Well, Hollywood’s biggest night is this Sunday. However, the biggest night for this particular blog is right here and now. I announced the nominees for this year’s Edgy Awards last week and it’s now time to bestow said honors upon the winners. As the results will show, several films have proven their excellence by taking a high number of awards. However, much of the love has been equally spread out. Interestingly, four films out of my Top Ten List went home empty handed, while a film that I would consider quite a disappointment still propelled itself to a win in one category.
Overall, these awards are a very accurate depiction of my opinion on films this year. Now, if only the Oscars had this type of taste. However, if the Oscars always matched exactly what one person thought the best, where’s the fun in that? That kind of reality would eliminate the fun of having an opinion in the first place. It would do away with genuine discussion and healthy argument over film. And, most importantly, it would take away from making this site it’s own unique vision.
NOTE: I have been awesome enough to include a video selection for each award chosen, either a short documentary describing the category or a clip from the film that best exhibits what it has been awarded. However, I can not guarantee that any of the clips selected do or do not contain spoilers. Therefore, if you haven’t yet seen the chosen film, do not watch the clip. Simple.
Also, a number of the clips do not allow embedment. But don’t give up, so easily. Just click the link and it will take you directly to the video’s Youtube link where you can view it. Once again, simple.
Without further adieu, here are the winners of the 2011 Edgy Awards!
BEST ORIGINAL SONG
“If I Rise” featured in “127 Hours”
Music by A.R. Rahman and Lyrics by Dido and Rollo Armstrong
Runner-Up: “Bred and Buttered” featured in “Winter’s Bone”
Last week, I reported that “The King’s Speech” cleaned up at the British Academy Awards. However, this was to be expected. Records for acting awards and the first film to win both of their Best Film and Best British Film. Go figure, considering it’s the most widely popularized British film since “Shakespeare in Love.” However, on the whole, I almost have to say that “The King’s Speech” underperformed at the BAFTAs, and if one film had an equal, or possibly better night overall, it would have to be “The Social Network.”
No, this is not favoritism. No, it is not just just wishful thinking. I think at this point of the race, it is now more neck and neck between the two big contenders than it ever has been. For the first two weeks after nominations were announced, it was all all about “The King’s Speech,” especially after picking up its trio of key guild awards. However, after the BAFTAs, the WGA, and now the ACE victory, “The Social Network” has shown that it could very easily take home the big prize. One simply has to look at the past and the science behind it all.
Yes, it’s true that the PGA, DGA and SAG are all very heavy hitters when it comes to inducing a Best Picture win. However, in the long run, it looks like “The King’s Speech” will be down several big awards on Sunday night. This takes us back to why the BAFTAs were such a key event. While taking them for a sweep, “The King’s Speech” managed to lose Director and Editing, perhaps the two key awards in the Best Picture race. After winning the American Cinema Editors top prize, “The Social Network” seems to have Best Editing in the bag, along with the obvious Best Adapted Screenplay. And one has to wonder that if the Brits won’t even bestow Tom Hooper with the big director’s prize, how willing will the Academy be to snub David Fincher for what is quite possibly his finest work to date and maybe ever again.
Now, let’s look at the stats. Best Director and Best Editor are more engrained in the blood of a Best Picture winner than any other awards. An example of how important the editing honor is, no film has won Best Picture in over thirty years (not since “Ordinary People” in 1980) without being nominated for Best Editing. Many people believe that aside from the homophobia, this was the bane of “Brokeback Mountain,” being that “Crash” had the fervent support of the editors with both Oscar and ACE awards under its belt. Now, granted, both “The King’s Speech” and “The Social Network” have been nominated for that award, so the race does not end on this stat.
However, here’s some other info to chew on. If “The Social Network” does win Best Director, Best Screenplay and Best Editing, however loses Best Picture, it will be only the 3rd film in the history of the Oscars to do so. The other two were “Traffic” in ’00 and “A Place in the Sun” in ’51. Furthermore, in the situation that “The Social Network” wins Directing and Editing: Only 2 films in the last 20 years have won Best Picture without winning either of those two awards (“Gladiator” in ’00, “Shakespeare in Love” in “98). Going back even further, only 5 films in the last 50 YEARS have accomplished that task. In this regard, precedents for “The King’s Speech” winning peg it at only about 1 in 10.
If ancient history is too flimsy for some, let’s look at the last decade. Three of the last four films to win Best Picture (“The Hurt Locker,” “Slumdog Millionaire,” and “The Departed”) all took home Director, Screenplay and Editing. Also, in regard to the recent American Cinema Editors award, 7 out of the last 10 films to win Best Picture also won the ACE, and in the years that they didn’t, the winner of the ACE went on to take Best Editing at the Oscars, which speaks well for “Social Network,” as well.
There are a few big precedents to support a “King’s Speech” victory, most glaringly would be “Shakespeare in Love” over “Saving Private Ryan.” However, one event is strangely alike to the present year that stands behind a “Social Network” upset and that is 1995. Before Oscar night, “Apollo 13” had taken the PGA, the DGA and the SAG. “Braveheart” had taken the Golden Globe for Best Director, the BFCA for Best Director, the ACE and the WGA. Freakishly similar. “Braveheart” came out victorious. Perhaps the only thing that separates it would be that Ron Howard was not nominated for Oscar’s Best Director, while Tom Hooper is. However, “Braveheart” also did not have the added incentive of having won practically EVERY SINGLE BEST PICTURE AWARD THAT EXISTS up to the PGA.
A lot of jargon, right? What does it all mean? It means that I have made a decision to support “The Social Network” to the final moments in regards to my Best Picture prediction. Hope may be a dangerous thing in this game, but if ever there was a year that I had to hold on to it, it would be this one. Will I be wrong? Possibly. Probably. Yet, I imagine a scenario in which “The Social Network” won and I predicted against it. I’d never forgive myself.
And in all honesty, I really think it’s going to happen.
Well, I’m off to work on the Edgies. Stay tuned for the winners’ announcement on Thursday evening, while my final Oscar predictions will have to wait until Saturday night. I spare not a second.
I have now been watching the Oscars, consecutively, for the last fourteen years. I love it. Even when I end up screaming at the television and throwing chairs around the room, I love the experience. Oscar night is like the Super Bowl, the World Series and Christmas all rolled into one night. However, if there’s one thing I enjoy more than watching the biggest awards of the year, it’s choosing my own.
I’ve been picking my own personal nominees and winners since before I can remember. Obviously, these particular honors don’t get as much attention as the actual Academy Awards, but they’ve always been amusing to me. Now, my awards not only get a home, but a name, as well. Welcome to the 1st Annual Edgy Award Nominations. They include all of the usual categories that the AMPAS offer. The final presentation will also contain a few other awards that tickle my fancy. Below, the nominees are listed in alphabetical order, not preferential. Expect my decision on the final winners some time next week. Hope that everyone enjoys them.
NOTE: Even though these are the first “published” Edgy Awards, I do have a solid, written record of them going back to 1940. Therefore, I’ve included a feature of noting how many nominations and wins that each individual has received from me in the past. This gives some extra input as to my own tastes in the nominees, how they’ve surprised me or continue to impress me. The connotations refer, however to how many mentions each person has had in each individual category, aside from all the acting categories included together. Once again, enjoy!
BEST ORIGINAL SONG
“Bred and Buttered”
featured in “Winter’s Bone”
Music and Lyrics by John Hawkes (1st Nom)
“If I Rise”
featured in “127 Hours”
Music by A.R. Rahman (3rd Nom)
Lyrics by Dido and Rollo Armstrong (1st Nom)
featured in “Waiting for Superman”
Music and Lyrics by John Legend (1st Nom)
“We Belong Together”
featured in “Toy Story 3”
Music and Lyrics by Randy Newman (3rd Nom)
Last year, I can remember the huge uproar against the AMPAS extending the amount of Best Picture nominees to ten. I can also remember, that through it all, I was one of this notion’s strongest supporters. I recognize the faults in the logic. It allows for lesser films that have no business being considered one of the year’s best to fight their way in due to endless campaigning and the votes of stupid people. This flaw took shape last year in the form of “The Blind Side” getting nominated for Best Picture.
However, the upsides of the expansion are far greater. It gives the field a more diverse look, for one. It’s nice to see films from a wide range of directors and collaborators. If allows also a mix of both intelligent box office hits and scrappy indy favorites. More than anything else, however, is that five films is just two few to sum up a year in cinema. Had the Academy enacted this ruling ten years ago, one would look back on certain films and think it a crime had they not been nominated, which they haven’t. Imagine a world if films like “The Wrestler,” “The Dark Knight,” “WALL-E,” “Into the Wild,” “Once,” “The Diving Bell and the Butterfly,” “United 93,” “Little Children,” “Children of Men” and “Pan’s Labyrinth” could have been Best Picture nominees, and that’s only the last five years.
It must be for that reason that critics, for over fifty years, have been issuing top ten lists of their favorite films, rather than top five lists. It’s about that time, therefore, for The Edge of the Frame to release its own list for the 2010 year. I have now seen sixty films from 2010, which is low for me and not quite an respectable amount. Over the years, I’m sure that this list will change a spot or two as I see more, but for now, I believe that I’ve seen an acceptable sum to create an adequate list.
This has been a good year for film, but not really a great one. Out of sixty films, I gave only two films “A” grades. The year has had its high points and low points. For instance, it has been a great year for lead acting performances, but a rotten year for cinematography. For sure, I will always remember 2010 as the year that the Oscars snubbed its nose at great film and went home to their comfort zones. More than anything else, however, 2010 has been the year of the documentary. Never have I seen a year in cinema in which so many documentaries have captured my interest, let alone made it into my top ten.
As always there are a few stragglers that, even though they don’t qualify for my top ten, they still deserve an honorable mention. Therefore, this next selection of films are all very good, but just not good enough. They may be packed with amazing moments, but there’s also one too many flaws that have kept them down. So without further adieu, here are the films that just didn’t quite make it:
Directed by Danny Boyle
Written by Danny Boyle and Simon Beaufoy
Click HERE to see the rest of the list
It kind of went without saying that “The King’s Speech” was destined to rape the living hell out of these awards since September when the film debuted at the Venice Film Festival. Apparently, it’s the most widely popular and acclaimed British film since, I don’t know….”Lawrence of Arabia,” though I surely don’t understand it. This is a big moment for our English brethren across the Atlantic to pat themselves on the back. A pretty strong example of this is how the British Academy Awards actually have two awards for Best Picture: Best Film and Best British Film. For years they have made it so that no film wins both awards, but rather spread the wealth. Guess what’s the first film ever to take home every Best Picture award on the market?
“The King’s Speech” ended up taking home seven awards, total. Aside from being the first film to achieve the accolade above, the film also became the first film in BAFTA history to take home three awards for acting. Colin Firth, of course, nailed the Best Actor win (not even the real King George risen from the dead could stop Firth from sweeping straight to Oscar glory). However, the film also won supporting awards for both Geoffrey Rush and Helena Bonham Carter. While Geoffrey Rush is definitely picking up a bit of steam, don’t expect a repeat in the American Academy Awards. If anyone can unseat Melissa Leo, it will be Hailee Steinfeld (sadly).
Despite all of the above, “The King’s Speech” was not the only big winner of the night. Many believed that “The Social Network” was TKOed, not just for these awards, but for year, as well. Some of this ideology was attributed to the film only garnering six nominations (compared to “The King’s Speech”‘s fourteen) or perhaps the heavy American sentiment laden in the work. However, all of this was rendered false, last night, when “The Social Network” won three very substantial awards: Best Editing, Best Adapted Screenplay and Best Director for David Fincher. If the Brits won’t even give their award to newcomer Tom Hooper, I can’t see any reason why the American awards circuit would stoop that low.
Check out the full list of winners, below:
BEST FILM: “The King’s Speech”
BEST DIRECTOR: David Fincher – “The Social Network”
BEST LEADING ACTOR: Colin Firth – “The King’s Speech”
BEST LEADING ACTRESS: Natalie Portman – “Black Swan”
BEST SUPPORTING ACTOR: Geoffrey Rush – “The King’s Speech”
BEST SUPPORTING ACTRESS: Helena Bonham Carter – “The King’s Speech”
BEST ADAPTED SCREENPLAY: “The Social Network”
BEST ORIGINAL SCREENPLAY: “The King’s Speech”
BEST CINEMATOGRAPHY: “True Grit”
OUTSTANDING BRITISH FILM: “The King’s Speech”
OUTSTANDING BRITISH DEBUT: “Four Lions”
BEST EDITING: “The Social Network”
BEST ORIGINAL SCORE: “The King’s Speech”
BEST PRODUCTION DESIGN: “Inception”
BEST COSTUME DESIGN: “Alice in Wonderland”
BEST SOUND: “Inception”
BEST VISUAL EFFECTS: “Inception”
BEST MAKEUP AND HAIR: “Alice in Wonderland”
BEST SHORT FILM: “Until the River Runs Red”
BEST SHORT FILM, ANIMATION: “The Eagleman Stag”
BEST FOREIGN LANGUAGE FILM: “The Girl with the Dragon Tattoo”
BEST ANIMATED FILM: “Toy Story 3”
RISING STAR AWARD: Tom Hardy
I recently read an article written by Steve Pond over at The Wrap, who is in the same boat as 95% of awards pundits in believing that this race is pretty much called for “The King’s Speech.” However, he outlines that there still are some outs left for “The Social Network,” particularly if it changes and ups its campaign in these last few weeks.
The film is having a great weekend, having won the USC Scripter Award last night and all but locked to win the WGA award for Best Adapted Screenplay tonight. What’s better for it is that since “The King’s Speech” wasn’t eligible for the WGA awards (even though its the best bet to win the Oscar for Best Original Screenplay), it will be a weekend in which “The King’s Speech” will actually be out of the news.
Pond’s article makes some good points. I’ve highlighted a small section of it below where he discusses how “The Social Network” might have a shot in the balloting:
“The question that’ll face “The Social Network” on Sunday morning is whether it can capitalize on the small shot of momentum that comes from a pair of expected victories – and if so, how.
Columnists have been offering scenarios in recent days, ranging from S.T. Van Airsdale’s suggestion that David Fincher show that he actually wants the award to John Lopez’s theorythat the preferential system of ballot-counting – in which a film can win if it picks up enough number two and three votes from movies that are eliminated from contention – will help a critical favorite like “TSN.”
In fact, I’d guess that the preferential count will help “TKS” or even “The Fighter” or “Toy Story 3” more than “TSN.” The question to ask: among voters whose first choices are “Winter’s Bone,” “127 Hours,” “The Kids Are All Right,” “Inception” and “True Grit,” which film is likely to be ranked second? If the majority of those voters go for “Social Network,” it can pull off an upset; if they split their votes or rally behind something else, the Facebook flick is in trouble.”
You can read the full article here. And here’s to holding out hope:
It’s time for phase 2, ladies and gentleman. Things aren’t going as well as I would have liked, but they almost never do. As Sasha Stone at Awardsdaily quotes “All the President’s Men,” in regards to the Oscar race, “The trick is not minding.” You’ve got to roll with the punches and accept that even if the deserving film doesn’t win, hopefully your predictions are still right. Therefore, at least your pride is still intact.
I have “The King’s Speech” down for the big win, sadly. Maybe later on, if there’s a potential change in vibe, I might make an alteration back. But for now, one has to put the money where the money’s gonna win. I have, meanwhile, kept David Fincher in the frontrunner position for Best Director. I simply cannot imagine a world in which Tom Hooper wins that trophy from him. It’s simply unnatural that the Academy could be that ridiculous.
You can pretty much take all of the acting wins to the bank. Melissa Leo is the only one who’s kind of flimsy, at this point, but I have a feeling her age and fantastic personality will help her beat out the unworthy newcomer.
Going over this, it still boggles me that Lee Smith missed an editing nomination for “Inception.” It really makes no sense. I have the “The Social Network” down, and my God, it deserves it. Yet, the nomination feels flimsy, and yet I can’t figure out what could possibly take it down.
With that, here are my first winner predictions for the 83rd Annual Academy Awards, complete with all of the nominees ranked in order of their chances. I will keep them posted and, hopefully, updated in the “PREDICTIONS” tab at the top of the homepage.
Click “Read More” to see the full list and tally.
1. “The King’s Speech”
2. “The Social Network”
3. “The Fighter”
4. “True Grit”
5. “Black Swan”
6. “Toy Story 3”
8. “127 Hours”
9. “Winter’s Bone”
10. “The Kids Are All Right”
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