quiet, beautiful, but really quite boring tones of “The King’s Speech.” Meanwhile, “Inception” and “How to Train Your Dragon” both have potential as spoilers. In Best Original Song, Randy Newman is looking for his second Oscar with the song “We Belong Together” from “Toy Story 3,” while A.R. Rahman seeks his third (he won two for “Slumdog Millionaire). Either has potential.

Finally, we come to the big one. It’s funny how after everything else, Best Picture ends up being the closest race of all. In one corner, there’s “The King’s Speech,” the heart-warming, generally-appealing historical epic. In its pocket are the PGA, the DGA and the SAG Ensemble. It’s opposition: “The Social Network,” is the original, stylized, cold-shouldered work of art. Behind it is the Golden Globe, the BFCA, the WGA, the ACE and basically every critics award for Best Picture that exists. It will be a fight to the finish. The one question the Academy has to ask themselves now.

Do they want to be smart or do they want to be saps? I still have faith.

My final predictions:

BEST PICTURE
Winner: “The Social Network”
Runner-Up: “The King’s Speech”

BEST DIRECTOR
Winner: David Fincher – “The Social Network”
Runner-Up: Tom Hooper – “The King’s Speech”

BEST ACTOR
Winner: Colin Firth – “The King’s Speech”
Runner-Up: Jesse Eisenberg – “The Social Network”

BEST ACTRESS
Winner: Natalie Portman – “Black Swan”
Runner-Up: Annette Bening – “The Kids Are All Right”

BEST SUPPORTING ACTOR
Winner: Christian Bale – “The Fighter”
Runner-Up: Geoffrey Rush – “The King’s Speech”

BEST SUPPORTING ACTRESS
Winner: Melissa Leo – “The Fighter”
Runner-Up: Hailee Steinfeld – “True Grit”

BEST ORIGINAL SCREENPLAY
Winner: “The King’s Speech”
Runner-Up: “Inception”

BEST ADAPTED SCREENPLAY
Winner: “The Social Network”
Runner-Up: “Toy Story 3”

BEST FOREIGN LANGUAGE FILM
Winner: “In a Better World”
Runner-Up: “Incendies”

BEST ANIMATED FEATURE
Winner: “Toy Story 3”
Runner-Up: “How to Train Your Dragon”

BEST DOCUMENTARY FEATURE
Winner: “Inside Job”
Runner-Up: “Exit Through the Gift Shop”

BEST CINEMATOGRAPHY
Winner: “True Grit”
Runner-Up: “Inception”

BEST EDITING
Winner: “The Social Network”
Runner-Up: “The King’s Speech”

BEST ART DIRECTION
Winner: “The King’s Speech”
Runner-Up: “Inception”

BEST COSTUME DESIGN
Winner: “Alice in Wonderland”
Runner-Up: “The King’s Speech”

BEST SOUND MIXING
Winner: “Inception”
Runner-Up: “The Social Network”

BEST SOUND EDITING
Winner: “Inception”
Runner-Up: “TRON: Legacy”

BEST VISUAL EFFECTS
Winner: “Inception”
Runner-Up: “Alice in Wonderland”

BEST MAKEUP
Winner: “The Wolfman”
Runner-Up: “Barney’s Version”

BEST ORIGINAL SCORE
Winner: “The Social Network”
Runner-Up: “The King’s Speech”

BEST ORIGINAL SONG
Winner: “We Belong Together” from “Toy Story 3”
Runner-Up: “If I Rise” from “127 Hours”

BEST ANIMATED SHORT FILM
Winner: “The Gruffalo”
Runner-Up: “Day and Night”

BEST DOCUMENTARY SHORT FILM
Winner: “Strangers No More”
Runner-Up: “Poster Girl”

BEST LIVE-ACTION FILM
Winner: “Na Wewe”
Runner-Up: “The Confession”

Enjoy the Oscars folks!

The 1st Annual Edgy Award Winners

February 24, 2011 2 comments

Well, Hollywood’s biggest night is this Sunday. However, the biggest night for this particular blog is right here and now. I announced the nominees for this year’s Edgy Awards last week and it’s now time to bestow said honors upon the winners. As the results will show, several films have proven their excellence by taking a high number of awards. However, much of the love has been equally spread out. Interestingly, four films out of my Top Ten List went home empty handed, while a film that I would consider quite a disappointment still propelled itself to a win in one category.

Overall, these awards are a very accurate depiction of my opinion on films this year. Now, if only the Oscars had this type of taste. However, if the Oscars always matched exactly what one person thought the best, where’s the fun in that? That kind of reality would eliminate the fun of having an opinion in the first place. It would do away with genuine discussion and healthy argument over film. And, most importantly, it would take away from making this site it’s own unique vision.

NOTE: I have been awesome enough to include a video selection for each award chosen, either a short documentary describing the category or a clip from the film that best exhibits what it has been awarded. However, I can not guarantee that any of the clips selected do or do not contain spoilers. Therefore, if you haven’t yet seen the chosen film, do not watch the clip. Simple.

Also, a number of the clips do not allow embedment. But don’t give up, so easily. Just click the link and it will take you directly to the video’s Youtube link where you can view it. Once again, simple.

Without further adieu, here are the winners of the 2011 Edgy Awards!

 

 

BEST ORIGINAL SONG

 

“If I Rise” featured in “127 Hours”

Music by A.R. Rahman and Lyrics by Dido and Rollo Armstrong

Runner-Up: “Bred and Buttered” featured in “Winter’s Bone”

Read more…

The ACE and BAFTAs…A Shift in the Winds?

February 22, 2011 Leave a comment

Last week, I reported that “The King’s Speech” cleaned up at the British Academy Awards. However, this was to be expected. Records for acting awards and the first film to win both of their Best Film and Best British Film. Go figure, considering it’s the most widely popularized British film since “Shakespeare in Love.” However, on the whole, I almost have to say that “The King’s Speech” underperformed at the BAFTAs, and if one film had an equal, or possibly better night overall, it would have to be “The Social Network.”

No, this is not favoritism. No, it is not just just wishful thinking. I think at this point of the race, it is now more neck and neck between the two big contenders than it ever has been. For the first two weeks after nominations were announced, it was all all about “The King’s Speech,” especially after picking up its trio of key guild awards. However, after the BAFTAs, the WGA, and now the ACE victory, “The Social Network” has shown that it could very easily take home the big prize. One simply has to look at the past and the science behind it all.

Yes, it’s true that the PGA, DGA and SAG are all very heavy hitters when it comes to inducing a Best Picture win. However, in the long run, it looks like “The King’s Speech” will be down several big awards on Sunday night. This takes us back to why the BAFTAs were such a key event. While taking them for a sweep, “The King’s Speech” managed to lose Director and Editing, perhaps the two key awards in the Best Picture race. After winning the American Cinema Editors top prize, “The Social Network” seems to have Best Editing in the bag, along with the obvious Best Adapted Screenplay. And one has to wonder that if the Brits won’t even bestow Tom Hooper with the big director’s prize, how willing will the Academy be to snub David Fincher for what is quite possibly his finest work to date and maybe ever again.

Now, let’s look at the stats. Best Director and Best Editor are more engrained in the blood of a Best Picture winner than any other awards. An example of how important the editing honor is, no film has won Best Picture in over thirty years (not since “Ordinary People” in 1980) without being nominated for Best Editing. Many people believe that aside from the homophobia, this was the bane of “Brokeback Mountain,” being that “Crash” had the fervent support of the editors with both Oscar and ACE awards under its belt. Now, granted, both “The King’s Speech” and “The Social Network” have been nominated for that award, so the race does not end on this stat.

However, here’s some other info to chew on. If “The Social Network” does win Best Director, Best Screenplay and Best Editing, however loses Best Picture, it will be only the 3rd film in the history of the Oscars to do so. The other two were “Traffic” in ’00 and “A Place in the Sun” in ’51. Furthermore, in the situation that “The Social Network” wins Directing and Editing: Only 2 films in the last 20 years have won Best Picture without winning either of those two awards (“Gladiator” in ’00, “Shakespeare in Love” in “98). Going back even further, only 5 films in the last 50 YEARS have accomplished that task. In this regard, precedents for “The King’s Speech” winning peg it at only about 1 in 10.

If ancient history is too flimsy for some, let’s look at the last decade. Three of the last four films to win Best Picture (“The Hurt Locker,” “Slumdog Millionaire,” and “The Departed”) all took home Director, Screenplay and Editing. Also, in regard to the recent American Cinema Editors award, 7 out of the last 10 films to win Best Picture also won the ACE, and in the years that they didn’t, the winner of the ACE went on to take Best Editing at the Oscars, which speaks well for “Social Network,” as well.

There are a few big precedents to support a “King’s Speech” victory, most glaringly would be “Shakespeare in Love” over “Saving Private Ryan.” However, one event is strangely alike to the present year that stands behind a “Social Network” upset and that is 1995. Before Oscar night, “Apollo 13” had taken the PGA, the DGA and the SAG. “Braveheart” had taken the Golden Globe for Best Director, the BFCA for Best Director, the ACE and the WGA. Freakishly similar. “Braveheart” came out victorious. Perhaps the only thing that separates it would be that Ron Howard was not nominated for Oscar’s Best Director, while Tom Hooper is. However, “Braveheart” also did not have the added incentive of having won practically EVERY SINGLE BEST PICTURE AWARD THAT EXISTS up to the PGA.

A lot of jargon, right? What does it all mean? It means that I have made a decision to support “The Social Network” to the final moments in regards to my Best Picture prediction. Hope may be a dangerous thing in this game, but if ever there was a year that I had to hold on to it, it would be this one. Will I be wrong? Possibly. Probably. Yet, I imagine a scenario in which “The Social Network” won and I predicted against it. I’d never forgive myself.

And in all honesty, I really think it’s going to happen.

Well, I’m off to work on the Edgies. Stay tuned for the winners’ announcement on Thursday evening, while my final Oscar predictions will have to wait until Saturday night. I spare not a second.

My Favs of the Film Set “Department vs. Department” Videos

February 19, 2011 Leave a comment

These hilarious videos have been a nice source of stress relief for me over the last year. As a film student who spends quite a bit of time on set, it’s very therapeutic and funny as hell to watch members of different film departments going at each other’s throats. Granted, most people don’t act this ridiculous on a film set. It’s normally quite civilized, well-oiled and and fun. However, there’s always THOSE type of people in every profession and everybody asks stupid questions once in a while.

If one looks on Youtube, these videos range from featuring, directors, cinematographers, grips, gaffers, electricians, production designers, actors, extras, casting directors, assistant directors, transportation coordinators, producers and production assistants. There’s ultimately something for everyone’s department or interest. Many of them are absolutely hilarious, but these, featured below, are my favorites. Have fun with them…

For this next one, my girlfriend would kill me if I didn’t post a disclaimer, first. The video rips apart a student who graduated from Full Sail University. It’s important to know that not all students who graduate from said college end up being incompetent. You could go to any film school in the country, including USC and NYU, and end up knowing less than this poor fool. How much you learn about filmmaking in college is based on a decision of your own level of involvement and commitment. If you choose not to get on-set experience before graduating, you’re destined to fail in the future.

That being said, the crack about Full Sail’s water tower is absolutely hilarious.

Having done a lot of key grip work lately, this next one has to be one of my all-time favorites.

EW Ranks the Top Ten Worst Best Picture Wins

February 19, 2011 3 comments

It’s no doubt that “The Social Network” is the unanimous choice for Best Picture by this country’s critics. Entertainment Weekly’s own Lisa Schwarzbaum and Owen Gleiberman were united for the first time in years by both placing the film at the top of their lists. Therefore, it’s hard not to chuckle at the timing of this article: less than two weeks before “The King’s Speech” takes the home the gold at this year’s event.

I know. I’m such an opportunist. But let’s be serious. The 2011 Best Picture will eventually make it to this list. Just a matter of time. Meanwhile, let’s take a look at the past. This is a really good list. I’d almost like to make one of my own, except it would probably mirror this one quite a bit. Here’s the list:

10. “Forrest Gump” over “Pulp Fiction”
9. “The Last Emperor” over “Broadcast News,” “Fatal Attraction” or “Moonstruck”
8. “Around the World in Eighty Days” over “Giant”
7. “Gandhi” over “E.T.: The Extra-Terrestrial”
6. “The English Patient” over “Fargo” or “Jerry Maguire”
5. “Dances with Wolves” over “Goodfellas”
4. “Chariots of Fire” over “Reds”
3. “Shakespeare in Love” over “Saving Private Ryan”
2. “How Green Was My Valley” over “Citizen Kane”
1. “Crash” over “Brokeback Mountain”

The only one on this list that I really cannot concur with is “The Last Emperor.” While it’s certainly not an amazing film, neither was any of its competition. None of the other three films listed are any more deserving of the prize. 1987 on the whole was a pretty horrible year for cinema. My favorite was “Full Metal Jacket,” but even that film I have a difficult time calling Best Picture-worthy. Also, while the excruciatingly long and uneventful “Gandhi” was a shameful choice, “E.T.” would not be my pick from the nominees. For as much of a Spielberg whore as I am, his cuddly alien movie is not one of my favorites. Personally, I would have picked Sydney Pollack’s in-the-moment comedy, “Tootsie.”

My equivalent list would probably look like this:

10. “Chariots of Fire” over “Raiders of the Lost Ark”
9. “The Sting” over “A Clockwork Orange” or “The Last Picture Show”
8. “Going My Way” over “Double Indemnity”
7. “Titanic” over “L.A. Confidential”
6. “Dances with Wolves” over “Goodfellas”
5. “How Green Was My Valley” over “Citizen Kane”
4. “Crash” over “Brokeback Mountain” or “Munich”
3. “Shakespeare in Love” over “Saving Private Ryan,” or even “The Thin Red Line”
2. “Rocky” over “Taxi Driver,” “All the President’s Men” or “Network”
1. “In the Heat of the Night” over “Bonnie and Clyde” or “The Graduate”

Masterpieces like “Bonnie and Clyde” and “Taxi Driver” losing out to works of pure mediocrity like “Rocky” and “In the Heat of the Night” are enough to make eyes roll. I still also remember watching Harvey Weinstein and his entourage taking the stage in 1999, not being able to move for twenty minutes, my blood boiling with rage. Same in 2006 with the ridiculous Paul Haggis. It’s enough to make one cry.

Meanwhile, when it comes to the “test of time” question, not many films earn it to the same extent as “Citizen Kane,” “Double Indemnity,” or even after 20 or 30 years, “Goodfellas” and “Raiders of the Lost Ark.” These films are considered works of art by critics, industry and audiences alike while their competition has faded into the video store walls.

Give it a year and expect to find “The King’s Speech” up on this list. Maybe some day the Academy will realize that history will judge their decisions, and their hindsight is not very kind, and nor should it be, considering some of these decisions.

Check out Entertainment Weekly’s article, with a slideshow and commentary. Also, if you want to see something funny, check out this video of “Shakespeare in Love” winning Best Picture and watch Harrison Ford’s dismayed expression after reading the name. I feel for you, buddy…

The 1st Annual Edgy Award Nominations

February 17, 2011 1 comment

I have now been watching the Oscars, consecutively, for the last fourteen years. I love it. Even when I end up screaming at the television and throwing chairs around the room, I love the experience. Oscar night is like the Super Bowl, the World Series and Christmas all rolled into one night. However, if there’s one thing I enjoy more than watching the biggest awards of the year, it’s choosing my own.

I’ve been picking my own personal nominees and winners since before I can remember. Obviously, these particular honors don’t get as much attention as the actual Academy Awards, but they’ve always been amusing to me. Now, my awards not only get a home, but a name, as well. Welcome to the 1st Annual Edgy Award Nominations. They include all of the usual categories that the AMPAS offer. The final presentation will also contain a few other awards that tickle my fancy. Below, the nominees are listed in alphabetical order, not preferential. Expect my decision on the final winners some time next week. Hope that everyone enjoys them.

NOTE: Even though these are the first “published” Edgy Awards, I do have a solid, written record of them going back to 1940. Therefore, I’ve included a feature of noting how many nominations and wins that each individual has received from me in the past. This gives some extra input as to my own tastes in the nominees, how they’ve surprised me or continue to impress me. The connotations refer, however to how many mentions each person has had in each individual category, aside from all the acting categories included together. Once again, enjoy!

BEST ORIGINAL SONG

“Bred and Buttered”
featured in “Winter’s Bone”
Music and Lyrics by John Hawkes (1st Nom)

“If I Rise”
featured in “127 Hours”
Music by A.R. Rahman (3rd Nom)
Lyrics by Dido and Rollo Armstrong (1st Nom)

“Shine”
featured in “Waiting for Superman”
Music and Lyrics by John Legend (1st Nom)

“We Belong Together”
featured in “Toy Story 3”
Music and Lyrics by Randy Newman (3rd Nom)

 

Read more…