The Edge of the Frame

Here we go.

BEST PICTURE

• Black Swan (Fox Searchlight) A Protozoa and Phoenix Pictures Production
  Mike Medavoy, Brian Oliver and Scott Franklin, Producers
• The Fighter (Paramount) A Relativity Media Production
  David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
• Inception (Warner Bros.) A Warner Bros. UK Services Production
  Emma Thomas and Christopher Nolan, Producers)
• The Kids Are All Right (Focus Features) An Antidote Films, Mandalay Vision and Gilbert Films Production
  Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
• The King’s Speech (The Weinstein Company) A See-Saw Films and Bedlam Production
  Iain Canning, Emile Sherman and Gareth Unwin, Producers
• 127 Hours (Fox Searchlight) An Hours Production
  Christian Colson, Danny Boyle and John Smithson, Producers
• The Social Network (Sony Pictures Releasing) A Columbia Pictures Production
  Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
• Toy Story 3 (Walt Disney) A Pixar Production
  Darla K. Anderson, Producer
• True Grit (Paramount) A Paramount Pictures Production
  Scott Rudin, Ethan Coen and Joel Coen, Producers
• Winter’s Bone (Roadside Attractions) A Winter’s Bone Production
  Anne Rosellini and Alix Madigan-Yorkin, Producers

BEST DIRECTOR

• Black Swan (Fox Searchlight), Darren Aronofsky
• The Fighter (Paramount), David O. Russell
• The King’s Speech (The Weinstein Company), Tom Hooper
• The Social Network (Sony Pictures Releasing), David Fincher
• True Grit (Paramount), Joel Coen and Ethan Coen

BEST ACTOR in a LEADING ROLE

• Javier Bardem in “Biutiful” (Roadside Attractions)
• Jeff Bridges in “True Grit” (Paramount)
• Jesse Eisenberg in “The Social Network” (Sony Pictures Releasing)
• Colin Firth in “The King’s Speech” (The Weinstein Company)
• James Franco in “127 Hours” (Fox Searchlight)

BEST ACTRESS in a LEADING ROLE

• Annette Bening in “The Kids Are All Right” (Focus Features)
• Nicole Kidman in “Rabbit Hole” (Lionsgate)
• Jennifer Lawrence in “Winter’s Bone” (Roadside Attractions)
• Natalie Portman in “Black Swan” (Fox Searchlight)
• Michelle Williams in “Blue Valentine” (The Weinstein Company)

BEST ACTOR in a SUPPORTING ROLE

• Christian Bale in “The Fighter” (Paramount)
• John Hawkes in “Winter’s Bone” (Roadside Attractions)
• Jeremy Renner in “The Town” (Warner Bros.)
• Mark Ruffalo in “The Kids Are All Right” (Focus Features)
• Geoffrey Rush in “The King’s Speech” (The Weinstein Company)

BEST ACTRESS in a SUPPORTING ROLE

• Amy Adams in “The Fighter” (Paramount)
• Helena Bonham Carter in “The King’s Speech” (The Weinstein Company)
• Melissa Leo in “The Fighter” (Paramount)
• Hailee Steinfeld in “True Grit” (Paramount)
• Jacki Weaver in “Animal Kingdom” (Sony Pictures Classics)

BEST ORIGINAL SCREENPLAY

• Another Year (Sony Pictures Classics), Written by Mike Leigh
• The Fighter (Paramount), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson. Story by Keith Dorrington & Paul Tamasy & Eric Johnson
• Inception (Warner Bros.), Written by Christopher Nolan
• The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
• The King’s Speech (The Weinstein Company), Screenplay by David Seidler

BEST ADAPTED SCREENPLAY

• 127 Hours (Fox Searchlight), Screenplay by Danny Boyle & Simon Beaufoy
• The Social Network (Sony Pictures Releasing), Screenplay by Aaron Sorkin
• Toy Story 3 (Walt Disney), Screenplay by Michael Arndt. Story by John Lasseter, Andrew Stanton and Lee Unkrich
• True Grit (Paramount), Written for the screen by Joel Coen & Ethan Coen
• Winter’s Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini

BEST ANIMATED FILM

• How to Train Your Dragon (Paramount) Chris Sanders and Dean DeBlois
• The Illusionist (Sony Pictures Classics) Sylvain Chomet
• Toy Story 3 (Walt Disney) Lee Unkrich

BEST DOCUMENTARY FEATURE

• Exit through the Gift Shop (Producers Distribution Agency) Banksy and Jaimie D’Cruz A Paranoid Pictures Production
• Gasland Josh Fox and Trish Adlesic A Gasland Production
• Inside Job (Sony Pictures Classics) Charles Ferguson and Audrey Marrs A Representational Pictures Production
• Restrepo (National Geographic Entertainment) Tim Hetherington and Sebastian Junger An Outpost Films Production
• Waste Land Lucy Walker and Angus Aynsley (Arthouse Films) An Almega Projects Production

BEST FOREIGN LANGUAGE FILM

• Biutiful Mexico
• Dogtooth Greece
• In a Better World Denmark
• Incendies Canada
• Outside the Law (Hors-la-loi) Algeria

BEST CINEMATOGRAPHY

• Black Swan (Fox Searchlight) Matthew Libatique
• Inception (Warner Bros.) Wally Pfister
• The King’s Speech (The Weinstein Company) Danny Cohen
• The Social Network (Sony Pictures Releasing) Jeff Cronenweth
• True Grit (Paramount) Roger Deakins

BEST EDITING

• Black Swan (Fox Searchlight) Andrew Weisblum
• The Fighter Paramount Pamela Martin
• The King’s Speech (The Weinstein Company) Tariq Anwar
• 127 Hours (Fox Searchlight) Jon Harris
• The Social Network (Sony Pictures Releasing) Angus Wall and Kirk Baxter

BEST ART DIRECTION

• Alice in Wonderland (Walt Disney), Robert Stromberg (Production Design), Karen O’Hara (Set Decoration)
• Harry Potter and the Deathly Hallows Part 1 (Warner Bros.), Stuart Craig (Production Design), Stephenie McMillan (Set Decoration)
• Inception (Warner Bros.), Guy Hendrix Dyas (Production Design), Larry Dias and Doug Mowat (Set Decoration)
• The King’s Speech (Paramount), Eve Stewart (Production Design), Judy Farr (Set Decoration)
• True Grit (Paramount), Jess Gonchor (Production Design), Nancy Haigh (Set Decoration)

BEST COSTUME DESIGN

• Alice in Wonderland (Walt Disney) Colleen Atwood
• I Am Love (Magnolia Pictures) Antonella Cannarozzi
• The King’s Speech (The Weinstein Company) Jenny Beavan
• The Tempest (Miramax) Sandy Powell
• True Grit (Paramount) Mary Zophres

BEST SOUND MIXING

• Inception (Warner Bros.) Lora Hirschberg, Gary A. Rizzo and Ed Novick
• The King’s Speech (The Weinstein Company) Paul Hamblin, Martin Jensen and John Midgley
• Salt (Sony Pictures Releasing) Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
• The Social Network (Sony Pictures Releasing) Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
• True Grit (Paramount) Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

BEST SOUND EDITING

• Inception (Warner Bros.) Richard King
• Toy Story 3 (Walt Disney) Tom Myers and Michael Silvers
• Tron: Legacy (Walt Disney) Gwendolyn Yates Whittle and Addison Teague
• True Grit (Paramount) Skip Lievsay and Craig Berkey
• Unstoppable (20th Century Fox) Mark P. Stoeckinger

BEST VISUAL EFFECTS

• Alice in Wonderland (Walt Disney) Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
• Harry Potter and the Deathly Hallows Part 1 (Warner Bros.) Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
• Hereafter (Warner Bros.) Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
• Inception (Warner Bros.) Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
• Iron Man 2 (Paramount and Marvel Entertainment, Distributed by Paramount) Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

BEST MAKEUP EFFECTS

• Barney’s Version (Sony Pictures Classics) Adrien Morot
• The Way Back (Newmarket Films in association with Wrekin Hill Entertainment and Image Entertainment) Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
• The Wolfman (Universal) Rick Baker and Dave Elsey

BEST ORIGINAL SCORE

• How to Train Your Dragon (Paramount) John Powell
• Inception (Warner Bros.) Hans Zimmer
• The King’s Speech (The Weinstein Company) Alexandre Desplat
• 127 Hours (Fox Searchlight) A.R. Rahman
• The Social Network (Sony Pictures Releasing) Trent Reznor and Atticus Ross

BEST ORIGINAL SONG

• Coming Home from Country Strong (Sony Pictures Releasing (Screen Gems)) Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
• I See the Light from Tangled (Walt Disney) Music by Alan Menken Lyric by Glenn Slater
• If I Rise from 127 Hours (Fox Searchlight) Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
• We Belong Together from Toy Story 3 (Walt Disney) Music and Lyric by Randy Newman

My thoughts, and there will be many, will be coming soon. All in all, except for a few epically dumb decisions, these are some of the best Oscar nominations EVER.